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C Instrument - Level 2 - Digital Download

SKU: A0.1376331

By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331).

This is a lead sheet for any instrument for the song Almost May. 

Almost May - Theme and Variations
Backstory: 
Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. 

What to listen for: Theme

The main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. 

What to listen for: Variation I 
The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. 

What to listen for: Variation II 

The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. 

Credits: 
I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.

Almost May Lead Sheet
Instruments en Do
Heidi Savoie
$2.99 2.85 € Instruments en Do PDF SheetMusicPlus

C Instrument - Level 1 - Digital Download

SKU: A0.1195808

Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Langanho. Easter,Religious,Romantic Period,Sacred,Wedding. Lead Sheet / Fake Book. 1 pages. Avery Lynn Jordan #794977. Published by Avery Lynn Jordan (A0.1195808).

The text describes the availability of a arrangement for beginners of the iconic classical piece, Ave Maria by Gounod. The lead sheet is perfect for music teachers and parents who want to introduce their children to this repertoire. The text highlights the accessibility and simplicity of the Lead Sheet, making it a fantastic choice for anyone wishing to learn more about classical music and its styles. The piece is widely used in appropriate events, becoming a popular choice for professional singers and musicians. The text encourages readers not to miss the opportunity to acquire this iconic piece of classical music in a simplified and accessible version.

Ave Maria by Gounod Lead Sheet (Low Voice)
Instruments en Do

$4.99 4.75 € Instruments en Do PDF SheetMusicPlus

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download

SKU: A0.1176334

Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334).

The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!

Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.

All Accessible Accompaniments, including this one, boast several unique features:

1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.

2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.
 
3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.

4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 

5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.
 
6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.

About the Arranger:

Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. 
For more information, please visit http://ndipaolo.musicaneo.com .

Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Voix Baryton, Piano

$8.95 8.53 € Voix Baryton, Piano PDF SheetMusicPlus

C Instrument - Level 1 - Digital Download

SKU: A0.1453442

By Sabrina Carpenter. By Amy Allen, Julian Bunetta, Sabrina Carpenter, and Stephenie Jones. Arranged by Jhonatan Lucio Viana. 21st Century,Contemporary,Film/TV,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 6 pages. JLVPartitura #1032670. Published by JLVPartitura (A0.1453442).

Espresso by Sabrina Carpenter for Piano + Voice:

This arrangement provides a captivating interpretation of Sabrina Carpenter's Espresso.

Key Features:
- Melodies and harmonies that capture the essence of the work;
- Suitable for Easy Beginner or Easy Intermediate levels;
- Professionally arranged sheet music in PDF format;
- Genre: Pop;

I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.

Espresso
Instruments en Do
Sabrina Carpenter
$4.99 4.75 € Instruments en Do PDF SheetMusicPlus

C Instrument - Level 1 - Digital Download

SKU: A0.1453924

By Neil Diamond. By Neil Diamond. Arranged by Jhonatan Lucio Viana. 20th Century,Contemporary,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 6 pages. JLVPartitura #1033112. Published by JLVPartitura (A0.1453924).

Immerse yourself in this arrangement of SWEET CAROLINE for VOICE + PIANO:

Key Features:
1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion;
2) Level Intermediate, suitable for those starting out or at an easy intermediate level;
3) Format professionally edited PDF for effortless study and performance;
4) Genre blends classical elements with whimsical touches, appealing to both adults and children;
5) Melody simple yet enchanting, evoking wonder and curiosity.

I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.

Sweet Caroline
Instruments en Do
Neil Diamond
$5.99 5.71 € Instruments en Do PDF SheetMusicPlus

C Instrument - Level 1 - Digital Download

SKU: A0.1515575

By Angelique Kidjo. By Angelique Kidjo and Jean Hebrail. Arranged by Marcelo Borba. Country,Multicultural,Pop,Ska,Traditional,World. Lead Sheet / Fake Book. 3 pages. Marcelo Borba #1089929. Published by Marcelo Borba (A0.1515575).

Kelele” is a song by renowned Beninese singer Angélique Kidjo -Leadsheet Style

“Kelele” is a song by renowned Beninese singer Angélique Kidjo, featured on her 2021 album Mother Nature. The song reflects Kidjo’s ongoing commitment to promoting social justice, unity, and environmental awareness, blending her powerful voice with vibrant rhythms and captivating messages.

In “Kelele,” the word itself means “noise” or “clamor” in many African languages. The song is about making noise, not in the sense of chaos, but in terms of raising one’s voice and raising awareness about injustices and important causes. Angélique Kidjo often uses her platform to address critical social and political issues, and in this song, she calls on people to speak out against corruption, inequality, and climate change.

The song’s rhythm is upbeat, combining Afrobeats, electronic elements, and Kidjo’s signature Afro-pop sound. The song’s dynamic energy reflects the urgency of its message: to not remain silent in the face of adversity and to take action for a better world.

Within the broader context of Mother Nature, which features collaborations with a number of young African artists, Kelele fits into Kidjo’s mission to pass the torch to the next generation, empowering them to continue the fight for a sustainable, just and inclusive future.

Through Kelele, Kidjo encourages a collective call to action and celebrates the power of community to address global challenges.

Kelele
Instruments en Do
Angelique Kidjo
$3.99 3.8 € Instruments en Do PDF SheetMusicPlus

C Instrument - Level 1 - Digital Download

SKU: A0.1489702

By The Beatles. By John Lennon and Paul McCartney. Arranged by L. Müller. 20th Century,Instructional,Rock,Singer/Songwriter,Standards. Lead Sheet / Fake Book. 3 pages. Müller Publishing company #1066574. Published by Müller Publishing company (A0.1489702).

Discover the beautiful simplicity of Yesterday by The Beatles, composed by Paul McCartney and John Lennon. This Lead Sheet arrangement in C Major, arranged by L. Müller, is perfect for soprano voices. Yesterday is one of the most iconic ballads in popular music, known for its timeless melody and introspective lyrics. This version includes melody, lyrics, and chords, providing a versatile and engaging experience for performers. Ideal for classroom settings or personal practice.

Yesterday
Instruments en Do
The Beatles
$3.99 3.8 € Instruments en Do PDF SheetMusicPlus


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