Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University.  While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad).  The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital.  I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting.  I thought at the time that he had given me and my music a fine compliment.  I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor.  It alternates between assertive and more thoughtful moods.   There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end.  Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes.  Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic.  The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes.  The main theme is heard in the piano part before the soloist enters.  The mood is more lyric than in the first movement, but with dramatic episodes also.  In this movement are some definite derivations from themes in the first movement.  The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes.  Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward.  The introduction is a brief and simple preparation for the solo entry.  Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo.  Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Two horns & piano - Digital Download SKU: IZ.IMF1816 Composed by Willard Zirk. Score and Parts. 22 pages. Imagine Music - Digital #IMF1816. Published by Imagine Music - Digital (IZ.IMF1816). 9 x 12 in inches.I have always been in awe of Louis Armstrong's (1901-1971) and Ella Fitzgerald's (1917-1996) extraordinary musicianship and creative improvisations, hence the title, I like Louis and Ella. They performed and recorded together in the 1940s through the 1960s. In the 1950s they produced three duet records: two Ella and Louis albums, and their Porgy and Bess album.I thought the best way to begin to understand their music was to imitate them. I sought to emulate Louis' warm humanity and musical efficiency--just the right note at the right time--and Ella's skillful and musically satisfying scat singing. There is only one quote in I Like Louis and Ella, the opening trumpet statement, but the rest of the music was written as my own impressions of their unique stylings.I am grateful to my former student, Kyle Tolstyka, for commissioning this piece to benefit the horn scholarship fund at Eastern Michigan University. Thanks go to the donors to the scholarship fund in support of this project--my former horn students, Tania Dupuis, Liesl Caarn Hansen, Dr. William Cederquist and his parents, Dr. Jack Cederquist and Meg Kennedy-Shaw. Finally, I would like to thank jazz greats Phil Sims, the engraver of this music; and Adam Unsworth, horn professor at the University of Michigan, for their invaluable advice.

C Instrument - Digital Download SKU: A0.1259071 Composed by Michal Kleofas Oginski. Arranged by Darek. Classical,Patriotic,Romantic Period,Traditional. Lead Sheet / Fake Book. 2 pages. Darek #852336. Published by Darek (A0.1259071). Polonaise in A Minor (LEAD SHEET) Farewell to the Homeland [Michał Kleofas Ogiński]Simplified arrangement for guitarists of Polonaise in A Minor Farewell to the Homeland (Polonez A-moll „Pozegnanie Ojczyzny� / Polonez „Pożegnanie Ojczyzny� / „Les adieux à la Patrie) by Michał Kleofas Ogiński (Michal Kleofas Oginski) on various instruments.  Immerse yourself in the captivating world of the Polonaise in A Minor Farewell to the Homeland by Michal Kleofas Oginski with my extensive collection of sheet music for various instruments. Whether you play the piano, guitar, violin, or any other instrument, I have the perfect arrangement to bring this cherished composition to life. Explore the profound beauty of this remarkable piece, also known as Polonez A-moll Pożegnanie Ojczyzny or Les adieux à la Patrie, through our meticulously transcribed sheet music. Designed to accommodate various instruments, my collection offers an opportunity for musicians of all levels to experience the charm of Oginski's composition. From the delicate melodies to the powerful harmonies, each instrument's part has been thoughtfully arranged to capture the essence of the composition. Whether you're a beginner or an experienced musician, you'll find an arrangement that suits your skill level and allows you to fully express yourself through the music. The Polonaise in A Minor Farewell to the Homeland represents the Romantic era, renowned for its emotional depth and evocative melodies. Transport yourself to this enchanting period of music history and revel in the captivating nuances of Oginski's creation. Positioned strategically for optimal online visibility, my collection caters to musicians seeking diverse sheet music options, regardless of their instrument. Whether you're a pianist, guitarist, violinist, or play another instrument, you'll find a suitable arrangement that aligns with your musical aspirations. Indulge in the universal language of music as you dive into the enchanting melodies of the Polonaise. With our sheet music, you'll have the power to bring this timeless composition to life, adding your personal touch and interpretation to every note. Unlock your musical potential and embark on a transformative journey as you explore the notes, harmonies, and expressive possibilities of the Polonaise in A Minor. No matter which instrument you play, this collection ensures an unforgettable musical experience that resonates with the beauty and passion of Oginski's composition.

2tpt. Hn. Tbn. tba - Intermediate-Advanced - Digital Download SKU: F2.FM481 Composed by Roma Cafolla. Brass Quintet. Score and parts. 58 pages. Forton Music - Digital #FM481. Published by Forton Music - Digital (F2.FM481). ISBN 9790570483808.Brass 4 All This piece was inspired by the brass section of the WNO, the importance of 'Music For All', and the need to make it accessible to children. A stately introduction opens the piece, with all the instruments passing the theme between them. This leads into a the main body of the piece, a bold, driving tune that contrasts with a more lyrical middle section before bursting out into fanfares of repeated notes to bring the music to a thrilling finish. Brass Neck The tuba is featured prominently in ths piece. The repeated motif drives the rhythm forward: 'Cry the tears for the freezing years. Just walk away' ... as the other players finally do. Marked Andantino and in Bb major the central section changes to Bb minor, where the horn and trombone carry the melody. This is then taken up be the second trumpet and the players stand as the music modulates back to Bb major. As each player finishes they sit down until the tuba is left to finish alone. Autumn Breeze A sultry September evening and a gentle breeze fans the last of the fading flowers. The family are gathered informally, and the music begins.... Marked Andante and with flowing descending quavers, the opening has interest for every player. The horn and then the trombone pick up the central theme, and this is then embellished by the trumpets. A gentle phrase marks the ending. Bankers Notes A letter drops on the mat. A final demand and the thought of the 'green paper rotting in their clutch' assails my mind. I write notes of a differnt kind! The opening is marked Vivace and is rather punchy, but soon settles into the main theme with driving rhythms throughout. The extended ending climaxes in rising staccato semiquavers for all.

Clarinet - Digital Download SKU: IZ.9780976508106 Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music - Digital (IZ.9780976508106). 9 x 12 in inches.Squeak Big teaches aspiring clarinetists the fundamentals necessary for success on the instrument through conceptual development and practical exercises. It will undoubtedly become an important resource for aspiring clarinetists and educators worldwide.For years, Dr. Paglialonga has helped his students improve by creating exercises and explanations to address fundamental playing issues. These materials circulated throughout the clarinet community, leading to numerous requests for materials to address other specific problems. Squeak Big answers those requests, making these materials available to a wider audience in a simple, easy-to-use format.Squeak Big is filled with healthy, concise, no-nonsense advice, as well as some great tips and tricks. I would recommend it to anyone wanting to advance their relationship with the clarinet. (Samuel Caviezel - Associate Principal Clarinet, Philadelphia Orchestra) Squeak Big is a wonderful resource for student and teacher alike. In it, Dr. Paglialonga provides helpful insights on clarinet playing from the fundamentals of producing a beautiful sound to hints on practicing in real life situations. His methodical approach helps to demystify clarinet playing and is geared towards helping improve both technique and musicianship. A must-have for any clarinetist's library! (Benjamin Lulich - Principal Clarinet, Cleveland Orchestra) Squeak Big is full of useful information. I highly recommend it to anyone who's looking for practical ways to become a better clarinetist! (Alexander Fiterstein - Prominent International Soloist) I would recommend Squeak Big to anyone wanting to improve or better understand the fundamentals of sound clarinet playing. (Carey Bell - Principal Clarinet, San Francisco Symphony) Phillip Paglialonga has written a thoughtful and detailed treatise on playing the clarinet. He communicates from a thorough knowledge of the instrument and its workings. This volume is a valuable reference for teachers and performers alike, replete with numerous practical suggestions and exercises. If only every clarinet player could digest the information Dr. Paglialonga sets forth herein, good solid foundations would be formed and bad habits easily prevented. (John Bruce Yeh - Assistant Principal Clarinet, Chicago Symphony) Squeak Big provides valuable advice for players at every stage of development, with easy practical methods, useful exercises, and even a bit of historical context. I've already been able to incorporate many of these ideas, not only into my teaching, but also into my own playing! (Ralph Skiano - Principal Clarinet, Detroit Symphony) Squeak Big is excellent and I'm sure it will be of great value to many players. Phillip Paglialonga explains so many of the fundamentals in a very clear, concise way. Bravo! (Larry Guy - Prominent Pedagogue).

Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons

Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.

Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).    CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1453199 By Olivia Lane. By Olivia Lane. Arranged by Kenneth Martin. 21st Century,Christian,Contemporary,Praise & Worship,Religious. Score. 70 pages. Martin Music Editions #1032426. Published by Martin Music Editions (A0.1453199). # Discover the New Worship Song Arrangement: Who I Thought You Were by Olivia LaneImmerse yourself in the transformative power of music with our latest arrangement of Who I Thought You Were by the acclaimed Christian artist, Olivia Lane. Known for her heartfelt lyrics and inspiring journey, Olivia Lane's music is a testament to her faith and personal transformation.## About Olivia LaneOlivia Lane's journey to faith is as compelling as her music. Once an atheist, Olivia experienced a profound spiritual awakening that she shared openly with the world. Her conversion story is a powerful narrative of finding hope and belief, making her one of the most inspiring figures in contemporary Christian music. Her journey from skepticism to faith resonates deeply with many, and her music reflects this profound change.## The Song: Who I Thought You WereWho I Thought You Were is a beautiful worship song that captures Olivia Lane's embrace of her new faith. The lyrics reflect her spiritual journey and newfound relationship with God, making it a moving and uplifting piece for any worship setting.## Arrangement DetailsOur arrangement of Who I Thought You Were is designed to suit various musical needs and preferences. The song is arranged for voice, piano, guitar, and bass, ensuring a rich and full sound. In addition to the full arrangement, chord charts are included to facilitate easy play and adaptability for different instruments and skill levels.### Key Features:- **Voice, Piano, Guitar, and Bass Arrangement:** Perfect for solo performances, church services, and worship bands.- **Chord Charts Included:** Simplifies playing and allows for flexibility in worship sessions.- **Available in Three Keys:** Bb Major, C Major, and D Major, to accommodate different vocal ranges and musical preferences.## Enhance Your Worship ExperienceWhether you're looking to perform Who I Thought You Were in a church service or include it in your personal worship sessions, our arrangement offers versatility and ease of use. This song not only highlights Olivia Lane's vocal prowess and songwriting talent but also serves as a powerful tool for worship, reflection, and spiritual growth.## Get Your Copy TodayExperience the uplifting message and beautiful melody of Who I Thought You Were by Olivia Lane. Download the sheet music and chord charts now to bring this inspiring worship song to your congregation or personal practice.**Keywords:**  Olivia Lane, Who I Thought You Were, Christian music, worship song, sheet music, chord charts, voice, piano, guitar, bass, Bb Major, C Major, D Major, faith journey, Christian artist, worship arrangement, spiritual transformation.

Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - Digital Download SKU: A0.934204 Composed by Mark Zanter. Contemporary. Score and parts. 24 pages. MJIC Music Publishing (ASCAP) #3130833. Published by MJIC Music Publishing (ASCAP) (A0.934204). Elemental Spiral is the result of some of my recent work linking elemental aspects of esoteric. The work begins with an electronic prelude, and moves to the instrumental portion at about 4:00.healing and vibration (sound). The concept of matter and form being integrally connected and influenced/formed by sound has been studied since ancient times, and myths from various world cultures mention gods or beings that could manifest form from matter through their voice. Recent work by Hans Jenny verifies the connection between sound and form (see Cymatics).Similarly, the power of music to affect response in individuals is a popular subject of ancient and modern writers. My interest in the work stems from observing how people react to my music, in which I believe certain thoughts and feelings are somehow encoded, transmitted and received during performance. My research stems from a desire to increase my own awareness of sound, its affect, and to connect this to my art. The integration of dance with the music creates a visual relationship that marries the sound and its intention.Elemental Spiral maps elemental associations (earth, water, fire, and air) to the musical context in a deliberate fashion. At this stage my associations are fairly literal, and various qualities (i.e. earth=slow, fire=energetic, air=fast frenetic) are mapped directly onto musical material. The associations become richer when one state changes to another or comes into being (water->air, becoming earth etc.) and when various qualities are mixed (air-pitch with earth rhythm etc.).The intended effect is an overall balancing of the musical structure with desirable or pleasing proportions (the age old compositional question). This balancing is well known to all of us, for instance-elementally-much of Beethoven’s music moves between water and fire elements (mapping of speed and pitch), and the tempos of symphonic movements fast-slow-med. fast-fast is an affirmation that a balance of tempi and musical content is found to be pleasing.I express my deepest gratitude to Donald Laney who choreographed the dance for this work. He was somehow able to convert my musings into movement and in the process far exceeded my expectations. Special thanks also to the WV Commission on the Arts and the NEA whose support made the creation of this work possible.Elemental Spiral is suitable for advanced performers.Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com

Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Easy Piano - Level 2 - Digital Download SKU: A0.1272786 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #864983. Published by Darek (A0.1272786). Concerto for 2 Mandolins, Strings and Continuo in G Major (EASY PIANO) I. Allegro (RV 532) [Antonio Vivaldi]Simplified arrangement for pianists of Concerto for 2 Mandolins, Strings and Continuo in G Major I. Allegro (RV 532) by Antonio Vivaldi. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period | Baroque Music | Arrangement for Beginners | Piano | Keyboard. Included: Fingering, Dynamics, Articulations and video YouTube tutorial.  Discover the timeless beauty of classical music with my carefully curated collection of easy piano sheet music, perfect for beginner pianists. Immerse yourself in the delightful Concerto for 2 Mandolins, Strings and Continuo in G Major I. Allegro (RV 532) by Antonio Vivaldi, a captivating masterpiece from the Baroque era. Unlock your musical potential with my sheet music, thoughtfully arranged with fingering, articulation, and detailed dynamics markings, ensuring a seamless learning experience for aspiring pianists. Embrace the energetic and vibrant spirit of the Allegro as you effortlessly master each note. To elevate your musical journey, I offer a valuable YouTube tutorial video, providing expert guidance and insights to refine your performance and capture the essence of Vivaldi's genius. Whether you're a novice seeking a fulfilling challenge or an enthusiast eager to expand your repertoire, this easy-level arrangement is perfect for all piano lovers. Embrace the magic of Vivaldi's Concerto and transport yourself to the captivating era of Baroque music. Keywords: easy piano sheet music, beginner pianists, Concerto for 2 Mandolins, G Major, Allegro, RV 532, Antonio Vivaldi, Baroque era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, energetic, classical music, genius, harmonious, repertoire, melodies.

Easy Piano - Level 2 - Digital Download SKU: A0.1272750 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Darek. Classical. Score. 9 pages. Darek #864945. Published by Darek (A0.1272750). Piano Sonata No. 10 in C Major (EASY PIANO) I. Allegro Moderato (K. 330) [Wolfgang Amadeus Mozart]Simplified arrangement for pianists of Piano Sonata No. 10 in C Major I. Allegro Moderato (K. 330) by Wolfgang Amadeus Mozart. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period. Included: Fingering, Dynamics, Articulations and video YouTube tutorial.  Immerse yourself in the enchanting world of classical music with my meticulously curated collection of easy piano sheet music, perfectly suited for beginner pianists. Discover the timeless beauty of Piano Sonata No. 10 in C Major I. Allegro Moderato (K. 330) by Wolfgang Amadeus Mozart, a delightful gem from the classical era. Unlock your musical potential with my sheet music, thoughtfully designed with fingering, articulation, and detailed dynamics markings, ensuring a seamless learning experience for aspiring pianists. Embrace the expressive and graceful spirit of Allegro Moderato as you effortlessly master each note. To elevate your musical journey, I offer a valuable YouTube tutorial video, providing expert guidance and insights to refine your performance and bring out the essence of Mozart's genius. Whether you're a novice seeking a fulfilling challenge or an enthusiast eager to expand your repertoire, this easy-level arrangement is perfect for all piano lovers. Embrace the magic of Mozart's Sonata and transport yourself to the captivating era of classical music. Keywords: easy piano sheet music, beginner pianists, Piano Sonata No. 10, C Major, Allegro Moderato, K. 330, Wolfgang Amadeus Mozart, classical era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, expressive, classical music, genius, harmonious, repertoire, melodies.

Easy Piano - Level 2 - Digital Download SKU: A0.1272795 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music. Score. 3 pages. Darek #864992. Published by Darek (A0.1272795). Concerto for Strings and Continuo in G Minor (EASY PIANO) I. Allegro (RV 156) [Antonio Vivaldi]Simplified arrangement for pianists of Concerto for Strings and Continuo in G Minor I. Allegro (RV 156) by Antonio Vivaldi. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period | Baroque Music | Arrangement for Beginners | Piano | Keyboard |  For Novice Pianists. Included: Fingering, Dynamics, Articulations and video YouTube tutorial.  Embark on a delightful musical journey with my handpicked collection of easy piano sheet music, specially curated for beginner pianists. Immerse yourself in the captivating Concerto for Strings and Continuo in G Minor (RV 156) by Antonio Vivaldi, a true gem from the Baroque era. Experience the joy of playing this concerto with my sheet music, thoughtfully crafted with fingering, articulation, and detailed dynamics markings, ensuring a seamless learning experience for aspiring pianists. Embrace the energetic and spirited Allegro as you effortlessly master each note. To enhance your musical growth, I offer a valuable YouTube tutorial video, providing expert guidance and insights to refine your performance and capture the essence of Vivaldi's brilliance. Whether you're a novice seeking an engaging challenge or an enthusiast eager to expand your repertoire, this easy-level arrangement is perfect for all piano enthusiasts. Embrace the magic of Vivaldi's Concerto and transport yourself to the captivating era of Baroque music. Keywords: easy piano sheet music, beginner pianists, Concerto for Strings and Continuo, G Minor, Allegro, RV 156, Antonio Vivaldi, Baroque era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, energetic, classical music, brilliance, repertoire, melodies.

Easy Piano - Level 2 - Digital Download SKU: A0.1272797 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #864994. Published by Darek (A0.1272797). Gloria in D Major (EASY PIANO) I. Gloria in Excelsis Deo (RV 589) [Antonio Vivaldi]Simplified arrangement for pianists of Gloria in D Major I. Gloria in Excelsis Deo (RV 589) by Antonio Vivaldi. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period | Baroque Music | Arrangement for Beginners | Piano | Keyboard |  For Novice Pianists. Included: Fingering, Dynamics, Articulations and video YouTube tutorial.  Embark on a heavenly musical journey with my handpicked selection of easy piano sheet music, perfectly tailored for beginner pianists. Immerse yourself in the majestic Gloria in D Major - Gloria in Excelsis Deo (RV 589) by Antonio Vivaldi, a true gem from the Baroque era. Experience the joy of playing this glorious masterpiece with my sheet music, thoughtfully prepared with fingering, articulation, and detailed dynamics markings, ensuring a seamless learning experience for aspiring pianists. Embrace the uplifting and celebratory spirit of the Gloria as you effortlessly master each note. To elevate your musical journey, I offer a valuable YouTube tutorial video, providing expert guidance and insights to refine your performance and capture the essence of Vivaldi's genius. Whether you're a novice seeking an enchanting challenge or an enthusiast eager to expand your repertoire, this easy-level arrangement is perfect for all piano enthusiasts. Embrace the magic of Vivaldi's Gloria and transport yourself to the captivating era of Baroque music. Keywords: easy piano sheet music, beginner pianists, Gloria in D Major, Gloria in Excelsis Deo, RV 589, Antonio Vivaldi, Baroque era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, uplifting, classical music, genius, celebratory, repertoire, melodies.