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Guitar - Level 3 - Digital Download

SKU: A0.1389428

By Waldir Azevedo. By Waldir Azevedo. Arranged by Rafael Milhomem. Classical,Latin,Multicultural,Traditional,World. 15 pages. Milhomusic #973014. Published by Milhomusic (A0.1389428).

Explore the rich tradition of Brazilian music with our arrangement for cavaquinho orchestra of the famous melody Arrasta PĂ© by Waldir Azevedo. This dynamic and vibrant arrangement not only features the original solo by master Azevedo but also four additional cavaquinho voices, creating an engaging and exciting musical experience.

By combining the nostalgia of the classic cavaquinho with the contagious energy of the arrasta-pé, this arrangement is perfect for cavaquinho groups looking to expand their repertoire with an authentic and captivating piece. Whether for live performances, studio recordings, or simply enjoying at home, our arrangement of Arrasta Pé will transport you to the vibrant Brazilian dances and parties.

Don't miss the opportunity to add this exciting piece to your musical ensemble and delight your audience with the magic of arrasta-pé. Get our arrangement today and let yourself be carried away by the unmistakable rhythm of Brazilian music!

Arrasta Pé - Cavaquinho Orchestra
Waldir Azevedo
$4.00 3.8 € PDF SheetMusicPlus

Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1411272

Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show. 28 pages. Charles Decker Music Press #993606. Published by Charles Decker Music Press (A0.1411272).

From the Music of Black Composers Series at Charles Decker Music Press is the The Charleston which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild” to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a ten-piece brass choir of three B-flat trumpets, two horns in F with a substitute flugelhorns parts, three trombones or euphoniums with substitute horn for trombone 1, euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.

“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!”   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music
 
“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.”  Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind Ensemble

The Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. 

See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series brass” in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

For more brass quintet editions by Charles Decker use these links to  
Kendor Music  and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

The Charleston (1923) for Brass Choir
$15.99 15.19 € PDF SheetMusicPlus

Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1276031

Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Ragtime. 21 pages. Charles Decker Music Press #867780. Published by Charles Decker Music Press (A0.1276031).

From the Music of Black Composers Series at Charles Decker Music Press is the “The Charleston” which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild” to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a brass quintet of two B-flat trumpets with alternate C trumpet parts, horn in F with a substitute flugelhorn part, trombone or euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.

“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!”   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music
 
“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.”  Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind Ensemble

The Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. 

See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series” in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

For more brass quintet editions by Charles Decker use these links to 
Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

The Charleston (1923) for Brass Quintet Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$9.99 9.49 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.881123

Composed by Rafael Isaza / Ricardo Perez. Arranged by Cesar Alejandro Carrillo. A Cappella,Christmas,Romantic Period,World. Octavo. 12 pages. Cesar Alejandro Carrillo #3860075. Published by Cesar Alejandro Carrillo (A0.881123).

In Venezuela, the word aguinaldo has two meanings. It is synonymous with a gift that is given at Christmas, but also refers to a very popular musical genre in our own country of the Christmas season. This genre represents the quintessential musical expression of Venezuelan Christmas. Modesta Bor, our composition teacher, always instilled in us the cultivation of this genre in the repertoire of our choirs and as creative work, in order to preserve it from its disappearance before the overwhelming invasion of other musical genres strange to our traditional Christmas holidays.

PurĂ­sima and A ti te cantamos, they are part of the musical heritage of the 19th century in Venezuela. Out of the creative genius of Rafael Isaza and Ricardo PĂ©rez, respectively, are two of the most beautiful aguinaldos collected, among many others, by the Maestro Vicente Emilio Sojo, and are part of our Christmas tradition. They are two praises to the Virgin Mary, mother of the Child Jesus. Either can be sung a cappella, although they can also be accompanied by our traditional cuatro.

Dos aguinaldos venezolanos del siglo XIX
Chorale SATB

$2.50 2.37 € Chorale SATB PDF SheetMusicPlus

Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1488654

By Northern Arizona University Shrine. By William Dawson. Arranged by Charles Decker. 21st Century,Historic,Multicultural,Pop,Spiritual,World. 19 pages. Charles Decker Music Press #1065486. Published by Charles Decker Music Press (A0.1488654).

From the Music of Black Composers Series at Charles Decker Music Press is William Dawson's energetic choral setting of the popular spiritual Ain'a That Good News so familiar to audiences now arranged for a brass quintet of two trumpets in B-flat, horn with alternate flugelhorn part, trombone/euphonium and tuba.  The spirited arrangement is guaranteed for enthusiastic audience response.

“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!”   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music

“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.”  Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind Ensemble

The Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the Rafael Mendez Brass Institute and Eastman School of Music use the series arrangements in their chamber and brass ensembles music programs. 

See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Use this link
 Music of Black Composers arrangements for Brass Ensembles at Charles Decker Music Press  to see works by Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still and Florence Price. More brass ensemble arrangements of music by prominent Black composers at Charles Decker Music Press include Will Marion Cook Swing Along!, James Reese Europe Clef Club March, James P. Johnson The Charleston, Fred Stone My Ragtime Baby, Justin Elie Tropical Dance #2, Jose White La Bella Cubana

For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

Ain'a That Good News Northern Arizona University Shrine
$13.95 13.25 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.958769

Composed by Felipe Pinglo Alva. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Holiday,Love,Standards,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6593915. Published by Juan Carlos Cortés Aguirre (A0.958769).

TranscripciĂłn para Piano Solo por:

JUAN CARLOS CORTÉS A.

Basado en la versión fonográfica vocalizada por Rafael Miguel Sciorra, conocido artistíscamente como Juan Carlos Miranda nacido en Chivilcoy, provincia de Buenos Aires, Argentina, el 23 de julio de 1917 y fallecido el 8 de julio de 1999. Acompañado por la orquesta del maestro peruano Jorge Huirse Reyes, nacido en Puno, el 30 de agosto de 1920 y fallecido en Lima, el 11 de diciembre de 1992.

Felipe Pinglo Alva es conocido como el Maestro de los Autores y Compositores del Perú. Nació en 1899 y fallece en 1936 a los 35 años. A él le pertenecen la letra y música de los valses peruanos El Plebeyo y El espejo de mi Vida de gran difusión en la Argentina, él no llego a conocer en vida la trascendencia de sus temas.

Texto:

PASION Y ODIO

(Vals peruano) Por: Felipe Pinglo Alva

INTRODUCCIĂ“N:

Ayer la amaba yo, hoy mi pasiĂłn es cruel,
germinĂł en mĂ­ el deseo, de amar sin querer.
En mi memoria están, promesa de infame mujer,
que el tiempo ya borrĂł, al lapidar un falso amor.
Esos labios que plenos, de pasiĂłn he besado,
Que llevan el estigma, de un recuerdo angustiado.
Las mejillas que un dĂ­a mis labios colorearon,
el polvo del olvido, las ha envuelto en el fango...

¡Hoy odio a la mujer, que antes idolatré!
¡Hoy odio a la mujer, que antes idolatré!

INTERLUDIO:

¡Hoy odio a la mujer, que antes idolatré!
¡Hoy odio a la mujer…que antes idolatré!

Enlaces: Videos en You Tube por Juan Carlos Cortés A.

http://www.youtube.com/channel/UCW5way12kaK8-vcW0ww-jRw

Soundcloud (Nube de sonido):

https://soundcloud.com/juan-carlos-cortes-aguirre

URL HISPASONIC + MĂšSICA NAVEGANTE:

http://www.hispasonic.com/usuarios/navegante/musica

Twitter: https://twitter.com/navegantemusico

http://www.matrimonio.com.co/musica-matrimonio/conjunto-navegante--e109925

Página de Editor Musical en Sheet Music Plus:

https://www.sheetmusicplus.com/publishers/publicado-por-juan-carlos-corts-a-sheet-music/3011587?ac=1.

Pasión y Odio. Vals Peruano por: Felipe Pinglo Alva
Piano, Voix

$7.99 7.59 € Piano, Voix PDF SheetMusicPlus

Mixed choir (SATB) a cappella - Digital Download

SKU: S9.Q7182

Composed by Viktor Ullmann. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 5 minutes. Schott Music - Digital #Q7182. Published by Schott Music - Digital (S9.Q7182).

Hebrew.

Viktor Ullmann composed his choral arrangements of Hebrew, Yiddish and Chassidic songs in the ghetto of Theresienstadt in 1943/1944. In the function of “Head of the Studio for New Music”, Ullmann made a significant contribution to the so-called “leisure activities” in the ghetto. The works were evidently intended for the repertoire of the various choirs at Theresienstadt, including children’s choirs such as the Karel Vrbas Youth Choir in which Ullmann’s son Max also sang. There is no evidence to confirm that Ullmann’s choral works were actually performed in Theresienstadt, for example in one of the frequent concerts given by Rafael Schächter’s choir of up to a hundred voices (cf. Milan Kuna, Musik an der Grenze des Lebens, 21998. p.313). The German translations below first appeared in the song book Makkabi-Liederbuch published in Berlin in 1930 (2nd edition 1935) which was available to Viktor Ullmann as a source for the melodies and text orthography for his choral arrangements in Theresienstadt.

Two Hebrew pieces for choir
Chorale SATB

$3.99 3.79 € Chorale SATB PDF SheetMusicPlus






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