Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1412704 By Jamie Lynn Spears. By Britney Spears, Chantel Jeffries, Christian Lars Karlsson, Henrik Jonback, Jamie Lynn Spears, Joshua Kissiah Cumbee, Pontus Johan Winnberg, and Shari Short. Arranged by Daniel Roberts. 21st Century,Film/TV,Pop,Rock. Score. 5 pages. Daniel P Roberts #994738. Published by Daniel P Roberts (A0.1412704). Follow Me theme song from Zoey 101 original version arranged for 4 string Bass with TAB.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1022857 Composed by M Calvert. Arranged by M Calvert. Children,Instructional. Octavo. 18 pages. Martin Calvert #3493079. Published by Martin Calvert (A0.1022857). This is a hypnotic choral build piece for youth choir. It centres around being your best in all situations. An atmospheric glide piece of music with a repeating chord pattern from piano and a gradual build of voices. Suitable for assemblies and concerts. This is third in a collection of ten songs exploring feelings and learning skills for life. https://docs.google.com/document/d/1-sIjqw_-Z0kOzbpfA70SlyjRsPOqwWiRlu11xs7wjkU/edit?usp=sharing  Shortcut to lyrics sheet with 3 vocal groups.

C Instrument - Level 2 - Digital Download SKU: A0.1449410 By Leonard Cohen. By Leonard Cohen. Arranged by Barry McCormick. Film/TV,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 4 pages. B. McCormick #1029183. Published by B. McCormick (A0.1449410). Discover the Beauty of “Hallelujah” with Our Lead Sheet Arrangement Immerse yourself in the soulful melody of Leonard Cohen’s “Hallelujah” with our versatile lead sheet arrangement. This product is designed to cater to musicians of varying skill levels, offering both a fingerpicking pattern and a strumming pattern that can be used interchangeably.“Hallelujah,” released in 1984, is one of Leonard Cohen’s most iconic songs. Its profound lyrics and haunting melody have made it a beloved piece across generations. Our arrangement captures the essence of this timeless song, providing a detailed guide to the melody, chords, and lyrics.Our arrangement is unique in its flexibility. The strumming pattern is simpler, making it suitable for beginners, while the fingerpicking pattern offers a more challenging option for those looking to advance their skills. The accompanying chord sheet includes the same picking and strumming patterns, formatted in a simpler way to cater to different music reading capabilities.The chord sheet also offers three alternative ways to play the F chord, accommodating musicians at different levels. With five different chords in this piece, it serves as an excellent tool for beginners to learn and practice, while the picking pattern adds an extra layer of challenge, making it a piece that bridges the higher end of beginner into a lower intermediate level.Small notehead notation is used in the lead sheet as each verse slightly differs. The lyrics for each verse will make it clear which of the notes should be sung/played.Given the repetitive nature of the song, you may choose to switch playing styles between strumming and picking to add variety, or shorten the arrangement by choosing a few verses rather than playing them all. Why Choose This Arrangement? Versatility: Our arrangement offers both a fingerpicking pattern and a strumming pattern, catering to different skill levels and learning preferences. Educational Value: With five different chords and various playing styles, this piece serves as an excellent tool for learning and practicing. Flexibility: The arrangement can be adapted to suit your performance needs, whether you want to switch playing styles or shorten the arrangement. Community Engagement: Share your performances on social media using our handle, @resourcesularrangements, and connect with our community of music enthusiasts. So why wait? Embark on your musical journey with our “Hallelujah” lead sheet arrangement. Remember, every note you play brings you one step closer to mastering the art of music.Note: Please ensure to tag @resourcesularrangements when sharing your performances on social media.

Brass Ensemble,Trombone Quartet Bass Trombone - Level 3 - Digital Download SKU: A0.1502564 Composed by Francis Scott Key and John Stafford Smith. Arranged by Jerremy Fender. 20th Century,Patriotic,Standards. 6 pages. Jerremy Fender #1078319. Published by Jerremy Fender (A0.1502564). This amazing arrangement is sure to get your trombone section livening up the start of your concert! With this hymn style arrangement of the USA National Anthem, this arrangement will have the crowd on their feet before the concert even starts.All three tenor parts spend a fair amount of time above the staff sharing the melody while the bass can play the trigger notes of their dreams.https://youtube.com/shorts/CW_aRCVbxDE?feature=share

Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Piano Solo - Level 2 - Digital Download SKU: A0.1395907 By The Goo Goo Dolls. By John Rzeznik. Arranged by Laura Sullivan. Contemporary,Film/TV,Rock,Wedding. Score. 4 pages. Laura Sullivan #979284. Published by Laura Sullivan (A0.1395907). Iris by the Goo Goo Dolls, arranged for solo piano by Laura Sullivan, offers a captivating rendition of this beloved alternative rock anthem. Perfect for various occasions including weddings, rehearsal dinners, recitals, and receptions, this arrangement provides a beautiful musical backdrop for moments of love and celebration.Laura Sullivan's adaptation retains the emotional depth and melodic richness of the original while translating it into a format ideally suited for solo piano performance. With its accessible easy intermediate level, pianists of varying skill levels can enjoy playing this piece.The arrangement captures the essence of Iris while streamlining it into a slightly shorter version, ensuring it remains engaging and memorable. Its versatility makes it an excellent choice for special moments like walking down the aisle or sharing a first dance.As the most iconic song from The Goo Goo Dolls, Iris holds a special place in the hearts of many. Featured prominently in the movie City of Angels, its timeless appeal continues to resonate with audiences worldwide. Laura Sullivan's arrangement offers pianists the opportunity to bring this enduring classic to life in their own unique way, evoking its stirring melodies with every note.

Brass Ensemble Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1026329 Composed by Jason Anthony Gomez. 20th Century,Contemporary. Score and parts. 24 pages. Jason Anthony Gomez #6070405. Published by Jason Anthony Gomez (A0.1026329). The first three of these I had actually written as a student at Cal State Bakersfield, but I was so fond of the melodies that I adapted them as a larger work with the intent of sharing on Social Media much like my Quintet for Woodwinds and Marimba. The last movement I wrote to round out the piece as whole and it does not hold back as the time signatures and tonguings border on pyrotechnical when played at tempo. It’s very exciting! This piece has a lot of charm, lyricism, and fun for any brass ensemble. The movements are on the shorter side, so these would work really great as an opener to your program. Enjoy!

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1146282 By June Christy. By James Van Heusen and Johnny Burke. Arranged by Kirk Schmidt. Film/TV,Jazz,Standards. Score and Parts. 51 pages. Kirk Schmidt #746501. Published by Kirk Schmidt (A0.1146282). Full Big Band Arrangement of this classic in an easy swing style. Piano and guitar have short solos and the 2nd Bone and 2nd Trumpet have ad lib solos. You can hear the entire chart on SoundCloud at: https://soundcloud.com/kirk-147712419/it-could-happen-to-you?si=1dcce0b429bf41a6b8d839ed99cb98a3&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing.

Piano Solo - Digital Download SKU: A0.1029618 Composed by Ross Fengfish. Arranged by Ross Fengfish. Classical. Score. 2 pages. Ross Fengfish #5222749. Published by Ross Fengfish (A0.1029618). This is a great piece to practice independence, the waltz feel, and varying dynamics.  All packed into a short 2 page piece.  Try it out and see how you feel while playing it.I titled it of the wind because I pictured a summer breeze while writing this one.Hope you enjoy. Please let me know!  I look forward to sharing many more pieces with you.

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1179125 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Instructional,Romantic Period. Score and part. 13 pages. Sheet Music To Play Editions #779098. Published by Sheet Music To Play Editions (A0.1179125). Three Gymnopédies by Satie. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!These short and easy, atmospheric pieces, with each sharing a common theme and structure.I. Lent et douloureux (D major / D minor)II. Lent et triste (C major)III. Lent et grave (A minor)Erik Satie (1866 - 1925) was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage furniture music would presage the development of background and ambient music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

A Clarinet,Piano - Level 1 - Digital Download SKU: A0.1222666 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Classical,Romantic Period. Score and part. 7 pages. Sheet Music To Play Editions #818944. Published by Sheet Music To Play Editions (A0.1222666). Three Gymnopédies by Satie. Arrangement for Clarinet in A and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.These short and easy, atmospheric pieces, with each sharing a common theme and structure.I. Lent et douloureux (D major / D minor)II. Lent et triste (C major)III. Lent et grave (A minor)Erik Satie (1866 - 1925) was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage furniture music would presage the development of background and ambient music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Oboe,Piano - Level 1 - Digital Download SKU: A0.1222615 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Instructional,Romantic Period. Score and part. 7 pages. Sheet Music To Play Editions #818904. Published by Sheet Music To Play Editions (A0.1222615). Three Gymnopédies by Satie. Arrangement for Oboe and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.These short and easy, atmospheric pieces, with each sharing a common theme and structure.I. Lent et douloureux (D major / D minor)II. Lent et triste (C major)III. Lent et grave (A minor)Erik Satie (1866 - 1925) was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage furniture music would presage the development of background and ambient music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Cello,Piano - Level 2 - Digital Download SKU: A0.1179122 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Multicultural,Romantic Period,World. Score and part. 13 pages. Sheet Music To Play Editions #779095. Published by Sheet Music To Play Editions (A0.1179122). Three Gymnopédies by Satie. Arrangement for Violoncello and Piano. With Full Score and Individual Parts. Enjoy it!These short and easy, atmospheric pieces, with each sharing a common theme and structure.I. Lent et douloureux (D major / D minor)II. Lent et triste (C major)III. Lent et grave (A minor)Erik Satie (1866 - 1925) was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage furniture music would presage the development of background and ambient music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.912905 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 6 pages. Brandon Nelson #1954833. Published by Brandon Nelson (A0.912905). According to Homer (Odyssey iv:412), the sandy island of Pharos, situated off the coast of the Nile delta, was the home of Proteus, the old god of the sea. In the Odyssey, Menelaus relates to Telemachus that he had been becalmed here on his journey home from the Trojan War. He learned from Proteus’ daughter Eidothea that if he could capture her father, he could force him to reveal which of the gods he had offended and how he could propitiate them and return home. Proteus emerged from the sea to sleep among his colony of seals, but Menelaus was successful in holding him, though Proteus took the forms of a lion, a serpent, a leopard, a pig, even of water or a tree. Proteus then answered truthfully, further informing Menelaus that his brother Agamemnon had been murdered on his return home, that Ajax the Lesser had been shipwrecked and killed, and that Odysseus was stranded on Calypso’s Isle Ogygia. This piece, for solo tenor sax, illustrates that mighty conflict between Menelaus and Proteus. Each movement illustrates a different form the god took in his attempt to evade sharing his knowledge. Composition The rhythmic motives are based on the ancient Greek poetic meters. I translated these patterns of long and short sounds to musical notation (using the sixteenth note as the basic unit). I randomized the order and deployed the resulting phrase as a sort of idee fixe. Each movement uses this rhythmic idea beginning at a different point. The melodic content is based on a pentatonic set and its permutations, primarily its modes. I arrayed these pitches into a grid (not unlike the matrix used in dodecaphonic music) and assigned pitches to the rhythmic motives using differing deployment schemes (rotation, chaining, etc). Learn more about me: bnelsonmusic.wordpress.com.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158382 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 49 pages. Https://gildedmusicpress.com/ #758665. Published by https://gildedmusicpress.com/ (A0.1158382). Brass quintet in six short movements. Duration, approx. 8 minutes. Movement I: “Family Vacations.� Fond memories of childhood vacations as well as leading out on road trips as a father, are reflected by the excitement of this movement. Feel free to reminisce on your own family trips as you listen to or perform this movement. Movement II: “Jovial Banter.� I was going to call this movement “Roughhousing,� but that is only part of what this playful piece conjures. Besides wrestling my five boys (with my one girl amusedly watching off to the side), friendly joking with friends about rival universities, and playing harmless pranks on friends and family, all seem to be rolled up into this truly jovial movement. It has its own tricks and surprises to one who has never heard it before. Movement III: “Holiday Foods.� This waltz displays more elegance and structure than most of the other movements. It primarily elicits memories of the distinctive Thrower Christmas feasts, for which we created a unique tradition. Our yuletide banquets hail from a different country every year. Through the decades, we have discovered and adopted many international favorites that we continue to enjoy! Note the middle section of the waltz gets a bit spicy… Movement IV: “Pets.� Though as an adult I have not had the pleasure of enjoying personal pets, my youngest son developed an affinity for YouTube videos about funny cats and dogs. Nevertheless, my favorite childhood pet was “Blackie,� the splendid satin feline featured on the cover of this work. Pets are often quirky and extremely fun, as is this music. If it doesn’t put a smile on the listener’s face, someone in the line of musical communication may have failed. Movement V: “Sharing God’s Wonders.� Slow and wondrous, the music in this movement yearns to be shared. The theme, though only somewhat related to the other variations, strays to its own content after the first motivic notes. The melody is borrowed from a 2010 band composition of mine titled “Tribute to Joel Robison,� an ancestor, and a Texas hero. One passion I have enjoyed through the years is family history, truly a God-given legacy from which I draw much inspiration. Movement VI: “Personal Triumphs.� Indeed a subject to celebrate, triumphs of self-mastery, conquests over difficult tasks, and achievements of monumental goals all prompt me to break out in triumphant fanfares!