Cello Solo - Level 2 - Digital Download SKU: A0.947110 Composed by Philip Nicholas. Contemporary,Instructional,Jazz. Individual part. 25 pages. Philip Nicholas #3042469. Published by Philip Nicholas (A0.947110). A collection of 13 studies. The Blue ones are a bit Jazzy and feature the development of Dominant 7ths or Diminished 7ths, and more, while the music of Martian origins has a tendency to explore some fringe areas in terms of harmony or notation though some are more conventional. The studies are aimed at a student ready to explore 3rd position and beyond. Each study uses all the strings of the cello and all the left hand fingers. In general the individual studies are varied, including the bowing, and don't have that typical study look. The final work is older and is called Winter Solstice.

Viola Solo - Level 2 - Digital Download SKU: A0.947109 Composed by Philip Nicholas. Contemporary,Instructional,Jazz. Individual part. 25 pages. Philip Nicholas #3042467. Published by Philip Nicholas (A0.947109). A collection of 13 studies. The Blue ones are a bit Jazzy and feature the development of Dominant 7ths or Diminished 7ths, and more, while the music of Martian origins has a tendency to explore some fringe areas in terms of harmony or notation though some are more conventional. The studies are aimed at a student ready to explore 3rd position and beyond. Each study uses all the strings of the viola and all the left hand fingers. In general the individual studies are varied, including the bowing, and don't have that typical study look. The final work is older and is called Winter Solstice.

Violin Solo - Level 2 - Digital Download SKU: A0.947108 Composed by Philip Nicholas. Contemporary,Instructional,Jazz. 22 pages. Philip Nicholas #3042465. Published by Philip Nicholas (A0.947108). A collection of 12 studies. The Blue ones are a bit Jazzy and feature the development of Dominant 7ths or Diminished 7ths, and more, while the music of Martian origins has a tendency to explore some fringe areas in terms of harmony or notation though some are more conventional. The studies are aimed at a student ready to explore 3rd position and beyond. Each study uses all the strings of the violin and all the left hand fingers. In general the individual studies are varied, including the bowing, and don't have that typical study look.

Composed by Philip Hemmo. 4 scores. 43 pages. Les Productions d'OZ - Digital #DZ 3713. Published by Les Productions d'OZ - Digital

Solo Guitar - Level 2 - Digital Download SKU: A0.1032558 Composed by Philippe Vieu. Film/TV,Folk,Graduation,New Age,Pop. Individual part. 2 pages. Philip Viel #4983937. Published by Philip Viel (A0.1032558). A song (mellow but long and complicated !) about those who despise environment issues...   Released (France) in 2018 but has been used in ecological marches around the world.   A little girl sings at the end It's my planet, it's my struggle. We have to fight for it -we've got no choice. 

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1029234 Composed by Paul Sprague. Contemporary. Score and parts. 15 pages. Paul Sprague #4783567. Published by Paul Sprague (A0.1029234). This piece was written as a final project in my high school AP Music Theory course. It is written in Sonata-Allegro form, with the main theme being my name, Paul Philip Sprague, translated into a musical figure. It reminded me of the first time I flew on an airplane. The moment when the wings of the plane finally are able to carry the massive aircraft. The moment of lift.

Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - Digital Download SKU: A0.1013064 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 61 pages. Airplane Ears Music #5802121. Published by Airplane Ears Music (A0.1013064). Zap! (2005, 45 minutes) for Van de Graaff Generator, Lyricon, voices, guitar, cello, bass, percussion, piano, robotic xylophone and electronics. The sound of electricity at its rawest and most majestic - sparks, booms, lightning bolts, sizzling corona and low hums from giant motors - intermingle with the sounds of cello, bass, guitar, piano, clarinets, percussion and voice. Christine Southworth created Zap! in 2004 to explore these possibilities, using the Boston Museum of Science's Theater of Electricity as her venue and instrument. Its centerpiece - MIT Professor Robert Van de Graaff's eponymous Generator, was born in 1931 as one of the world's largest atom smashers. It is still the largest of its kind in the world, standing forty-feet tall and producing up to 1.5 million volts of electricity. Zap!, a composition in seven parts, takes the sounds of this machine, two large Tesla Coils, and a Jacob's Ladder, merged with rock rhythms and sweet melodies performed by Robert Black, David Cossin, Felix Fan, Philippa Thompson, Eddie Whalen, & Evan Ziporyn. The resulting music is ... electrifying!Premiered February 4, 2005 at Boston Museum of Science by Ensemble Robot, Jeff Lieberman (guitar), Blake Newman (bass), Sachi Sato (keyboard), Mei-mi Lin (keyboard), Akili Haynes (percussion, voice), Erik Nugent (Lyricon, voice), Rebecca Zook (cello), Christine Southworth (voice, Van de Graaff controls), Leila Hasan (Van de Graaff controls), Giles Hall (robot controls).About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes.  Website: www.kotekan.com

(Flute) - Level 3 - Digital Download SKU: H1.1986FDP Arranged by David Schwoebel. Hymntune, General Worship. Flute part. 1 pages. Hope Publishing - Digital #1986FDP. Published by Hope Publishing - Digital (H1.1986FDP). Acts 2:17 - Joel:2:28 - Matthew 17:8 - Numbers:18:20 - Philippians 3:7 -.Traditional Irish Melody A random bell ring with flute melody introduces this lovely arrangement of the traditional Irish melody SLANE. Further grace is bestowed through the use of LV and mallet on suspended bells techniques. The final section grows more full texture and dynamic-wise before settling into a recap of the beginning mood. The flute score is printed above the bell part for the director to follow. This 77-measure piece is scored in C Major and Ab Major.

C Instr. and Cello Parts - Level 2 - Digital Download SKU: H1.2492PDP Arranged by Arnold B. Sherman and Joel Raney. Hymntune, General Worship. Instrumental Parts. 7 pages. Hope Publishing - Digital #2492PDP. Published by Hope Publishing - Digital (H1.2492PDP). Acts 2:17 - Joel:2:28 - Matthew 17:8 - Numbers:18:20 - Philippians 3:7 -.Celtic Melody Arnold Sherman arranges the gently flowing Celtic melody SLANE for handbells and 2 optional C instruments, plus cello. This gorgeous depiction is based on a Joel Raney original piano setting of this beloved hymn that utilizes beautiful harmonies and broken chord patterns making it ideal for handbells. The parts for the two C instruments and cello are available separately.

Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1404507 By Philip Bailey With Phil Collins. By Nathan East, Phil Collins, and Philip Bailey. Arranged by Jared Plane. Pop,Rock,Soul. Score. 7 pages. Jared Plane #987595. Published by Jared Plane (A0.1404507). Nathan East's original bass line as played on the Philip Bailey song, Easy Lover released on the 1984 album, Chinese Wall and featuring Phil Collins on vocals. This transcription comes with Standard Notation and bass TAB.

Guitar - Level 2 - Digital Download SKU: A0.1227724 By Clive Lane. By Jean-Philippe Rameau (1683-1764). Arranged by Clive Lane. Classical. 9 pages. Clive Lane #823688. Published by Clive Lane (A0.1227724). An arrangement of incidental music from Rameau's opera Les Boréades (c.1763).for guitar quartet/ ensemble/ guitar orchestra.In the opera this ravishingly beautiful music accompanies the entrance of Polymnie, the muse of sacred poetry, sacred hymn and dance.Score and parts.

Voice Duet Voice - Level 2 - Digital Download SKU: A0.872137 By Cher & Gene Klosner. By Cherolyn Klosner-Lane. Arranged by Cherolyn Klosner-Lane. Praise & Worship,Religious,Sacred. 7 pages. Cher & Gene Klosner #6613057. Published by Cher & Gene Klosner (A0.872137). Use for:27th Sunday in Ordinary Time A (ord27A) Themes:Truth/Grace/Purity/Justice/Loveliness/Peace/Perseverence/Blessing/Doing the Right Thing/Discernment/Integrity/Graciousness/Being an Example/Be Like Jesus/Worthiness/Dignity/Self-Respect/Graduation/Baccalaureate/Funeral Based on Philippians 4:8-9 (Phil. 4:8-9). This PDF contains the following versions:   - melody and chords for alto/baritone duet  - Assembly version (for director, worship aid makers) Also available as Soprano/Tenor duet (key of Eb), and available in P/G/V format.   Please report usage of this music to CCLI and/or OneLicense. See Assembly page for codes. Suggestion for duos:Buy the PGV version for the accompanist/director, then this Lead Sheet version for each of the soloists.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.869942 By Cher & Gene Klosner. By Cherolyn Klosner-Lane. Arranged by Cherolyn Klosner-Lane. Praise & Worship,Religious,Sacred. Score. 10 pages. Cher & Gene Klosner #6613055. Published by Cher & Gene Klosner (A0.869942). Use for:27th Sunday in Ordinary Time A (ord27A)                                                                                                                            Themes:Truth/Grace/Purity/Justice/Loveliness/Peace/Perseverence/Blessing/Doing the Right Thing/Discernment/Integrity/Graciousness/Being an Example/Be Like Jesus/Worthiness/Dignity/Self-Respect/Graduation/Baccalaureate/Funeral Based on Philippians 4:8-9 (Phil. 4:8-9). This PDF contains the following versions:   - P/G/V for alto/baritone duet  - Assembly version (for director, worship aid makers)  Also available as Soprano/Tenor duet (key of Eb), and available in Lead Sheet format.   Please report usage of this music to CCLI and/or OneLicense. See Assembly page for codes. Suggestion for duos: Buy this PGV version for the accompanist/director, then the Lead Sheet version for each of the soloists.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.� Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com