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Full Orchestra - Level 3 - Digital Download SKU: A0.1436007 Composed by Johann Johannsson. Arranged by Luca Boscolo, Marco De Lazzari. 21st Century,Film/TV. 91 pages. Luca Boscolo e Marco De Lazzari #1016176. Published by Luca Boscolo e Marco De Lazzari (A0.1436007). Info: music.elleemme@gmail.comAn orchestral suite of the soundtrack of the movie The Theory Of Everything (2014).The suite is formed by Cambridge, 1963 and Arrival of the Birds - J. Johannsson.You can buy the separate songs on this link:- Cambridge, 1963: https://www.sheetmusicplus.com/en/product/product-22762026.html- Arrival of the Birds: https://www.sheetmusicplus.com/en/product/the-theory-of-everything-22739141.htmlhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1515754/Product.aspxOrchestral ensemble:- Violin 1-2- Alto- Cello 1-2- Double Bass- Piccolo- Flute 1-2- Oboe 1-2- Clarinet in Bb 1-2- Bassoon 1-2- French Horn 1-2- Trombone 1-2- Bass Trombone- Bass Tuba in F- Vibraphone- Marimba- Timpani- Susp. Cymbal- Bassdrum- Celesta- Piano- Harp.
The Theory Of Everything
Orchestre

$110.00 94.42 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Music at Immanuel (A0.1477723). Dedicated to pianist Eric Xi Xin Liang, PIANO SONATA by American composer Aaron Robinson is a programmatic work on a monumental scale. Composed in four movements representing four areas of Maine: Machigonne (Portland), Down East, Malaga Island and Katahdin, each paints a detailed portrait of a specific time and place in the State’s history. Its compositional structure draws heavily on the sights and sounds associated with each region while weaving original themes throughout. Mimesis is used to represent the native calls of the indigenous birds found within the state, such as the phoebe, bobolink and the pileated woodpecker; while hymns, songs and sea shanties are incorporated to represent various time periods. Movement I - MACHIGONNE - Native Americans originally named what is today the Portland peninsula of Maine “Machigonne”, which translates “Great Neck”. The movement quotes several sacred and ritual songs of the Passamaquoddy Tribe of Maine. The struggle between centuries of habitation by the native peoples of the area is represented by the arrival of early settlers and illustrated by juxtaposing hymn tunes and dance music of the past eras.Movement II - DOWN EAST - is the eastern coastal area of the state closely associated with the French territory of Acadia. Replete with historic sea shanties and tunes, the sound of tolling ship and buoy bells, lighthouse fog horns, and ocean winds are intertwined to create a high-spirited journey which culminates in the familiar Shaker tune from Alfred, Maine.Movement III - MALAGA ISLAND - Today an uninhabited reserve, Malaga Island was once the home to an interracial community dating from the 1860s to 1911, when its residents were forcibly evicted by the State. The opening theme represents the remnants of the island in its present state; haunted by the memories and unsettling muted solitude of the past and its historical injustice. A peaceful hymn depicting simpler times becomes slowly unraveled, erupting in a traumatic chaos that is never resolved. A ghostly refrain can be heard in the distance as the movement concludes.Movement IV - KATAHDIN - Mount Katahdin (“Catahdrin”), called “Great Mountain” by the Penobscot Native Americans, is located within the Northeast Piscataquis County, the northern terminus of the Appalachian Trail. The grandeur of its majesty is portrayed by the original themes depicting epic rising and falling passages traversing over centuries. Native Americans believed the mountain to be the home of the storm god Pamola (a place to be avoided), which is characterized by ever-changing major and minor keys within the often times turbulent motifs. The sonata ends in a tonal key: bringing the atonality and discordant change of the work and its representation as a whole to a final resolve.PIANO SONATA lasts approximately 25 minutes.
PIANO SONATA
Piano seul

$9.99 8.58 € Piano seul PDF SheetMusicPlus

Wind Ensemble - Digital Download SKU: IZ.WES151-S Composed by Dan Goeller. Arranged by Frederick Umar. Score. 15 pages. Imagine Music - Digital #WES151-S. Published by Imagine Music - Digital (IZ.WES151-S). 9 x 12 in inches.In accepting this commission, my thoughts were to create a work that incorporated the rich history of Chautauqua and its pure, innocent, ruralAmericana experience. Seeing its heritage was grounded in a nondenominational understanding of God, which incorporated both secular andspiritual experience, it seemed fitting to arrange a work that bound these two ideals into one work. The arrangement opens with a stately expressionof valor, dignity, and innocence lost - developing gently through a series of tonal and textural adaptations of the hymn tune until it finds a stately tuttiexpression for the ensemble. But the end is delayed by the arrival of a false cadence at rehearsal D, which embraces a 'river dance' with a variety ofpercussive features. The idea here is one of 'beauty from ashes' and 'joy coming in the new mornings dew.' The reeds are now used to express thebagpipe above the thrusts of the percussion. Soon, the hymn tune is heard again, supported by the rhythmic dance in reeds, brass, and percussion -now filled with the joy of community participation. Each counter-melodic line is somewhat of a statement now - and, must be heard in itsuniqueness. It is as if the birds have begun to sing again, each in their own language, of the wonderment surrounding the new day. Hope has onceagain sprung upon the community through music.Take your time through the reminiscent, Americana moments, and enjoy the dance thoroughly!
Higher Ground

$15.00 12.88 € PDF SheetMusicPlus






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