SKU: A0.563618

Written in 1943 by Sy Oliver, this exciting piece has been popularised by both Tommy Dorsey and Ted Heath, the former using it as a signature tune for his band. This arrangement remains close to the original and always goes down a storm in a concert. It includes an 8-bar improvised solo in the middle - chords are provided, and also an optional drum kit part. Scored for 1 E flat, 8 B flats and 1 bass clarinet and drums.

SKU: A0.798403

Opus One was a major hit for the Tommy Dorsey Orchestra. In the early 1950s, composer Sy Oliver added clever lyrics that refer to popular recording stars of the 50s including Frank Sinatra, Bing Crosby, Les Brown and Ray Anthony. 
This arrangement features a wordless second chorus that allows the chorus to imitate a big band. On the third chorus solo sections for two male singers with SA background. 
An optional string bass and drum set part is included.

SKU: A0.782401

Yes, Indeed! is a 1941 swing song in the spiritual style written by Sy Oliver. A recording by the Tommy Dorsey Orchestra charted in Billboard in the United States in the summer of 1941, peaking at #4.

Scored here for woodwind quintet, Yes, Indeed! adds a very enjoyable chart to your concert or recital.

( Duration 3:14 )

SKU: A0.1452132

Sy Oliver's 1943 swing classic made famous by the Dorsey band, here in a brand new arrangement for S/AATB sax quartet by TIm Downs.  A great tune and a fun arrangement.

SKU: A0.563617

Written in 1943 by Sy Oliver, this exciting piece has been popularised by both Tommy Dorsey and Ted Heath, the former using it as a signature tune for his band. This arrangement remains close to the original and always goes down a storm in a concert. It includes an 8-bar improvised solo in the middle for tenor - chords are provided, and also an optional drum kit part. Scored for 2 sopranos, 3 altos, 4 tenors, 1 baritone and drums.

SKU: A0.782399

Yes, Indeed! is a 1941 swing song in the spiritual style written by Sy Oliver. A recording by the Tommy Dorsey Orchestra charted in Billboard in the United States in the summer of 1941, peaking at #4.

Scored here for brass quintet, Yes, Indeed! adds a very enjoyable chart to your concert or recital.

( Duration 3:14 )

SKU: A0.563619

Written in 1943 by Sy Oliver, this exciting piece has been popularised by both Tommy Dorsey and Ted Heath, the former using it as a signature tune for his band. This arrangement remains close to the original and always goes down a storm in a concert. It includes an 8-bar improvised solo in the middle - chords are provided, and also an optional drum kit part. Scored for 2 piccolos, 7 flutes, 1 alto flute and drums.

SKU: A0.563539

Written in 1943 by Sy Oliver, this exciting piece has been popularised by both Tommy Dorsey and Ted Heath, the former using it as a signature tune for his band. This arrangement remains close to the original and always goes down a storm in a concert. It includes an 8-bar improvised solo in the middle for trombone - chords are provided, and also an optional drum kit part.

SKU: A0.782400

Yes, Indeed! is a 1941 swing song in the spiritual style written by Sy Oliver. A recording by the Tommy Dorsey Orchestra charted in Billboard in the United States in the summer of 1941, peaking at #4.

Scored here for clarinet quintet, Yes, Indeed! adds a very enjoyable chart to your concert or recital.

( Duration 3:14 )

SKU: A0.697583

Opus One by Sy Oliver is a standard song in the swing, jazz and big band repertoire. It was a big hit for the Tommy Dorsey dance band in 1944.  Sandy McIntire's arrangement here for Intermediate Piano is a fun tune to play and a sure way to incite people to dance.

SKU: A0.791978

Not So Quiet Please is one of five transcription/Arrangements (Carioca, Hawaiian War Chant, Well Git IT, Oop Bop Sh' Bam) I did for the Buddy Rich Retrospective at the Kool Jazz festival in 1982. After transcribing the originals I updated & re-arranged them to Buddy's liking without obscuring the intent of the originals. This arrangement is a composite of two recordings Buddy did of Quiet with Tommy Dorsey. The solo trumpet (first time at M. 9) can be played with all four trumpets both times if you choose and certain sections can be altered to suit your performance. We agreed on adding the eight bar shout after the drum solo to make the ending a little less anticlimactic. If you prefer, you can jump to M. 85 after the drum solo like the original. The drummer can stay on the toms and bass drum for the entire piece or alternate with a regular ride/hi hat swing pattern.