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Small Ensemble,Strings Piano - Digital Download SKU: A0.1029488 Composed by Helder Bruno. Arranged by Helder Bruno. 20th Century,Contemporary. Score and parts. 15 pages. Helder Bruno #6009997. Published by Helder Bruno (A0.1029488). The presence, serene and tender is a piece from the indie classical/neo classical music suite composed and arranged by Helder Bruno. This piece gives the name to the suite with 12 music pieces in the same style.Crowned as the new jewel of Portuguese music!His love for music has led him to a diverse career path, having immersed himself in academic research, authoring a book and other publications, and serving as a local councillor for culture, education, youth, tourism, entrepreneurship. During the same time he never stopped composing and performing. He captivates us with both his music and his words. You get touched by every word, by every note. Cintia Taylor (in https://helderbruno.com/).Music and more about Helder Bruno: https://album.link/i/1358836215
The Presence, serene and tender (piano and string quartet)
$24.90 21.37 € PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin) Chorale TTBB

$2.19 1.88 € Chorale TTBB PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo) Orgue

$5.99 5.14 € Orgue PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English) Chorale TTBB

$2.19 1.88 € Chorale TTBB PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.961998 Composed by Ma Shui Long 馬水龍. 20th Century,Contemporary. Score and parts. 49 pages. SpringAutumnmusic #2341873. Published by SpringAutumnmusic (A0.961998). 《弦樂四重奏》1983年   這首連樂章體式的四重奏，可分為：生氣蓬勃的快板、吟詩般的慢板、如歌的行板及生動活潑的終曲這四部分。在曲子進行上，樂章與樂章之間是相連不斷的，一章的結束是下一章的開始，在綿延與連繼之間，樂念流暢地發展下去。  第一樂章是以強而有力的撥奏來揭開序幕，並且以中國傳統的鑼鼓節奏來進行，之後主題由大提琴導入。第二樂章是整曲最大的對比與張力點，是以「吟詩」的樂念來發展。第三樂章整合了第一、第二樂章之後，發展到終曲。整曲在內容上，第一、第三與第四樂章的關係是非常密切，其間不同之處只是由於經由各種手法的變化所致。 音樂的內容就是一種風格，作曲者在形式的侷限下，運用新的理念及手法，呈現了四重奏的另一種境界。  ※本曲係文建會委託創作，於1983年完成之作品，1987年樂譜初版，並於2016年再版。 1985年1月4日首演於台大學生活動中心大禮堂，由台大愛樂社主辦之「馬水龍室內樂之夜」。演奏家為第一小提琴江維中、第二小提琴洪千貴、中提琴巫明俐、大提琴孫琬玲。   《String Quartet》（1983）     String Quartet is divided into four movements (sections): I. Allegro con brio, II. Dichterisches Adagio, III. Andante cantabile, IV. Lebendiges Finale. The composer designed this piece to play continuously between sections and makes the composition a quasi-single-movement. Due to the continuity, the musical elements and compositional concepts are connected smoothly through out the piece.     The vigorous pizzicato opens up the first movement of this piece, imitates the traditional Chinese Gong-and-Drum rhythmic patterns. The cello solo main theme flows in later and develop the music to the following sections. The second movement is inspired from the concept of poetry reading. It is the most intensive section and holds the greatest contrast of this piece. The third movement combines elements from the earlier movments and leads to the fourth movement, Lebendiges Finale. The musical ideas between these four movments of the composition are strongly revelent to each other.     The musical content in a composition sets up the style for itself. Even under some restrictions of tradional musical forms, the composer tried to develop few new compositional ideas in order to achieve a new sphere of string quartet with this piece.     String Quartet was commissioned by the Council for Cultural Affairs, finished in 1983, premiered on 4th of January 1985 in the National Taiwan University Student Activity Center. It was programed in the event A Night of Shui-Long Ma’s Chamber Music, held by Asian Composers’ League-Taiwan Section and NTU-Philharmonic Club. The premiered musicians were: Wei-Chung Chiang (Violin I), Chin-Kuei Hong (Violin II), Ming-Li Wu (Viola) and Wan-Ling Sun (Cello).     The first edition of the score was published in 1987, and the second edition published in 2016.
String Quartet《弦樂四重奏》 Quatuor cordes: 2 violons, alto, violoncelle

$18.99 16.3 € Quatuor cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.800933 Composed by Ludwig van Beethoven. Arranged by Louis Drummond. Pop,Rock. Score. 5 pages. Louis Drummond Van Rensburg #6487661. Published by Louis Drummond Van Rensburg (A0.800933). By the time Beethoven's Symphony No 9, with its huge Ode to Joy climax, was premiered on 7 May 1824, the composer was profoundly deaf. Beethoven's revolutionary Ninth Symphony is one of the greatest works in classical repertoire. In 1972 the Council of Europe made Ode to Joy its official anthem. In 1985 the Eorpean Union did the same.My solo piano arrangement of Ode to Joy for intermediate students is in a Rock style and includes an optional written improvised solo.
Ode To Joy Piano seul
the time Beethoven's Symphony No 9, with its huge Ode to Joy climax, was premiered on 7 May 1824, the composer was profoundly deaf Beethoven's revolutionary Ninth Symphony is one of the greatest works in classical repertoire
$6.99 6 € Piano seul PDF SheetMusicPlus






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