Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March   Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score).  There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC.  The MP3 was recorded with NotePerformer 3.Grade = 3.5  Duration =.

Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,Jazz,Traditional. Score and parts. 14 pages. Joseph Hasper #3213083. Published by Joseph Hasper (A0.734796). Traditional sailor's song arranged for German Band with two clarinets, trumpet, trombone, tuba, and optional drums. Includes a full score and all parts. Includes optional lyrics that let you sing a verse! Key of F. 81 measures, 20pages.Barnacle Bill the Sailor is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard. Versions are also known in England and Scotland from the early twentieth century.One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.Barnacle Bill the Sailor (Roud 4704) is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown.[1]There are several versions of the bawdy song in the Gordon Inferno Collection at the Library of Congress folklife archive. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard.[2] Versions are also known in England and Scotland from the early twentieth century.The earliest known recording is an expurgated adaptation by Carson Robison and Frank Luther in 1928. This version was also recorded on May 21, 1930 by Bix Beiderbecke and Hoagy Carmichael with Carson Robison on vocals and released as a Victor 78, V-38139-A and 25371. In 1996 it was released on CD on the album Bix Beiderbecke 1927–1930.[3] According to Philip R. Evans, Bix Beiderbecke's biographer, in the second chorus of this recording, violinist Joe Venuti can be heard singing Barnacle Bill the Shit-head, either to express his attitude toward the record producer, or typical of his wacky sense of humor. Esten Spurrier, a friend of Beiderbecke's, is quoted by Evans as saying that Beiderbecke told him he could not believe the record would be pressed and had felt that it had been done just for laughs. Beiderbecke cut loose on the tune with what is believed to be one of his finest cornet solos. John Valby (aka Dr. Dirty) also recorded the song.The tune has inspired a Fleischer Studios Betty Boop cartoon and two films, as well as the name of a rock on Mars. Louis Jordan and the Tympany Five (then known as The Elks Rendezvous Band) recorded a clean version in 1938.[4] In the first Fleischer Popeye cartoon, Popeye the Sailor (1933), Barnacle Bill was used as the recurring theme for the Bluto character. A later Fleischer Popeye cartoon, Beware of Barnacle Bill (1935), is a mock operetta based around a toned-down version of the song.Example of lyrics[edit]One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.

High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.

Brass Quintet Baritone Horn TC,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1462720 By Will Corbin. By Traditional. Arranged by Will Corbin. Traditional. 11 pages. Will Corbin #1041479. Published by Will Corbin (A0.1462720). This is a little ditty that was played aboard the sailing ships of His (or Her) Majesty's Navy by an onboard fiddler or piper. And to it the sailors would dance, in part for the exercise on a long voyage. Samuel Pepys called it The Jig of the Ship. Presumably, a shipboard piper would play it at a comfortable, even slow, tempo, but it's typically performed at breakneck speed. Or you can start slow and accelerate to stupid. I put this arrangement together for our quintet to play at a U.S. Navy ship reunion. It's moderately brisk, right at the lunatic fringe of our capabilities. It's for two trumpets, horn, baritone TC (a trombone would be near impossible) and tuba, and no one escapes unscathed. Kinda fun, but it's a lot of work for a minute and a half of music.If you want other instrumentation, please contact me at wilcor@aol.com.

Level 3, Level 4 - Digital Download SKU: C7.CGRP56 Composed by Sandra Eithun. General. Bay View Week of Handbells. With with optional flute or violin, drum, chime tree and suspended cymbal. Set of parts. 8 pages. Chorister's Guild - Digital #CGRP56. Published by Chorister's Guild - Digital (C7.CGRP56). The word Michigan originally referred to the lake itself, and is believed to come from the Ojibwe word michi-gami meaning great water. Commissioned for the Bay View Week of Handbells, which is held on the shores of Lake Michigan, composer Sandra Eithun chose to offer an homage to this beautiful lake and its rich history. Tales of the Great Water is comprised of three short stories. Kinship -The Gathering is a tale of friendship conjuring up images of a place where cultures merged, and people from all over gathered. Shoreline Poem is a tale of longing. So many who settled near the shores of the Great Water, once had a life in another place, perhaps in a distant land. Standing on these remote shores, they can only imagine other places or times. Boundless is a tale of sailing. An adventurous romp on the water awaits our hearty sailors in this tale with stories to tell upon their return. The delightful stories are enhanced with optional flute or violin, drum, chime tree and suspended cymbal.

4, 5, 6, 7 or 8 octaves handbells with optional flute or violin, drum, chime tree, suspended cymbal and 3, 4, 5, 6 or 7 octaves handchimes - Level 3, Level 4 - Digital Download SKU: C7.CGB1192 Composed by Sandra Eithun. General. Bay View Week of Handbells. With optional flute or violin, drum, chime tree and suspended cymbal. Score. 28 pages. Chorister's Guild - Digital #CGB1192. Published by Chorister's Guild - Digital (C7.CGB1192). The word Michigan originally referred to the lake itself, and is believed to come from the Ojibwe word michi-gami meaning great water. Commissioned for the Bay View Week of Handbells, which is held on the shores of Lake Michigan, composer Sandra Eithun chose to offer an homage to this beautiful lake and its rich history. Tales of the Great Water is comprised of three short stories. Kinship -The Gathering is a tale of friendship conjuring up images of a place where cultures merged, and people from all over gathered. Shoreline Poem is a tale of longing. So many who settled near the shores of the Great Water, once had a life in another place, perhaps in a distant land. Standing on these remote shores, they can only imagine other places or times. Boundless is a tale of sailing. An adventurous romp on the water awaits our hearty sailors in this tale with stories to tell upon their return. The delightful stories are enhanced with optional flute or violin, drum, chime tree and suspended cymbal.

Easy Piano - Level 1 - Digital Download SKU: A0.517906 Composed by Jolea Jensen. Arranged by Arr. Jolea Jensen. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 106 pages. Jolea Jensen #128632. Published by Jolea Jensen (A0.517906). Learn folk songs and singing games from around the world in this early elementary book. This series features a solo melody line accompanied by I, IV, and V7 chords, making it perfect for a general classroom setting or for private lessons. Level One (Book 1, Part 1) begins with basic rhythms (quarter, half, dotted half, and whole) in the keys of C, G, D. Each key begins with several songs in the basic five-finger position, then adds either one note above or one note below, then adds 3/4 time, then adds songs in which the hand is not in the basic five-finger position for that key. Level One (Book 1, Part 2) continues with the keys of A, E, B. Eighth notes are introduced in the key of E. Level One (Book 1, Part 3) contains the keys of F#, Db, and Ab. Level One (Book 1, Part 4) contains the keys of Eb, Bb, and F. I have been teaching several of my students with this book, and they are often eager to begin their lessons by playing their assignment out of this book. The feedback I've received from parents is that their child loves the songs because they are fun and easy to understand. Children often love coloring in the black and white pictures on each page. I hope your students also enjoy these songs. Scope and Sequence for Level One songs: Introduction to I and V Simple with LH thumb melody note I and V More leaps I and V I and IV and V extend pinky I IV V extend thumb I IV V three four time simple move hand Alphabetical Song Index with Key and Pg Number: A Ram Sam Sam Ab 67 Aij�, Žūžū, L��a Bērni E 32 Ainsi Font Bb 82 Alle Meine Entchen C 5 Ambos a Dos B 37 Ang Pato Ko Eb 70 Arroz con Leche F# 47-48 Au Clair de la Lune E 34 Bells in the Steeple Bb 83 Bill Grogan's Goat Bb 84 Björnen Sover Bb 81 Boil Them Cabbage Down C 4 Brinca la Tablita F 88 Buttercup G 8 Button, You Must Wander Ab 64 Chase the Squirrel C 1 Chopsticks C 6 Clap, Clap, Clap Your Hands D 15 Closet Key F# 42 Cobbler, Cobbler F 85 Cradle Hymn Db 52 Down by the Station F 86 Down in the Valley G 12 Five Fat Turkeys F# 45 Five Little Chickadees G 11 Frog in the Meadow Ab 59 Frogs in the Pond C 2 Go Tell Aunt Rhody D 14 Goodbye, Old Paint F 91 Grandma Grunts F 87 Ha' Sukkah Mah Yafah Ab 60 Hob Ich a Por Oksn Ab 61-62 Hop, Old Squirrel B 35 Hush-A-Bye G 10 Hush, Little Baby G 9 I'm a Nut Eb 75 Johnny's Hammer E 30 Journey of the Leaves E 33 Juan Pirulero B 40 Kangaroo Skippy Roo Bb 76 King's Land Eb 73 Kolyada A 24 Kuckuck Db 57 Lady Come A 22 Lavender's Blue Eb 74 Lightly Row C 3 Limerick Song D 19 Long-Legged Sailor F# 43 Love Somebody G 10 Mmm, Ahh, Went the Little Green Frog Bb 77-78 Mon Petit Lapin a Bien du Chagrin Ab 63 My Horses Ain't Hungry G 13 Naughty Kitty Cat F# 46 O wie wohl ist mir am Abend Db 58 Old King Cole B 38 On Top of Old Smokey D 20 One, Two, Three, Aleerie F 92 Over in the Meadow F 89-90 Pak Pak Ka-ak A 21 Passa, Passa, Gavião Db 51 Pease Porridge Hot A 25 Piva, Piva l'oli d'uliva Ab 65-66 Promenons-nous dans les Bois Eb 71-72 Sandy McNab A 26 Sasara ang Bulaklak Bb 79-80 Scotland's Burning B 36 Seashell Eb 68 Sleep, Baby, Sleep D 16 Tallis' Canon A 27 Ten in the Bed Eb 69 The Deaf Woman's Courtship A 23 The Elfin Knight Db 55-56 The Frog in the Bog D 17 The Noble Duke of York E 31 The Old Sow Took the Measles Db 53-54 The Sandman Comes D 18 Three Jolly Fishermen E 29 There's a Hole in the Bucket F# 49 Twinkle, Twinkle, Little Star B 41 Ulo Abaga B 39 Vamos a la Mar F# 44 Who's That Tapping at the Window Db 50 Yoo Hoo! E 28 Zhao Peng You C 7.

Bass Clarinet,Bassoon,Flute,Horn,Keyboard - Level 3 - Digital Download SKU: A0.828645 Composed by Henry Purcell. Arranged by Theodore A. Samuels. Baroque,Contemporary,Film/TV,Multicultural,Opera,World. 39 pages. Theodore A. Samuels #1998169. Published by Theodore A. Samuels (A0.828645). 2016 Chamber Music Contest Entry: Dido & Aeneas is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate, sometime before July 1688. This is an arrangement for Wind Quartet and Harpsichord/Keyboard of the song and dance which open Act III, in which preparations are being made for the departure of Aeneas and the Trojan fleet.

Piano Solo - Level 4 - Digital Download SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Published by Ben Ledochowski (A0.1023644). The Dreaming Sea was my first paid composition commission, a piece I wrote in April 2020. For the composition commission, my author friend Sterling Wisniewski requested me to score a short story of his, with the score I provided being expected to tell the story of the words through music and accompany original artwork. His short story is included as follows:A cardboard boat sifts the surface of the sea. A little girl,eyes closed, arms wide and crowned with a paper hat, stands at the front of the deck. Unsinkable - that's what she was. Her imagination bounced the boat on the tension of theworld, almost like it wasn't there. Her eyes were closed, yet she saw everything. On shore, a crowd of dirty sailors went about their work. Nasty mouths swore and harsh fists carried their cargo to their strong, dirty boat. A boy, no taller than a barrel, was in the midst of the buff shoulders and fit forearms. He peaked between the muscle mountains.He saw her. Eyes closed and arms wide, sailing away from the Sun and into the appearing Moon. The wind flapped her hair like the sail of a boat. The boy pried between the men and ran to the end of the dock, stuck his flat hand over his forehead to see. The boy could've sworn that she saw him. He could've sworn the boat swooped in a foot from his face. He could've sworn he heard her giggle. If anything, he thought he knew she saw him.The boy's father, the largest of all the men, wearing a real sailor's hat, gripped the boy's shoulder, spun him away from view of the cardboard boat, and without a word dragged him to the solid wooden ship in front of them. The robust crew pulled ropes and pushed out to set sail towards the setting Sun in the west.The boy soon slipped out of his father's grip and ran to the edge of the boat. Standing on his tiptoes, he hovered his eyes over the dock. There she was - eyes closed and arms wide, the wind flowing through her hair while her cardboard boat skipped the seas like a stone. he could've sworn she was thinking about him. he could've sworn he would see her again. He could've&n.

String Orchestra - Digital Download SKU: AX.00-PC-0017307_VN1 1st Violin. Arranged by Sandra Dackow. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017307_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017307_VN1). UPC: 038081517179.Get ready to stamp your feet for fearless fun in this great piece for younger players. Everyone gets the line and each section can play fearlessly and with a sense of fun. Towards the end, don't be surprised if there is a quote from Tchaikovsky and a whiff of Brandenburg---it's all in the spirit of a good time! The Sailor's Hornpipe, arranged by Sandra Dackow, is familiar to many listeners through its opening words, With a yo heave ho---and a slap upon the knee, and it is easy to imagine foot stomps and slaps upon the knees of sailors accompanying their singing. This classic hornpipe will help your students with dexterity, playing in the lower half of the bow, and bow lifts! (2:25)Concert/Contest; Festival.

String Orchestra - Digital Download SKU: AX.00-PC-0017307_VN3 3rd Violin (Viola [TC]). Arranged by Sandra Dackow. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017307_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017307_VN3). UPC: 038081517179.Get ready to stamp your feet for fearless fun in this great piece for younger players. Everyone gets the line and each section can play fearlessly and with a sense of fun. Towards the end, don't be surprised if there is a quote from Tchaikovsky and a whiff of Brandenburg---it's all in the spirit of a good time! The Sailor's Hornpipe, arranged by Sandra Dackow, is familiar to many listeners through its opening words, With a yo heave ho---and a slap upon the knee, and it is easy to imagine foot stomps and slaps upon the knees of sailors accompanying their singing. This classic hornpipe will help your students with dexterity, playing in the lower half of the bow, and bow lifts! (2:25)Concert/Contest; Festival.

String Orchestra - Digital Download SKU: AX.00-PC-0017307_K Piano Accompaniment. Arranged by Sandra Dackow. Folk. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017307_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017307_K). UPC: 038081517179.Get ready to stamp your feet for fearless fun in this great piece for younger players. Everyone gets the line and each section can play fearlessly and with a sense of fun. Towards the end, don't be surprised if there is a quote from Tchaikovsky and a whiff of Brandenburg---it's all in the spirit of a good time! The Sailor's Hornpipe, arranged by Sandra Dackow, is familiar to many listeners through its opening words, With a yo heave ho---and a slap upon the knee, and it is easy to imagine foot stomps and slaps upon the knees of sailors accompanying their singing. This classic hornpipe will help your students with dexterity, playing in the lower half of the bow, and bow lifts! (2:25)Concert/Contest; Festival.

String Orchestra - Digital Download SKU: AX.00-PC-0017307_VA1 Viola. Arranged by Sandra Dackow. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017307_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017307_VA1). UPC: 038081517179.Get ready to stamp your feet for fearless fun in this great piece for younger players. Everyone gets the line and each section can play fearlessly and with a sense of fun. Towards the end, don't be surprised if there is a quote from Tchaikovsky and a whiff of Brandenburg---it's all in the spirit of a good time! The Sailor's Hornpipe, arranged by Sandra Dackow, is familiar to many listeners through its opening words, With a yo heave ho---and a slap upon the knee, and it is easy to imagine foot stomps and slaps upon the knees of sailors accompanying their singing. This classic hornpipe will help your students with dexterity, playing in the lower half of the bow, and bow lifts! (2:25)Concert/Contest; Festival.

String Orchestra - Digital Download SKU: AX.00-PR-0005586 Score. Arranged by Sandra Dackow. Folk. Score. 11 pages. Alfred Music - Digital Sheet Music #00-PR-0005586. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005586). UPC: 038081517179.Get ready to stamp your feet for fearless fun in this great piece for younger players. Everyone gets the line and each section can play fearlessly and with a sense of fun. Towards the end, don't be surprised if there is a quote from Tchaikovsky and a whiff of Brandenburg---it's all in the spirit of a good time! The Sailor's Hornpipe, arranged by Sandra Dackow, is familiar to many listeners through its opening words, With a yo heave ho---and a slap upon the knee, and it is easy to imagine foot stomps and slaps upon the knees of sailors accompanying their singing. This classic hornpipe will help your students with dexterity, playing in the lower half of the bow, and bow lifts! (2:25)Concert/Contest; Festival.