Double Bass - Level 3 - Interactive Download SKU: A0.1130050 Composed by Quincy D Jones. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Lead Sheet / Fake Book. 3 pages. Duration 27. George Kaplan #6NpUfBjL81Bi1i0gcc6436. Published by George Kaplan (A0.1130050). Key: C major.Great early tune by Quincy.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.500642 By Quincy Jones. By Quincy Jones. Arranged by DCW Productions. Jazz,Pop. Octavo. 6 pages. DCW Productions #6340853. Published by DCW Productions (A0.500642). A Romantic love song based on a piano theme by Quincy Jones with lyrics added, and arranged for SATB.

C Instrument - Level 3 - Digital Download SKU: A0.1255184 By Quincy Jones. By Lionel Richie, Quincy Jones, and Rodney Temperton. Arranged by Eric O'Reilly. Blues,Broadway,Film/TV,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 2 pages. Eric O'Reilly #848748. Published by Eric O'Reilly (A0.1255184). Miss Celie's Blues (sister), composed by Quincy Jones, Rodney Temperton, and Lionel Richie, from the film The Color Purple, arranged by Eric O'Reilly. Written in the style of jazz or blues leadsheets. Best for solo performance and small ensembles.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1411175 By Quincy Jones. By Quincy Jones. Arranged by Daniel Hall. Broadway,Film/TV,March,Musical/Show,Pop. Brass Band. 102 pages. Daniel Hall #993508. Published by Daniel Hall (A0.1411175). This arrangement for Brass Band & Percussion of March of the Munchkins by Quincy Jones from The Wiz offers an electrifying rendition of the timeless classic. This arrangement infuses the cherished melody with a captivating blend of brass brilliance and rhythmic intensity. Perfect for concert performances, parades, or special events, this arrangement promises to infuse any occasion with an infectious energy and undeniable charm.Add a touch of magic to your repertoire with this dynamic interpretation of a beloved favorite, and let the March of the Munchkins transport your audience to a world of wonder and delight.Duration: 4 Minutes 15Difficulty: 4/6.

Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1126055 By Quincy Jones. By Quincy Jones. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Lead Sheet / Fake Book. 1 pages. Duration 108. George Kaplan #64ihr44WZsZ1pXZwiHBrRU. Published by George Kaplan (A0.1126055). Key: D minor.Beautiful tune written by Quincy in 1956.

Choral Choir,Choral,TTBB Chorus - Level 1 - Digital Download SKU: A0.1458752 Composed by Quincy D Jones. Arranged by Kirstie Smith. 20th Century,Film/TV,Jazz,Standards,Wedding. 8 pages. Kirstie Smith #1037686. Published by Kirstie Smith (A0.1458752). An uplifting and fun Male Voice Choir arrangement of the classic jazz standard It Had To Be You (Isham Jones, Gus Kahn, 1924). An iconic swing number recorded by legends such as Quincy Jones, Frank Sinatra and Ray Charles, this choral arrangement is written in the style of Harry Connick Jr. as featured in the film When Harry Met Sally. Perfectly crafted, slowly building in texture, tempo and dynamics from the understated opening bars to a rousing big-band style ending, this TTBB arrangement will delight singers and audiences alike.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1411174 By Quincy Jones. By Quincy Jones. Arranged by Daniel Hall. Broadway,Film/TV,Musical/Show,Pop,Soul. Brass Band. 56 pages. Daniel Hall #993506. Published by Daniel Hall (A0.1411174). This arrangement of Now Watch Me Dance from the iconic film 'The Wiz' takes audiences on a whimsical journey through the land of Oz, showcasing the versatility and virtuosity of the bass trombone soloist alongside the dynamic accompaniment of a brass band and percussion ensemble. Inspired by the jubilant spirit of the original piece, this arrangement infuses elements of tap dancing into the performance, adding an extra layer of visual and rhythmic excitement.Duration: 3 MinutesSoloist Difficulty: 4/6Difficulty: 4/6.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294557 By Quincy Jones. By Benard Ighner. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #884932. Published by DAVID LEE GINGRAS (A0.1294557). This song, written by Benard Ighner, and entitled “Everything Must Change� was published in 1976 on a Quincy Jones album entitled Body Heat. The classic song's lyrics explore the “change� that we, as human beings experience by going through trials in life, growing older, and eventually dying. This version features a root-based chord blocking that John and I have used in a number of our arrangements and we added some pretty cool left-hand fills, as well! More importantly, Katherine McPhee recorded it on her 2017 CD I Fall In Love Too Easily - enough said, I'm a huge fan! We hope you like what we've done with this great tune!

Large Ensemble Baritone Saxophone,Bass Guitar,Drums,Keyboard,Percussion,Piano,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.734113 By Quincy Jones. By Harriet Emily Kay Roberts, Ian Prince, and Siedah Garrett. Arranged by Daryl McKenzie. Funk,Hip-Hop,Pop,R & B,Rock. Score and parts. 36 pages. Daryl McKenzie #6234683. Published by Daryl McKenzie (A0.734113). Arranged in the style of Quincy Jones ft. Siedah Garrett for Vocal (no voice part included) with Small Band/ Studio Band (Alto Sax, Tenor Sax, Baritone Sax, Trumpet, Trombone, 2 Keyboards, Guitar, Bass, Drums, Percussion) Key of GmNote: No Voice part included. Trumpet 2 sub. for Alto Sax part included. More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_AX2 2nd E-flat Alto Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_AX2). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.796840 Composed by James Ingram and Quincy Jones. Arranged by Eric Hagmann. A Cappella,Film/TV. Octavo. 9 pages. Eric Hagmann #6203723. Published by Eric Hagmann (A0.796840). Written by the great Quincy Jones and James Ingram, P.Y.T. appears as the sixth single from Michael Jackson's 1983 Thriller album.  This a cappella arrangement is pitched a half-step higher making it more suitable for lower voices.   Retaining the groove and feel of MJ's original tune, this song adapts well to the a cappella setting.  Additionally, the call and response section of the bridge remains in tact which could be a fun way to get an audience involved with your performance.  Looking for a piece for your ICCA or ICHSA set?  This tune is fun to learn and would be a great fit! Pitched in G minor (Originally in F# minor)Performance time = ~3:20RangesSolo: F3 - C5 (opt)Soprano: D4 - F5Alto: A3 - Eb5Tenor: D3 - G4Bass: F2 - D4For more information about my music and projects, go here: https://erichagmannmusic.com/Follow me on Instagram: https://www.instagram.com/erichagmannmusic/Reach out to me on Facebook: https://www.facebook.com/erichagmannmusic 

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_D Drums. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_D). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_T2 2nd B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T2). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_T4 4th B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T4). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_T1 1st B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T1). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.