Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.

Piano Solo - Level 3 - Digital Download SKU: A0.1402418 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #985636. Published by The Donald Ashwander Estate (A0.1402418). Step into the charming and contemplative world of Donald Ashwander's solo piano masterpiece, Old Streets. Composed with a delicate touch, Old Streets captures the essence of a bygone era, where the facades of weathered Southern houses bear witness to the passage of time. Ashwander's keen sense of tonal impressionism allows the notes to dance gracefully, mirroring the play of dappled sunlight filtering through the branches of ancient trees. The composition is an ode to the enduring charm of historical neighborhoods, where the echoes of laughter, whispers of secrets, and the timeless stories of yesteryears linger in the air.In the heart of Old Streets, one discovers the subtleties of an introspective ragtime composition. The rhythm, though rooted in the spirited tradition of ragtime, takes on a contemplative and ambulant quality, as if inviting the listener to meander through the memories embedded in each brick and cobblestone. One can almost envision the silhouette of the old houses, standing sentinel along the streets, whispering tales of days gone by. The harmonies, rich with emotion, evoke a sense of nostalgia, allowing the listener to immerse themselves in the profound beauty of the past.Old Streets serves as a poignant reminder that within the timeworn facades of history, there exists a melodic resonance that connects us to the stories of those who walked these old streets before us. So, take a stroll through the corridors of Old Streets, and let the music carry you to a place where the past and present harmonize in a timeless dance.

Digital Download SKU: HX.305232 By Michael McDonald, Taylor Hicks, and The Doobie Brothers. Arranged by Roger Emerson. Pop,Rock. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #812813. Published by Hal Leonard - Digital (HX.305232).

Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace.  It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940.  It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.820 Composed by C.A. White. Children misbehaving, Fire hydrants, Fences, Children smoking, Juvenile delinquents, Mothers & children, Death, Orphans. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.820). Save the Boy. Poem by Dexter Smith. Music by C.A. White. Published 1871 by White, Smith & Perry, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Children misbehaving, Fire hydrants, Fences, Children smoking, Juvenile delinquents, Mothers & children, Death, Orphans. First line reads There's a boy without a mother, homeless in the streets to rove.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.822 Composed by C.A. White. Children misbehaving, Fire hydrants, Fences, Children smoking, Juvenile delinquents, Mothers & children, Death, Orphans. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.822). Save the Boy. Poem by Dexter Smith. Music by C.A. White. Published 1871 by White, Smith & Perry, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Children misbehaving, Fire hydrants, Fences, Children smoking, Juvenile delinquents, Mothers & children, Death, Orphans. First line reads There's a boy without a mother, homeless in the streets to rove.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1298967 Composed by Ian Calvert. Christmas,Contemporary,Holiday. Score. 7 pages. Ian Calvert #888817. Published by Ian Calvert (A0.1298967). This is the first publication of a new Christmas song, set for baritone and piano. The words are those of a poem by Leonard Clark (1905 – 1981), an English poet who was raised in The Forest of Dean, in the west of England. In 1972 he published a slim little book of Christmas poems, of which ‘Singing in the Streets’ is one, surely one of the most appealing of Christmas poems. It gives its name to the book. The poem tells of an older man revisiting the village of his boyhood, and wondering whether, somehow, the streets still hold the sound of the carols that he and the other boys and girls sang there. It begins: ‘I had almost forgotten the singing in the streets,Snow piled up by the houses, drifting Underneath the door into the warm room, …’ It is very evocative of that time and of the magic that Christmas always holds for children. Drawn from the same book of poems there is available another new Christmas song, called The Birth; that one is set in two versions, one for voice and piano and the other for SATB a cappella. Ian Calvert.

Voice and piano - Digital Download SKU: LV.15968 Composed by F.E. Hor. Courtship and love, Death, Cityscapes. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15968). A New York Carol. Through the Streets of New York City. A Northern Refrain. Written by Geo. P. Morris, Esq. Music by F.E. Hor. Published 1853 by Oliver Ditson, 115 Washington St. in Boston. Composition of strophic with refrain with voice and piano instrumentation. Subject headings for this piece include Courtship and love, Death, Cityscapes. First line reads Through the streets of New York city, Blithely ev'ry morn.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1196323 Composed by Trad. Arranged by Des McNutty. Baroque,Holiday,March,Renaissance,Traditional. 40 pages. Des Press #795476. Published by Des Press (A0.1196323). (Historical Signals and Melodies from the Basler Fasnacht) s'Läggerli (by Arthur Dury Schmid) Trio from Die alten Schweizermärsche Nr. 11 (Trad) Réveille Française pour Fifres (Trad) Pfeifer Retraite (Trad. From the Swiss Guards in 18th-Century Paris) Der Arabi Nr. 1 (Trad) Arranged by Des McNutty The Basler Fasnacht, known locally in Basel Stadt (CH) as Die drey scheenschte Dääg (the three loveliest days), is a world-famous carnival where the Zeitgeist animates centuries of tradition. Local folks celebrate with a good-humoured satire of current events through costumes, masks, poetry and visual art on carnival floats and lanterns. Amongst many other activities, participants decorate the city and open ad-hoc bars to sustain everyone with drinks and characteristic foods, all of which led to the Basler Fasnacht being included on the Unesco Representative List of the Intangible Cultural Heritage of Humanity in 2017. Central to the whole experience is the music played on the streets, without electronic amplification, by two types of group: Gugge, with brass and percussion and Clique, with piccolos and side-drums made and played according to local custom. Some Fastnacht Fanfares contains historical melodies from the Cliques' repertoire arranged for Natural Trumpet Ensemble. The Signalkorps can have many players. The parts are in the low, principale register; ideal for newcomers and dilettantes. The ensemble parts require more skill and need only one player on each. s'Läggerli is used with kind permission from the Märtplatz-Clique Basel 1923. The similarity of the other melodies to trumpet calls may not be a total coincidence. Cavalry regiments, with their roots in armoured, mounted knights of even earlier times, were considered nobler; therefore they used royal trumpets and timpani for signalling and entertainment duties. So playing trumpet-style tunes on flutes adds a bit of class. Der Arabi Nr. 1 is now better known as The British Grenadiers from the early 1700s but can be traced as far back as the 1560s, when the Basler Fasncacht was already centuries old and the Schweizerpfeife (Swiss Flute), with drums, supplied the de rigueur regimental music for foot-soldiers all over Europe. Fasnacht is a glorious celebration laced with a melancholy reflected by the marching tempi of the Cliques: often slower than 90 BPM. A “standard� march is around 120 BPM. Vyyl Vergniege! (Enjoy!).

Unison/2-part choir - Digital Download SKU: LX.65-1902K A Christmas Musical for Unison or Two-part. Composed by Gregg Sewell. Choral Cantatas. Christmas. 44 pages. Triune Music Inc #e65/1902K. Published by Triune Music Inc (LX.65-1902K). UPC: 000308046250. Text: Grace Hawthorne.Star is a homeless child on the streets of Bethlehem, and she (or He)bears this name because her street show is the means by which she earns enough money to eat. Elated that the census is bringing larger crowds of people to town, Star faces a dilemma when she meets a young couple unable to find lodging for the night. Should Star share her sacred place behind an inn at Bethlehem? Before the music concludes, Star discovers the real star of Bethlehem-Jesus, the newborn Messiah. High energy music and easy-to-learn speaking parts combine to make this a delightful experience for young choristers. Duration is approximately 45 minutes.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.977347 Composed by Trad, H. Suter. Arranged by Des McNutty. Baroque,Easter,Renaissance. Score and parts. 16 pages. Des Press #5292335. Published by Des Press (A0.977347). The Basler Fasnacht, known locally in Basel Stadt (CH) as D’ drey scheenschte Dääg (the three loveliest days), is a world-famous carnival where the Zeitgeist animates centuries of tradition. Local folks celebrate together with a good-humoured satire of current events through costumes, masks, poetry and visual art on carnival floats and lanterns. Amongst many other activities, participants decorate the city and open ad-hoc bars to sustain everyone with drinks and characteristic foods, all of which led to the Basler Fasnacht being included on the Unesco Representative List of the Intangible Cultural Heritage of Humanity in 2017.   Central to the whole experience is the music played on the streets, without electronic amplification, by two types of group: Gugge, with brass and percussion and Clique, with piccolos and side-drums made and played according to local custom. Symphonie Fastnachtique, part 1 contains four melodies from the Cliques: Der Arabi Nr 1, 2 and 3, followed by the Wettstein Marsch by Swiss composer Hermann Huber (1870-1926). The melodies in Der Arabi may sound familiar but the chances are that they pre-date their more famous versions. For example, Der Arabi Nr 1 is now better known as The British Grenadiers from the early 1700s but can be traced as far back as the 1560s, when the Basler Fasncacht was already centuries old and the Schweizerpfeife (Swiss Flute), with drums, supplied the de rigueur regimental music for foot-soldiers all over Europe.   This version for string quartet is a mixture of original piccolo voicings and indulgence by the arranger. Some of the part for viola is based on an optional 4th voice, the Zierstimm.   Fasnacht is a glorious celebration laced with a melancholy reflected by the marching tempi of the Cliques: often slower than 90 BPM. A standard march is around 120 BPM.    Vyyl Gniege! (Enjoy!)

Piano and voice - Digital Download SKU: LV.5768 Composed by George Evans. City & town life, Panoramic views, Carriages & coaches, Industrial buildings, Families, Mothers & children, Travel, Farewells, Unemployment, Despair. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5768). The Streets of the Crowded City. Song & Chorus. Companion Song to The Sidewalks of New York. Words and Music by George Evans. Published 1895 by Howley, Haviland & Co., 4 East 20th Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include City & town life, Panoramic views, Carriages & coaches, Industrial buildings, Families, Mothers & children, Travel, Farewells, Unemployment, Despair. First line reads A story I'll tell of a sweet little maid who left home on one bright Summer's day.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1262685 By Sharon Wilson. By B. Ogden, G W Bethune, George Washington Bethune, W A Ogden, and William Augustine Ogden. Arranged by Sharon Wilson and Sharon Wilson Music. 19th Century,Christian,Easter,Multicultural,Sacred,World. 23 pages. Sharon Wilson #855694. Published by Sharon Wilson (A0.1262685). Here is a flowing instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of a beautiful hymn from the late 1800's titled The City of Our God when associated with the lyrics by George Washington Bethune. The tune was composed by William Augustine Ogden. This hymn may be better known by its Spanish title Jerusalén Mi Amado Hogar (Jerusalem My Beloved Home) when used with contemporary lyrics by Nicolás Samojluk. The original lyrics by G. W. Bethune are shown below.Both the VIOLIN and the CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The VIOLIN plays the melody for the first verse and then the CELLO leads with the melody for the second verse. The song begins in the key of G major for the first verse, then transitions to the key of C major during the piano interlude between verses.The range for each part is as follows: VIOLIN ~ A4 to A5; CELLO ~ B2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.  Duration 2:50.The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (4 pages)Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicLyrics by G. W. Bethune O city of the jasper wall,And of the pearly gate,For thee amid the storms of life,Our weary spirits wait,O may we walk the streets of gold,No mortal feet have trod;O may we worship at the shrine,The temple of our God.Chorus:O land of bliss!O land of light!O city of the jasper wall!O land forever bright!

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1298965 Composed by Ian Calvert. 21st Century,A Cappella,Christmas,Contemporary,Holiday. 6 pages. Ian Calvert #888815. Published by Ian Calvert (A0.1298965). This is the first publication of a new Christmas song, set for SATB a cappella and ideal for community or professional choirs. The words are those of a poem by Leonard Clark (1905 – 1981). He was an English poet who was raised in The Forest of Dean, in the west of England. The Forest became his great passion and inspiration; much of his poetry reflects that upbringing and often relates to nature. In 1972 he published a slim little book of Christmas poems, of which ‘The Birth’ is one. What I like about this poem is its simplicity and clarity – and its narrative development through the verses. It starts with the poet waking in the pre-dawn. He then realizes that it is Christmas Day and in the stillness of that time his mind turns to the birth of Jesus, as traditionally told; tenors and basses start this verse. Then he steps out of time and space and looks through his bedroom window to contemplate the mystery of incarnation; sopranos and altos begin this third verse. And he finishes at the stable, offering devotion to the newborn Lord. This song is also available in a version for voice and piano. Drawn from the same book of poems there is available another new Christmas song, called Singing in the Streets; that one is set for baritone and piano. Ian Calvert.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1298966 Composed by Ian Calvert. Christmas,Contemporary,Holiday,Praise & Worship,Religious. Score. 4 pages. Ian Calvert #888816. Published by Ian Calvert (A0.1298966). This is the first publication of a new Christmas song, set for voice and piano. The words are those of a poem by Leonard Clark (1905 – 1981). He was an English poet who was raised in The Forest of Dean, in the west of England. In 1972 he published a slim little book of Christmas poems, of which ‘The Birth’ is one. What I like about this poem is its simplicity and clarity – and its narrative development through the verses. It starts with the poet waking in the pre-dawn. He then realizes that it is Christmas Day and in the stillness of that time his mind turns to the birth of Jesus, as traditionally told. Then he steps out of time and space and looks through his bedroom window to contemplate the mystery of incarnation. And he finishes at the stable, offering devotion to the newborn Lord. This song is also available in a version for SATB a cappella. Drawn from the same book of poems there is available another new Christmas song, called Singing in the Streets; that one is set for baritone and piano. Ian Calvert.