Concert Band - Level 4 - Digital Download SKU: HX.1045028 Composed by Florence Beatrice Price. Arranged by Jay Bocook. This edition: scorch. Concert. 1 pages. Duration 230. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1045028).

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1457263 By Roberta Flack. By Ewan MacColl. Arranged by Tim Price. Folk,Soul. 16 pages. EzTiger #1036303. Published by EzTiger (A0.1457263). This is a beautiful arrangement of Ewan McColl's timeless classic arranged for a saxophone quartet. The complete pack includes: Conductors score Soprano Alto Saxophone Tenor Saxophone Baritone Saxophone This is such a lovely piece to play and is guaranteed to make your audience fall in love with you.

Piano,Violin - Level 5 - Digital Download SKU: A0.939780 Composed by Richard St. Clair. 20th Century,Concert,Ragtime. 22 pages. Richard St. Clair #3628409. Published by Richard St. Clair (A0.939780). This jocular 6-minute neo-classical composition, a guaranteed crowd-pleaser, works well as an encore or any other concert programming. Structured freely in a rondo-form, the music has a catchy rhythm to tickle the listerner's ear. The violin part is appended to the score.

Mountain Dulcimer - Intermediate - Digital Download By Ray Price. Arranged by Elaine Conger. Tablature. 4 pages. Published by Larry Conger/Dulcimerican Music

Viola - advanced - Digital Download SKU: S9.Q7032 In forme of studies, in all 24 keys. Composed by Jacques Pierre Joseph Rode. This edition: Sheet music. Essential Exercises. Downloadable. Schott Music - Digital #Q7032. Published by Schott Music - Digital (S9.Q7032). Caprices for solo violin have a long tradition; the list of collections in which virtuoso violinist-composers archived testimonies of their virtuoso violin art ranges from Locatelli to Paganini, from Gaviniès to Dont. Among them is the French violinist Pierre Rode (1774-1839) who added his 24 Capricen in Form einer Etüde für Violine allein to this genre. Even today, they still form part of the indispensable repertoire of violin students, particularly since, notwithstanding the purely technical side, they are also attractive pieces of music. As a teacher at the famous Paris Conservatoire, Rode, together with Pierre Baillot and Rodolphe Kreutzer, laid the foundations for comprehensive violin didactics and methodology: the 24 Caprices are important contributions to this music-educational work. The present new edition is based on the first edition of Paris of 1820, providing the original score, especially two variants of fingering, a 'normal version', and a version specifically designed for small hands. Technical as well as musical challenges make Rode's Caprices a fascinating study and performance object.

Violin - advanced - Digital Download SKU: S9.Q7031 In forme of Etudes, in all 24 keys. Composed by Jacques Pierre Joseph Rode. This edition: Sheet music. Essential Exercises. Downloadable. Schott Music - Digital #Q7031. Published by Schott Music - Digital (S9.Q7031). Caprices for solo violin have a long tradition; the list of collections in which virtuoso violinist-composers archived testimonies of their virtuoso violin art ranges from Locatelli to Paganini, from Gaviniès to Dont. Among them is the French violinist Pierre Rode (1774-1839) who added his 24 Capricen in Form einer Etüde für Violine allein to this genre. Even today, they still form part of the indispensable repertoire of violin students, particularly since, notwithstanding the purely technical side, they are also attractive pieces of music. As a teacher at the famous Paris Conservatoire, Rode, together with Pierre Baillot and Rodolphe Kreutzer, laid the foundations for comprehensive violin didactics and methodology: the 24 Caprices are important contributions to this music-educational work. The present new edition is based on the first edition of Paris of 1820, providing the original score, especially two variants of fingering, a 'normal version', and a version specifically designed for small hands. Technical as well as musical challenges make Rode's Caprices a fascinating study and performance object.

Violin Solo - Level 5 - Digital Download SKU: A0.1040061 Composed by Mark O'Connor. Arranged by Mark O'Connor. 20th Century,Classical,Contemporary,Contest,Festival,Folk. 13 pages. Mark O'Connor Musik International #644891. Published by Mark O'Connor Musik International (A0.1040061). Menuhin Caprice (for unaccompanied violin) MO177 Violin Solo Music by Mark O’Connor 9 pages - 7:00 minutes in length Menuhin Caprice for unaccompanied violin by Mark O’Connor was commissioned by the 2020 International Menuhin Violin Competition. It was a compulsory piece for the semi-final round. Receiving great interest to all of his caprices from performers, teachers and students of the violin, O’Connor has contributed music here which will challenge even the most gifted virtuoso. O’Connor’s caprices, like Nicolo Paganini’s and Pietre Locatelli’s, push the violin into a new direction, musically and technically, furthering the possibilities of the instrument. “Menuhin Caprice� features demanding techniques which are desirable for study purposes, and at the same time, are accessible to concert audiences. The violinist will find passages containing complex rhythms, broken chord arpeggios, various spicatto and double-stopped runs. In addition to these specialized skills, the violinist must master the works’ driving and aggressive rhythms in order to perfect the performance of them. Appropriate for the advanced student but isolated selections could be valuable for the intermediate. Original music printed from the composer’s manuscripts. Music editing, copying and engraving by Mark O’Connor using Finale on Apple Macintosh 2019 Composed By Mark O’Connor Menuhin Caprice can be heard at the International Menuhin Violin Competition (semi-final round) 2020 Catalogue Number MO177 Copyright © 2019 by Mark O’Connor Musik International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit www.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs: www.oconnormethod.com.

Violin - Level 4 - Digital Download SKU: A0.1218545 Composed by Henri Wieniawski. Arranged by Pietro Prugna. 19th Century,Classical,Romantic Period,Standards,Traditional. 21 pages. Pietro Prugna #815078. Published by Pietro Prugna (A0.1218545). This was originally written for 2 violins. Each violin plays 2 parts. It is of technical difficulty. This is an arrangement for 4 violins. The parts are split. The original first violin is split into Violin I and Violin II. The original second violin is played by Violin III and Violin IV. Some parts of the original second violin are split between the new Violin III and Violin IV. In this way, the melodies are clearer, smoother and easier to play. The original score is sometimes performed only with the original first violin (as a solo). As such, this arrangement can also be played by just Violin I and Violin II (as a duet). The pdf come with Full Score and Set of Parts (Violin I, Violin II, Violin III & Violin IV).

Violin Solo - Level 5 - Digital Download SKU: A0.1040132 Composed by Mark O'Connor. Arranged by Mark O'Connor. 20th Century,Classical,Contemporary,Folk. 10 pages. Mark O'Connor Musik International #644940. Published by Mark O'Connor Musik International (A0.1040132). Caprice No. 7 in C Major (unaccompanied violin) MO176 Unaccompanied Violin Music by Mark O’Connor 6 pages - 3:15 minutes in length Caprice No. 7 in C Major for unaccompanied violin is a composition by Mark O’Connor derived from his own “Caprice For Three� he recorded with Yo-Yo Ma and Edgar Meyer. Receiving great interest from performers, teachers and students of the violin, O’Connor has contributed music here which will challenge even the most gifted virtuoso. O’Connor’s caprices, like Nicolo Paganini’s and Pietre Locatelli’s, push the violin into a new direction, musically and technically, furthering the possibilities of the instrument. “Caprice No. 7� features demanding techniques which are desirable for study purposes, and at the same time, are accessible to concert audiences. The violinist will find passages containing complex rhythms, various spicatto and double-stopped runs. In addition to these specialized skills, the violinist must master the works’ driving and aggressive rhythms in order to perfect the performance of them. This collection is appropriate for the advanced student but isolated selections could be valuable for the intermediate. Original music printed from the composer’s manuscripts. Music editing, copying and engraving by Mark O’Connor using Finale on Apple Macintosh 1997 Composed by Mark O’Connor Mark O’Connor - Violin Catalogue Number MO176 Copyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit www.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs: www.oconnormethod.com.

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.