Woodwind quintet - Digital Download SKU: IZ.BCMW163 Composed by Joseph Gregorio. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 76 pages. Imagine Music - Digital #BCMW163. Published by Imagine Music - Digital (IZ.BCMW163). 9 x 12 in inches.Music for Springtime was inspired in part by Samuel Barber's woodwind quintet Summer Music, a staple of therepertoire written in 1956. Music for Springtime is a not an homage to Barber's work but does reflect and touch uponsome of the moods and character changes heard in Summer Music. Music for Springtime was also shaped by thecircumstances and timing of its composition: I wrote it in the year after I moved from California back to my nativePennsylvania, shortly after the birth of my daughter, and mostly in the springtime. Thoughts of rebirth andrejuvenation, but also of the uncertainty of transition, were undoubtedly present while I wrote.

Composed by Larry McCabe. Qwik Guide. Ebook and online audio. 32 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.98429MEB). - ebook and online audio - - Mel Bay Publications - Digital Sheet Music

Woodwind quintet - Digital Download SKU: IZ.CMW202 Composed by Joseph Gregorio. Score and Parts. 135 pages. Imagine Music - Digital #CMW202. Published by Imagine Music - Digital (IZ.CMW202). 9 x 12 in inches.Music for Springtime was inspired in part by Samuel Barber's woodwind quintet Summer Music, a staple of the repertoire written in 1956. My work is a not an homage to Barber's, but does reflect and touch upon some of the moods and character changes heard in Summer Music. Music for Springtime was also shaped by the circumstances and timing of its composition: I wrote it in the year after I moved from California back to my native Pennsylvania, shortly after the birth of my daughter, and mostly in the springtime. Thoughts of rebirth and rejuvenation, but also of the uncertainty of transition, were undoubtedly present while I wrote.

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    Register for free lifetime revisions and updates at www.jamesguthrie.com

Theory and reference - other - Intermediate-Advanced - Digital Download Composed by Davy Mooney. Jazz and Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30786MEB. Published by Mel Bay Publications - Digital Sheet Music

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.911055 Composed by Gustav Holst. Arranged by Natheniel Siu. 20th Century,Concert,Romantic Period,Standards. 70 pages. Notesetter #6080729. Published by Notesetter (A0.911055). Instrumentation- Flute, Piccolo- Oboe, Cor Anglais- Clarinet in B♭ and A (alternative part for B♭ available upon request)- Horn- BassoonPerformance timeWhole Suite: 11’ – 15’I. Jig: 3’ – 3’ 30II. Ostinato: 1’ 45– 2’ 15III. Intermezzo: 3’ 45 – 4’ 15IV. Finale: 3’ – 3’ 30IntroductionThis arrangement of famous Holst suite written for the St Paul’s Girls’ School transforms the string writing into playful exchanges and majestic unisons for the five winds players. The arrange has taken some inspirations from the band suite when adopting the Dargason, whilst keeping the structure of the strings suite mostly intact-apart from 8 bars taken away before rehearsal G, intended to make the movement flows more naturally.For more information (transposition needs, or custom arrangement requests), please contact [ info (at) notesetter.com ]. We are happy to be of service!Notesetter Publishing © 2020

Bassoon & piano - Digital Download SKU: IZ.PDP106 Composed by Nicolas Nabokov. Score and Parts. 35 pages. Imagine Music - Digital #PDP106. Published by Imagine Music - Digital (IZ.PDP106). 9 x 12 in inches.Nabokov composed the Sonata for Bassoon and Piano is in two movements. The first of these bears the subtitle A Litany for Bassoon and Piano and contains elements of bitonality within a modified sonata form. A brief cadenza after the recapitulation leads to a closing section reminiscent of a modal folksong. The second movement begins with a march-like character, but changes tempo and style several times before the dramatic conclusion. Bruce Gbur, bassoon, and Slawomir Dobrzanski, piano, presented the first performance of the Nabokov Sonata for Bassoon and Piano on a recital at Kansas State University, Manhattan, Kansas, on 27 February 2007. That performance was made possible through the kind permission of Mme. Dominique Nabokov, New York Ci_ty, and Richard Workman of the Harry Ransom Humanities Research Center at the University of Texas, Austin. I would also like to thank Mme. Nabokov and Mr. Workman for granting permission for the publication of this work. I am indebted to my friend Slawomir Dobrzanski for adding his fingerings to the piano score for this publication. I believe that the Nabokov Sonata for Bassoon and Piano will prove to be a significant addition to the bassoonists' twentieth-century recital repertoire.

Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.589222 Composed by Johann Sebastian Bach. Arranged by Monika Durbin. Baroque,Classical,Sacred,Wedding. Score and parts. 8 pages. Monika Durbin #198511. Published by Monika Durbin (A0.589222). A flute, bassoon, and harp arrangement of J.S Bach's Siciliano from the Eb major Flute Sonata. This movement is in the key of G minor. The harp part was written with a full-sized lever harp in mind and includes several lever changes, all clearly marked using diamond-shaped notes in the score. Pedal harpists will need to mark their own pedal changes. Includes a full score, a 2-page flute and bassoon part (in duet format), and a separate 2-page harp part. Piano can easily be used in lieu of the harp by ignoring the diamond-shaped notes.

Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589836 Composed by Traditional. Arranged by David McKeown. Christian,Christmas,Gospel,Praise & Worship,Spiritual. Score and parts. 4 pages. David McKeown #6129333. Published by David McKeown (A0.589836). Go Tell It on The Mountain is an Afro-American Spiritual Song. This version is arranged as a duet for one Oboe and one Bassoon. Go Tell It on The Mountain is most often considered a Christmas Carol with the original lyrics,Go tell it on the mountain, over the hills and everywhere;Go tell it on the mountain, that Jesus Christ is born.Nothing is known of its origins, but it first appeared in print in an 1865 collection of Spirituals. More recently, the lyrics have been adapted to support the struggle for human rights, most famously by Peter, Paul and Mary in 1963. Go Tell It on The Mountain is simply arranged in keys and range best suited to the instruments. The melody is played twice in swing style after a brief introduction; after a short breakdown the key changes and the melody is repeated at a slower tempo. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Tell It on The Mountain is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Go Tell It on The Mountain is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  

Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).� (Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenes�. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopski�, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.553661 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Wedding. 37 pages. RayThompsonMusic #3466544. Published by RayThompsonMusic (A0.553661). The String Quintet in E-flat major, Op. 4, was composed by Ludwig van Beethoven in 1795. It was adapted from his Octet in E-flat major, Op. 103, which, despite its high opus number, was in fact composed by Beethoven in 1792/1793 but was published only in 1837, ten years after the composer's death. The Quintet was published in Vienna in 1796.The quintet has been viewed as a mere transcription of the octet. However, there are a few differences between the two works. In the first movement, there are significant changes in the exposition and substantial ones in the development, reprise, and ending. The ensuing Andante employs new themes and involves significant changes in the ones retained. The Scherzo and finale are also substantially different: among other alterations, a second trio was added to the former and a new alternate theme was inserted in the latter.This arrangement is for wind quintet. (Horn in Eb) but horn in F also provided.

Bassoon,Piano - Level 3 - Digital Download SKU: A0.786505 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. Score and part. 5 pages. Beka Wilson #6100895. Published by Beka Wilson (A0.786505). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for voice, flute, oboe, clarinet, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual instrument part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.

Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Richard Wagner. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17774. Published by Schott Music - Digital