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String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488229

Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229).

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty.

The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.

This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Robert Hoskins.

String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 46.53 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488232

Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232).

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty.

The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.

This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Robert Hoskins.

String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 46.53 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488228

Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228).

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty.

The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket.

Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources.

The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Robert Hoskins.

String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 46.53 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488231

Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231).

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty.

The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.

This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Robert Hoskins.

String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 46.53 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Digital Download

SKU: A0.1488225

Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225).

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty.

The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.

This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Robert Hoskins.

String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 46.53 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download

SKU: A0.1371210

By Sharon Wilson. By Elisha Albright Hoffman, George Bennard, Howard E. Smith, James McGranahan, Joseph Brackett, Jr., Traditional, and William G. Fischer. Arranged by Sharon Wilson. Christian,Easter,Praise & Worship,Sacred,Traditional. 140 pages. Sharon Wilson #955463. Published by Sharon Wilson (A0.1371210).

The title of this collection was inspired by the words found in Psalm 150 verse 4: Praise Him with stringed instruments . . . †(KJV)

This collection contains 10 favorite hymns arranged as instrumental trios (for VIOLIN and CELLO duet with PIANO accompaniment). These uplifting arrangements are a welcome addition to the repertoire for beginning string players and suitable for recitals or worship services throughout the year.  

For 8 of the 10 songs, all notes for both the VIOLIN and CELLO are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For the other two songs,
Stricken, Smitten, and Afflicted and The Old Rugged Cross, the CELLO will need to play in second position for a couple of notes. The PIANO accompaniment is written for an intermediate player.

For each song, there is a combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO as well as a PIANO only score.

Each song is also available separately with accompanying preview pages and audio samples. 

Song titles included in this collection:   
Beach Spring
I Know Whom I Have Believed
Love Lifted Me
Never Alone
Showers of Blessing
Simple Gifts
Stricken, Smitten, and Afflicted
The Old Rugged Cross
What a Wonderful Savior
Whiter Than Snow

Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/
Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Praise Him with Stringed Instruments, Book 5 (Collection of 10 Hymns for Violin, Cello, and Piano) Piano Trio: piano, violon, violoncelle
Sharon Wilson
$24.99 23.73 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download

SKU: A0.1362480

By Sharon Wilson. By D. S. Hakes, Edmund S. Lorenz, Folk Song, Frederick M. Lehman, May Whittle Moody, Septimus Winner, Solomon W. Straub, Traditional, Walter Stillman Martin, and William J. Kirkpatrick. Arranged by Sharon Wilson. Christian,Easter,Sacred,Traditional,Wedding. 179 pages. Sharon Wilson #946945. Published by Sharon Wilson (A0.1362480).

The title of this collection was inspired by the words found in Psalm 150 verse 4: Praise Him with stringed instruments. . . (KJV).

This collection contains 10 favorite hymns arranged as instrumental trios (for VIOLIN and CELLO duet with PIANO accompaniment). These uplifting arrangements are a welcome addition to the repertoire for beginning string players and suitable for recitals or worship services throughout the year.  

All notes for both the VIOLIN and CELLO are playable in the first position making these arrangements an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.

For each song, there is a combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO as well as a PIANO only score.

Each song is also available separately with accompanying preview pages and audio samples. 

Song titles included in this collection:   
God Sees the Little Sparrow Fall
God Will Take Care of You
Grant Us Your Peace
He Hideth My Soul
Moment by Moment
My Song Shall Be of Thee
Rainbow of His Love
Tell It to Jesus
The Love of God
Whispering Hope

Visit Sharon Wilson's website:
https://www.sharonwilsonmusic.com/
Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Praise Him with Stringed Instruments, Book 3 (Collection of 10 Hymns for Violin, Cello, and Piano) Piano Trio: piano, violon, violoncelle
Sharon Wilson
$24.99 23.73 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 2 - Digital Download

SKU: A0.1363656

By Sharon Wilson. By Charles H. Gabriel, Charles Wesley, Chester G. Allen, Daniel B. Towner, Fanny J. Crosby, Folk Song, James McGranahan, Oscar Ahnfelt, Thomas Campbell, William B. Bradbury, and William J. Kirkpatrick. Arranged by Sharon Wilson. Christian,Easter,Folk,Lent,Sacred. 158 pages. Sharon Wilson #948050. Published by Sharon Wilson (A0.1363656).

The title of this collection was inspired by the words found in Psalm 150 verse 4: Praise Him with stringed instruments . . . (KJV)

This collection contains 10 favorite hymns arranged as instrumental trios (for VIOLIN and CELLO duet with PIANO accompaniment). These uplifting arrangements are a welcome addition to the repertoire for beginning string players and suitable for recitals or worship services throughout the year.  

All notes for both the VIOLIN and CELLO are playable in the first position making these arrangements an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.

For each song, there is a combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO as well as a PIANO only score.

Each song is also available separately with accompanying preview pages and audio samples. 

Song titles included in this collection:   
And Can It Be
Day by Day
I Will Sing of My Redeemer
Lord, I'm Coming Home
Marvelous Grace
My Savior's Love
O the Deep, Deep Love of Jesus
Praise Him! Praise Him!
Redeemed!
There Is a Fountain

Visit Sharon Wilson's website:
https://www.SharonWilsonMusic.com/
Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Cover Image Credit: Pixabay.com, used by permission.

Praise Him with Stringed Instruments, Book 4 (Collection of 10 Hymns for Violin, Cello, and Piano) Piano Trio: piano, violon, violoncelle
Sharon Wilson
$24.99 23.73 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488294

Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294).

Artaria Editions AE429

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.
 
Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.
 
This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
 
Robert Hoskins.

String Trio No. 9 in A major
Trio à Cordes: violon, alto, violoncelle

$49.00 46.53 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488290

Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290).

Artaria Editions AE427

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.
 
Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.
 
This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
 
 Robert Hoskins.

String Trio No. 7 in G major
Trio à Cordes: violon, alto, violoncelle

$49.00 46.53 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488292

Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292).

Artaria Editions AE428

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

 
Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
 
Robert Hoskins.

String Trio No. 8 in F major
Trio à Cordes: violon, alto, violoncelle

$49.00 46.53 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - Digital Download

SKU: A0.565918

By Sharon Wilson. By Benjamin Franklin White and Traditional. Arranged by Sharon Wilson. Easter,Folk,Holiday,Sacred,Traditional. Score and parts. 14 pages. Sharon Wilson #6575555. Published by Sharon Wilson (A0.565918).

Here is an easy instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the classic hymn tune BEACH SPRING. Many lyrics have been set to this tune composed by Benjamin F. White including Come, All Christians, Be Committed and God of Day and God of Darkness.

Both the VIOLIN and CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The verse begins with each instrument playing a phrase independently followed by the VIOLIN on melody and the CELLO on harmony. The song concludes with the CELLO on melody and the VIOLIN on harmony. This cheerful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 2:00

The range for each instrument is as follows: VIOLIN – B♭3 to D5; CELLO – B♭2 to D4. For both the VIOLIN and CELLO, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. The PIANO accompaniment is written for an intermediate player.

The purchase price includes these printing options:
1. a grand staff (6 pages) with all parts on each page
2. separate scores for the VIOLIN and CELLO (1 page each) and PIANO (3 pages)
3. a combined VIOLIN and CELLO score (2 pages)

Cover Image Credit: captured by the arranger’s son while living on the Micronesia island of Yap
Beach Spring (for Violin and Cello Duet with Piano Accompaniment)
Piano Trio: piano, violon, violoncelle
Sharon Wilson
$5.99 5.69 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Soprano Saxophone - Level 2 - Digital Download

SKU: A0.611946

Composed by Johann Pachelbel. Arranged by Stephen DeCesare. Baroque,Classical,Film/TV,Holiday,Wedding. 25 pages. Exultet Music #3089067. Published by Exultet Music (A0.611946).

The most popular song to be played as a processional for many weddings around the world.  This arrangement has been specifically modified so that the entire piece can be used for the whole bridal party to walk down the aisle.  The dialogue between the instruments is such where not one instrument will dominate the other and the artists will not get easily winded because of long phrases.  Accessible to play and appropriate for any wedding service.  Scored for Soprano Sax, Alto Sax, Tenor Sax, and Organ.

Pachelbel's Canon (Wedding Arrangement: for Saxophone Trio - Organ Accompaniment)
3 Saxophones (trio)

$12.99 12.34 € 3 Saxophones (trio) PDF SheetMusicPlus


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