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C Instrument - Level 2 - Digital Download SKU: A0.1395614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise and Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #979054. Published by Anastace (A0.1395614). The perfect Easter morning song, He is Risen, was inspired by centuries of Christians on Easter morning, proclaiming to each other and to the entire world that HE IS RISEN! And we reply again, HE IS RISEN INDEED! As heard on my YouTube channel, this is the lead sheet version in the key of G major, to suit either very high or very low voices, with a 9-note range of G-A.This song is beautiful for an Easter church service, either sung by a soloist or as a way to open a church service on Resurrection Sunday! It's perfect for a single singer accompanied by keyboard or piano for a powerful, prophetic statement, or can be joined halfway by a praise band or a pipe organ, whatever matches the style of your church's music. For best results, a smooth, rich pad sound should be used, especially for the beginning. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in D major [original key]Full piano and vocal arrangement in G major [for lower voices]Full piano and vocal arrangement in F major [for higher voices, a true soprano range]Lead Sheet in D Major to match the original keyPiano solo for a perfect matching prelude or postlude or communion interlude.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
He is Risen (Easter Proclamation) [Lead Sheet G Major]
Instruments en Do
Stacey Plays Hymns
$3.00 2.61 € Instruments en Do PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1395623 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 5 pages. Anastace #979062. Published by Anastace (A0.1395623). The perfect Easter morning song, He is Risen, was inspired by centuries of Christians on Easter morning, proclaiming to each other and to the entire world that HE IS RISEN! And we reply again, HE IS RISEN INDEED! As heard on my YouTube channel, this is the full piano vocal version in the key of G major, to suit either very high or very low voices, with a 9-note range of G-A.This song is beautiful for an Easter church service, either sung by a soloist or as a way to open a church service on Resurrection Sunday! It's perfect for a single singer accompanied by keyboard or piano for a powerful, prophetic statement, or can be joined halfway by a praise band or a pipe organ, whatever matches the style of your church's music. For best results, a smooth, rich pad sound should be used, especially for the beginning. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in D major [original key]Full piano and vocal arrangement in F major [for higher voices, a true soprano range]Lead Sheet in several useful keysPiano solo for a perfect matching prelude or postlude or communion interlude.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
He is Risen (Easter Proclamation) [G Major]
Piano, Voix
Stacey Plays Hymns
$5.00 4.34 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1395627 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 4 pages. Anastace #979066. Published by Anastace (A0.1395627). The perfect Easter morning song, He is Risen, was inspired by centuries of Christians on Easter morning, proclaiming to each other and to the entire world that HE IS RISEN! And we reply again, HE IS RISEN INDEED! As heard on my YouTube channel, this is the full piano vocal version in the key of F major, to suit a true soprano range, from F4-G5.This song is beautiful for an Easter church service, either sung by a soloist or as a way to open a church service on Resurrection Sunday! It's perfect for a single singer accompanied by keyboard or piano for a powerful, prophetic statement, or can be joined halfway by a praise band or a pipe organ, whatever matches the style of your church's music. For best results, a smooth, rich pad sound should be used, especially for the beginning. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in D major [original key]Full piano and vocal arrangement in G major [for lower voices or even higher than this copy]Lead Sheet in several keysPiano solo for a perfect matching prelude or postlude or communion interlude.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
He is Risen (Easter Proclamation) [F Major]
Piano, Voix
Stacey Plays Hymns
$5.00 4.34 € Piano, Voix PDF SheetMusicPlus

Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 pages. Brian Streckfus #1065662. Published by Brian Streckfus (A0.1488812). Pages: 12Keys: 1. C Major2. A minor3. A Harmonic minor4. A minor (Jazz 7ths)5. A minor (Extreme Jazz extensions)6. The seven modesThis collection of PDFs is something I am very proud of and I believe it has been my most well recieved PDF upload on the internet. Finding chord charts that simply list chords are a dime a dozen, and can be found anywhere. It is much rarer for a chord sheet to try to explain what order they go in and even rarer still to find it for guitar. It's difficult because it is an art, and of course there really is no wrong answers in composing (especially on Halloween I always joke). I personally haven't seen anything else quite like this on the internet.Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are of course a great composition aid. Tips:1. I find sheets like this to be excellent practice to play by ear. If the music is relaxing I play blue chords, if it is intense I play red chords. Once you get into the groove, and you know no one is changing key, it's as simple as that.2. When playing by ear, even if you get the exact chord wrong but you still get the correct color, it will still sound like you harmonizing the song correctly!!! See chords categorized by purpose rather than name will elegantly simplify how music actually works.3. The reason why we study the roman numerals is to be able to think about all of music in a single keyless key to allow for optimum clarity.4. One issue that needs to be fixed: what to do about the 11 other keys? One easy and quick fix is to use a guitar capo (or downtune) to get to all the other keys. I can't imagine giving out 56 pages of chord progressions to each of my students, it's way too much. Instead, I teach strategies on how these work in all 12 keys. 5. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions that truely progress. These is such a thing called a chord succession where it is not the previous order. Again, try not to see music in terms of right and wrong. Everything expresses an emotion. For example, if there is a song devoid of red chords, it will result in more peaceful music. Lots of red would be great for metal music, etc...Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
Chord Progression Generator for Guitar

$4.99 4.34 € PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1393874 By Aztec Camera. By Roddy Frame. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Rock,Singer/Songwriter. 44 pages. John Ivor Holland #977342. Published by John Ivor Holland (A0.1393874). Somewhere in My Heart is a song by Scottish band Aztec Camera. It was released as the third single from their third studio album, Love (1987). Released as a single in 1988, the track peaked at number three on the UK Singles Chart and became a top-40 hit in Australia and Ireland. Songwriter Roddy Frame said in 2014 that the song has been great for him, but at the time of creating the album, the song was not in keeping with the other songs. Around this time, Frame had become somewhat of a recluse, living in a remote wooden shack in Hollywood, Marple Bridge, in the hills above Manchester, going through periods of good and bad mental health, while continuing to write music, including the lyric from Westwood to Hollywood in the song. The distinctive saxophone sound is retained and towards the end is an opportunity for your star alto and tenor to solo or battle, to close out the song in the way that it is often performed live by Aztec Camera. The song is featured prominently in the 2019 film '47 Meters Down: Uncaged' and the 2020 Netflix series 'I Am Not Okay with This'.
Somewhere In My Heart
Orchestre d'harmonie
Aztec Camera
$49.99 43.44 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1492465 Composed by Christina Rossetti and Rebecca Dale. Arranged by John Ivor Holland. 21st Century,Christmas,Holiday,Religious,Sacred. 45 pages. John Ivor Holland #1069142. Published by John Ivor Holland (A0.1492465). British composer Rebecca Dale has emerged from film and television work with music that has found great success on the crossover-oriented Classic FM radio network. She became the first female composer signed to the Decca label, which rarely signs composers of any gender. Dale was born in 1985 and took to composing at a young age, by the time she was ten she had written a musical, and by 15 a piano concerto. Her vocal music has been performed across Europe and the US by groups such as Voces 8 and The Kings Singers. This new setting of Christina Rosetti's poem 'In The Bleak Midwinter' was composed in 2021 and released as a Christmas single by the Church of England - it reached number one in the classical chart and is now available for full concert band, featuring beautiful solo passages throughout and contemporary harmonies to bring something new to your usual holiday concert. Arranged as part of an ongoing project to bring more music by women composers into the worldwide concert band repertoire.
In The Bleak Midwinter
Orchestre d'harmonie

$49.99 43.44 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1079663 Composed by Adama Fanny, Adil Khayat, Alex Papaconstantinou, Bilal Hajji, Etienne Bouebi Kohou, John Mamann, Nadir Khayat, Narcisse Sodoua, and Salif Traore. Arranged by Benoît Barrail. 20th Century,Contemporary,Hip-Hop,Pop,R & B,Wedding. Score and parts. 32 pages. Benoît Barrail #683844. Published by Benoît Barrail (A0.1079663). Arranged for Concert Band. Magic in the Air is a 2014 single by Ivorian musical group Magic System, featuring Moroccan singer Chawki and produced by Moroccan producer RedOne. The track also appears on Magic system's album Africainement vôtre, released on 19 May 2014. The song was released in March 2014 to coincide with preparations for the 2014 FIFA World Cup scheduled for 12 June to 13 July of the same year. Despite the English title of the song, its lyrics are almost entirely in French. The single became a commercial hit in France and Belgium, earning significant airplay in stadiums during football matches. Magic in the Air est un single de 2014 du groupe musical ivoirien Magic System , mettant en vedette le chanteur marocain Chawki et produit par le producteur marocain RedOne . Le morceau apparaît également sur l'album Africainement vôtre de Magic System , sorti le 19 mai 2014. La chanson est sortie en mars 2014 pour coïncider avec les préparatifs de la Coupe du monde de football 2014 prévue du 12 juin au 13 juillet de la même année. Malgré le titre anglais de la chanson, ses paroles sont presque entièrement en français. Le single est devenu un succès commercial en France et en Belgique, bénéficiant alors d’une diffusion importante dans les stades lors des matchs de football. Arrangé pour Orchestre d'Harmonie. Ce morceau peut aussi être joué par des orchestres festifs de type fanfares ou bandas. www.benoitbarrail.com.
Magic In The Air (french Version)
Orchestre d'harmonie

$49.99 43.44 € Orchestre d'harmonie PDF SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally.  Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically.  Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare

$1.99 1.73 € Guitare PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619).      James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer.  He is said to have created the words and music for more than 600 compositions.  Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer.  Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.”  His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years.      Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect.  Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived.  Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms.  One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport.      This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction.   The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba.  Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint.  Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880.  Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country:  softly and tenderly.  The arrangement ends with a brief recapitulation of the introduction.      There are no really difficult or tricky rhythms in this arrangement.  Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff.  Otherwise, there are no exceptionally high or low notes.  The piece opens in the key of F major then, about halfway through, changes to G major.  Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66.      Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would also like to receive your suggestions, comments, corrections and criticisms.  Contact him directly at lessmith61@bellsouth.net.  For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
In the Evening by the Moonlight
Ensemble de cuivres

$7.95 6.91 € Ensemble de cuivres PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB

$30.00 26.07 € Chorale SATB PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1293921 Composed by Burt Bacharach and Hal David. Arranged by John Ivor Holland. 20th Century,Broadway,Jazz,Musical/Show,Pop,Singer/Songwriter. 45 pages. John Ivor Holland #884404. Published by John Ivor Holland (A0.1293921). Promises, Promises is a musical with music by Burt Bacharach, lyrics by Hal David and a book by Neil Simon, based on the 1960 film 'The Apartment' written by Billy Wilder and I. A. L. Diamond. The story concerns a junior executive at an insurance company who seeks to climb the corporate ladder by allowing his apartment to be used by his married superiors for trysts. The song 'Promises, Promises' happens right towards the end of the musical where things pretty much have fallen apart, made perfectly clear in the music by very agitated meter changes and angular harmonies. Released in 1968, the song was featured on an album by Dionne Warwick shortly before the musical debuted on Broadway and has since been covered by other artists, including Sean Hayes as part of the 2010 revival production.
Promises, Promises
Orchestre d'harmonie

$49.99 43.44 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.774784 By The Manhattan Transfer. By Michel Paul Fugain and Wayne Shanklin. Arranged by Sandra Milliken. A Cappella. Octavo. 5 pages. Sandra Milliken #6656859. Published by Sandra Milliken (A0.774784). Chanson d'Amour (sometimes referred to as The Ra-Da-Da-Da-Da Song) is a popular piece written by the American singer, songwriter and producer, Wayne Shanklin. In 1958 Shanklin had suggested the song to a California lounge circuit duo Art and Dotty Todd. They liked the song and produced a demo recording, which was later released as a single by Era Records. Then, almost 20 years later, in 1976, the vocal jazz quartet The Manhattan Transfer came across a demo on cassette and decided to record a remake of Chanson d'Amour for their Coming Out album. The track featured Janis Siegel singing lead with an Edith Piaf sound.Whilst overlooked in the United States in its single release, Manhattan Transfer's version became a hit across Europe in Germany, the Netherlands, France, Norway and Switzerland. In the English-speaking world it was a chart topper in the UK and Ireland as well as in Australia, New Zealand and South Africa.The song had become Manhattan Transfer's most widespread international success.This arrangement is available in six choral versions – SA, SSA, SSAA, SSATB with piano and SSAA, SSATB a cappella
Chanson D'amour
Chorale SSAA
The Manhattan Transfer
$2.20 1.91 € Chorale SSAA PDF SheetMusicPlus

Choral SA chorus and piano (SA) - Level 1 - Digital Download SKU: A0.774781 By The Manhattan Transfer. By Michel Paul Fugain and Wayne Shanklin. Arranged by Sandra Milliken. Octavo. 5 pages. Sandra Milliken #6656849. Published by Sandra Milliken (A0.774781). Chanson d'Amour (sometimes referred to as The Ra-Da-Da-Da-Da Song) is a popular piece written by the American singer, songwriter and producer, Wayne Shanklin. In 1958 Shanklin had suggested the song to a California lounge circuit duo Art and Dotty Todd. They liked the song and produced a demo recording, which was later released as a single by Era Records.  Then, almost 20 years later, in 1976, the vocal jazz quartet The Manhattan Transfer came across a demo on cassette and decided to record a remake of Chanson d'Amour for their Coming Out album. The track featured Janis Siegel singing lead with an Edith Piaf sound. Whilst overlooked in the United States in its single release, Manhattan Transfer's version became a hit across Europe in Germany, the Netherlands, France, Norway and Switzerland. In the English-speaking world it was a chart topper in the UK and Ireland as well as in Australia, New Zealand and South Africa. The song had become Manhattan Transfer's most widespread international success. This arrangement, with piano accompaniment, is available in four choral versions – SA, SSA, SSAA, SSATB
Chanson D'amour
The Manhattan Transfer
$2.20 1.91 € PDF SheetMusicPlus

SSAA choir and piano (SSAA) - Level 1 - Digital Download SKU: A0.774783 By The Manhattan Transfer. By Michel Paul Fugain and Wayne Shanklin. Arranged by Sandra Milliken. Octavo. 7 pages. Sandra Milliken #6656857. Published by Sandra Milliken (A0.774783). Chanson d'Amour (sometimes referred to as The Ra-Da-Da-Da-Da Song) is a popular piece written by the American singer, songwriter and producer, Wayne Shanklin. In 1958 Shanklin had suggested the song to a California lounge circuit duo Art and Dotty Todd. They liked the song and produced a demo recording, which was later released as a single by Era Records. Then, almost 20 years later, in 1976, the vocal jazz quartet The Manhattan Transfer came across a demo on cassette and decided to record a remake of Chanson d'Amour for their Coming Out album. The track featured Janis Siegel singing lead with an Edith Piaf sound.Whilst overlooked in the United States in its single release, Manhattan Transfer's version became a hit across Europe in Germany, the Netherlands, France, Norway and Switzerland. In the English-speaking world it was a chart topper in the UK and Ireland as well as in Australia, New Zealand and South Africa.The song had become Manhattan Transfer's most widespread international success.This arrangement is available in six choral versions – SA, SSA, SSAA, SSATB with piano and SSAA, SSATB a cappella
Chanson D'amour
Chorale SSAA
The Manhattan Transfer
$2.20 1.91 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 1 - Digital Download SKU: A0.774785 By The Manhattan Transfer. By Michel Paul Fugain and Wayne Shanklin. Arranged by Sandra Milliken. A Cappella. Octavo. 7 pages. Sandra Milliken #6656861. Published by Sandra Milliken (A0.774785). Chanson d'Amour (sometimes referred to as The Ra-Da-Da-Da-Da Song) is a popular piece written by the American singer, songwriter and producer, Wayne Shanklin. In 1958 Shanklin had suggested the song to a California lounge circuit duo Art and Dotty Todd. They liked the song and produced a demo recording, which was later released as a single by Era Records. Then, almost 20 years later, in 1976, the vocal jazz quartet The Manhattan Transfer came across a demo on cassette and decided to record a remake of Chanson d'Amour for their Coming Out album. The track featured Janis Siegel singing lead with an Edith Piaf sound.Whilst overlooked in the United States in its single release, Manhattan Transfer's version became a hit across Europe in Germany, the Netherlands, France, Norway and Switzerland. In the English-speaking world it was a chart topper in the UK and Ireland as well as in Australia, New Zealand and South Africa.The song had become Manhattan Transfer's most widespread international success.This arrangement is available in six choral versions – SA, SSA, SSAA, SSATB with piano and SSAA, SSATB a cappella
Chanson D'amour
Chorale SATB
The Manhattan Transfer
$2.20 1.91 € Chorale SATB PDF SheetMusicPlus






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