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Piano Solo - Level 3 - Digital Download

SKU: A0.697665

Composed by Sandy McIntire. Contemporary,Contest,Festival,Instructional,Standards,Traditional. Score. 22 pages. Sandy McIntire #6318167. Published by Sandy McIntire (A0.697665).

African-American Suite No. 1, Opus 2 is a classical composition for Intermediate Piano that uses themes developed from African-American spirituals. It has four parts: 1. Ride on, King Jesus/In That Great Getting Up Morning, 2. Hold On, 3. Joshua Fit de Battle of Jericho, 4. Gospel Medley with themes from Little David, Play on Your Harp, Didn't My Lord Deliver Daniel, and Go Tell It on the Mountain. These pieces are also available separately at this web site.
A YouTube video is available for you to hear samples of this composition.

African American Suite No. 1 for Piano
Piano seul

$14.99 14.4 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.928962

Composed by American Traditional Lullaby. Arranged by Donald A. Mills. A Cappella,Children,Folk,Traditional. Octavo. 2 pages. Donald A Mills #3372897. Published by Donald A Mills (A0.928962).

This song is a lullaby, a traditional American folk song.

From Wikipedia, the free encyclopedia: All the Pretty Little Horses (also known as Hush-a-bye) is a traditional lullaby from the Early United States. The origin of this song is not fully known, but the song is commonly thought to be of African American origin, yet the tune is more easily identified as English or Scottish in origin.

This SATB a cappella arrangement by Donald A. Mills ranges in the middle-to-upper levels of expertise. The singers must have a command of breath control, of keeping the tonal center under control, and in an ability to sing in a dissonant chord. The song's duration is comfortable for concert or competition. This beautiful tune is not commonly recognized but is a long-standing lullaby in the American tradition of music.

Also available here as a ttbb arrangement.

Your chorus and your audiences will love the sweet words, harmonies and melody. Such a rich American tradition. Sing the song as a soft lullaby, in a dream-state. Softly...softly...gently.


See and hear more arrangements and compositions by Donald A. Mills at www.SheetMusicPlus.com by entering his name in the search rectangle of that web site.

All The Pretty Little Horses, an Early American Lullaby satb
Chorale SATB

$2.29 2.2 € Chorale SATB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.891194

Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194).

Movement two of four Cowboy Songs of the American Southwest

This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.

These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.

I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.
II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.
III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.
IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.

Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.

2017 Choral Contest Entry

Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com


I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB

$2.10 2.02 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.891196

Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196).

Movement four of four Cowboy Songs of the American Southwest

This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.

These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.

I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.
II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.
III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.
IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.

Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.

2017 Choral Contest Entry

Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB] Chorale TTBB

$2.10 2.02 € Chorale TTBB PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download

SKU: A0.1200186

Composed by Traditional. Arranged by Jerald Juhnke. Religious. 8 pages. Gordon Cherry #798988. Published by Gordon Cherry (A0.1200186).

Were You There, an African-American Spiritual arranged for Brass Quintet by Jerald Juhnke first appeared in 1899, likely composed by slaves. The text refers to the crucifixion scene and the suffering of Jesus on the Cross, but also has hidden meanings connecting his suffering with the suffering of the black slaves.

This gorgeous arrangement by Jerold Juhnke of about 3.5 minutes is for standard brass quintet of 2 Trumpets in B-flat, Horn in F, Trombone and Tuba and is appropriate for moderately advanced performers.

Were You There - African-American Spiritual for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$25.00 24.01 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.891193

Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193).

This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.

These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.


I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.
II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.
III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.
IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.

Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.

2017 Choral Contest Entry

Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Cowboy Songs of the American Southwest [TTBB] Chorale TTBB

$4.20 4.03 € Chorale TTBB PDF SheetMusicPlus






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