SATB choir and piano or chamber orchestra - Medium - Digital Download SKU: MQ.5755-E Composed by Gustav Mahler and Stanley M. Hoffman. Arranged by Stanley M. Hoffman. Advanced/Collegiate. Secular, Romantic. Score & instrument parts. 9 pages. E. C. Schirmer Music Company - Digital #5755-E. Published by E. C. Schirmer Music Company - Digital (MQ.5755-E). English, German.Gustav Mahler (1860–1911) completed the composition of this work in 1901. The original version, scored for solo voice and chamber orchestra, is one of the Rückert-Lieder (Friedrich Rückert, poet [1788–1866]). Stanley M. Hoffman completed his arrangement for SATB chorus and piano in 2001. Hoffman says of his arrangement: Rather than taking the easy way out by placing a pre-existing accompaniment from a piano/vocal score beneath the newly created alto, tenor, and bass choral parts (the soprano part retaining the original melody throughout), I went back to the orchestral score and created my own piano reduction. Bracketed items indicate editorial additions intended to make the arrangement more effective. The piece should be performed in a hushed manner throughout. This edition also includes a sensitively conceived English singing translation by Robert Schuneman.In 2015, Stanley M. Hoffman inserted his choral arrangement into the original chamber orchestra score. Duration: 6:00.

Piano Solo - Level 2 - Digital Download SKU: A0.771596 By Hanna Choi. By Franz Schubert. Arranged by Hanna Choi. Classical,Sacred,Spiritual. Score. 3 pages. HannaChoi #379239. Published by HannaChoi (A0.771596). A v e M a r i a for Piano Solo Ellens dritter Gesang, D. 839, Op. 52, No. 6, 1825 in English: Ellen's Third Song was composed by Franz Schubert in 1825 as part of his Op. 52 It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary).

String Quartet - Intermediate - Digital Download By N Sync. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 17 pages. Published by Sarah Chaffee

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1125681 By Cardi B With Bad Bunny & J Balvin. By Manny Rodriguez and Tony Pabon. Arranged by Sarah Cellobat Chaffee. Contemporary,Hip-Hop,Latin,Multicultural,Pop,R & B,World. 30 pages. Sarah Cellobat Chaffee #726413. Published by Sarah Cellobat Chaffee (A0.1125681). I Like It was released in 2018 as a single from Cardi B's debut studio album. Featuring guest artists Bad Bunny and J Balvin, this Latin trap/hip-hop song features catchy hooks and a danceable beat that quickly captured the attention of audiences worldwide -- it ended up topping the Billboard charts in nine countries and has since been streamed over a billion times. So you can't go wrong having this one in your gig books! Originally written for a quinceañera, this Cellobat arrangement for string quartet will be a ton of fun for everyone to play -- over the course of the song, every instrument gets their own melodies, harmonies, and rhythmic grooves, for a truly all-inclusive quartet fiesta! Rated advanced-intermediate mainly for some tricky rhythms; this will be learnable for students and sightreadable for professionals. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1125692 By Cardi B With Bad Bunny & J Balvin. By Manny Rodriguez and Tony Pabon. Arranged by Sarah Cellobat Chaffee. Contemporary,Hip-Hop,Latin,Multicultural,Pop,R & B,World. 13 pages. Sarah Cellobat Chaffee #726427. Published by Sarah Cellobat Chaffee (A0.1125692). I Like It was released in 2018 as a single from Cardi B's debut studio album. Featuring guest artists Bad Bunny and J Balvin, this Latin trap/hip-hop song features catchy hooks and a danceable beat that quickly captured the attention of audiences worldwide -- it ended up topping the Billboard charts in nine countries and has since been streamed over a billion times. So you can't go wrong having this one in your gig books! Originally written for a quinceañera, this Cellobat arrangement for violin & cello duet will be a ton of fun to play -- both parts have an array of melodies, harmonies, and rhythmic grooves, for a truly all-inclusive fiesta of a chart! Rated advanced-intermediate mainly for some tricky rhythms; this will be learnable for students and sightreadable for professionals. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs  The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...

3 or 4 soprano voice soli, SATB choir (choir divisi), and piano - Moderately Easy - Digital Download SKU: MQ.1.3502-E Composed by Raimonds Tiguls. Advanced/Collegiate; Lee Nelson Choral Series. Secular, Memorial, 21st Century, Creation/Nature. Octavo. 15 pages. Duration 4 minutes, 10 seconds. Galaxy Music Corporation - Digital #1.3502-E. Published by Galaxy Music Corporation - Digital (MQ.1.3502-E). UPC: 600313135026. English.Moonlight Sound Design was commissioned and premiered by the youth choir Kamēr conducted by M�ris Sirmais in Riga, Latvia in 2012. In USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it.Moonlight Sound Design is composed for 3 or 4 Soprano Soli, SATB Chorus and Hang* but can be performed with Piano or Guitar accompaniment as well. The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Bass section should sing the octave E-flat in bars 5–23 and bars 38–56 with a “didgeridoo� effect.*The Hang (pronunced haŋ in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.� The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO� shape. The top (“Ding�) side has a center “note� hammered into it, and seven “tone fields� hammered around the center. -Raimonds TigulsDuration: 4:10.

Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.

3 or 4 soprano soli, SSAA choir (choir divisi), and piano - Medium - Digital Download SKU: MQ.1.3564-E Composed by Raimonds Tiguls. 14 pages. Duration 4 minutes, 10 seconds. Galaxy Music Corporation - Digital #1.3564-E. Published by Galaxy Music Corporation - Digital (MQ.1.3564-E). English.The SATB version of Moonlight Sound Design was commissioned and premiered by the youth choir Kamēr conducted by M�ris Sirmais in Riga, Latvia in 2012. In the USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it.Moonlight Sound Design is here arranged for 3 or 4 Soprano Soli, SSAA Chorus and piano accompaniment. It can also be accompanied by Hang* (available as a free download, and adaptable to other instruments such as Guitar or Vibraphone). The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Alto section should sing the pitches in bars 5–23 and bars 38–56 with a “didgeridoo� effect.*The Hang (pronunced haŋ in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.� The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO� shape. The top (“Ding�) side has a center “note� hammered into it, and seven “tone fields� hammered around the center. -Raimonds TigulsDuration: 4:10.

Bass Guitar - Level 3 - Digital Download SKU: A0.1025809 Arranged by Tatiana Riabinkina. Romantic Period. Score. 2 pages. Tatiana Riabinkina #5222555. Published by Tatiana Riabinkina (A0.1025809). The arrangement is made using different positions on the neck. It fits for students and can be performed in ensembles. The duration is about 3.20 minutes.F A C E B O O K ➜ https://www.facebook.com/tatiana.riab...I N S T A G R A M ➜ https://www.instagram.com/khanka_diV K O N T A K T E ➜ https://vk.com/khanka

By K-Ci and JoJo. By Joel Hailey and Rory Bennett. Arranged by Sarah Cellobat Chaffee. Contemporary, Hip- Hop, Pop, R & B, Wedding. Score and parts. 15 pages. Sarah Cellobat Chaffee #641330. Published by Sarah Cellobat Chaffee

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1268797 By András Csáki and Balázs Rumy. By Traditional. Arranged by David Warin Solomons. Contemporary,Folk. Full Performance. Duration 179. David Warin Solomons #861329. Published by David Warin Solomons (A0.1268797). Words of the original song (in Auvergnat)Pastré, dè dèlaï l'aïo a gaïré dé boun tèn, dio lou baïlèro lèro. Lèro lèro lèro lèro baïlèro lô.E n'en ai gaïré è dio tu baïlèro lèro. Lèro lèro lèro lèro baïlèro lô.Pastré lou prat faï flour, li cal gorda toun troupèl, dio lou baïlèro lèro. Lèro lèro lèro lèro baïlèro lô. L'èrb ès pu fin ol prat d'oïci, baïlèro lèro. Lèro lèro lèro lèro baïlèro lô.Pastré, couci foraï en o bal io lou bel rîou, dio lou baïlèro lèro. Lèro lèro lèro lèro baïlèro lô. Espèro mé té baô circa baïlèro lèro. Lèro lèro lèro lèro baïlèro lô.My English singing version:Shepherd, across the water, you stand in wind and rain, sing the bailero lero. Lero lero lero lero bailero lo. I stand in wind and rain and sing bailero lero. Lero lero lero lero bailero lo.Shepherd, see these fair fields, come and feed your flocks, sing the bailero lero. Lero lero lero lero, bailero lo. Here all the grass is greener, sing bailero lero. Le ro lero lero lero bailero lo.Shepherd, the water keeps me from crossing o'er, sing bailero lero. Lero lero lero lero, bailero lo. I shall come down and fetch you o'er, bailero lero. Lero lero lero lero bailero lo.It is performed here byBalázs Rumy clarinetAndrás Csáki guitar.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1451774 By K-Ci and JoJo. By Joel Hailey and Rory Bennett. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,R & B,Soul,Wedding. 22 pages. Sarah Cellobat Chaffee #1031083. Published by Sarah Cellobat Chaffee (A0.1451774). Released as a single from their 1997 album Love Always, All My Life is a soulful ballad by the popular R&B duo K-Ci and Jojo. This beautiful song ended up being a commercial success -- not only did it top the Billboard charts for three consecutive weeks, but it also received two Grammy nominations, and it has since been dubbed the most successful song of the group's career. With its heartfelt lyrics describing how all my life, I prayed for someone like you, it's no wonder this song is a popular request for wedding ceremonies and receptions! This Cellobat arrangement for your string quartet will be a hit at all your events -- with its soaring melodies, beautiful countermelodies, and relaxing vibe, you're sure to pull at your audience's heartstrings. Rated intermediate; this will be playable for students and sightreadable for professionals. Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1316373 By Alicia Keys. By Alicia Keys, George Harry, and Kerry Brothers Jr. Arranged by Sarah Cellobat Chaffee. Pop,R & B,Wedding. 19 pages. Sarah Cellobat Chaffee #905117. Published by Sarah Cellobat Chaffee (A0.1316373). Released in 2007 as a single from Alicia Keys' album As I Am, No One was a smash hit from the start. The song topped the Billboard charts for five straight weeks and reached number one in over 20 countries; it has since been certified 9x platinum and received several Grammy awards. And with its heartfelt lyrics about how true love can survive any distractions, it's no wonder this song is still a popular request for weddings to this day! This Cellobat arrangement for your string quartet maintains the soulful vocal lines, arpeggiated piano figures, and downtempo groove of the original for a chart your audience is sure to love. Originally written for a wedding ceremony, this will also be perfect for receptions, cocktail hour, parties, solo & ensemble contest, or any other occasion you need some vintage R&B! Rated advanced-intermediate, mainly due to some tricky rhythms throughout; this will be learnable for more advanced students and sightreadable for professionals.Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.