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Brass Ensemble - Level 5 - Digital Download SKU: A0.1074082 Composed by Ottorino Respighi. Arranged by Mark LaFratta. Renaissance. Score and parts. 46 pages. Gordon Cherry #678353. Published by Gordon Cherry (A0.1074082). The Ancient Airs and Dances Suite No. 1 beautifully arranged by Mark LaFratta for Brass Quintet was compiled by Respighi as a Piano transcription in 1917 and is based on a Renaissance collection of works for Lute by Molinaro, Galilei (father of the famous Galileo), and two other anonymous composers from that era. The four movements are titled: 1. Simone Molinaro, 1599 2. Vincenzo Galilei, 1550's 3. Villanella (anonymous late 16th century) 4. Passo mezzo e mascherada (anonymous, late 16th century) This 16-minute work is appropriate for advanced performers and a joy to perform.
Ancient Airs and Dances Suite No. 1 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$35.00 33.52 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Guitar - Digital Download SKU: A0.1059303 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 650. David Warin Solomons #511059. Published by David Warin Solomons (A0.1059303). Performance of my suite for guitar and orchestra by AndrĆ”s CsĆ”ki and the Budapest Scoring Symphonic Orchestra under PĆ©ter IllĆ©nyi in 2015. The suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm It has elements of Romantic and Renaissance music, flamenco, Latin American, a bit of Celtic square dancing, classical minuets and a general joie de vivre mixed with a little spirituality. Dreaming is a romantic getting to know you scene between guitar and orchestra, with slow harmonic progressions in the strings and melodic imitations and dialogues between guitar and woodwind and then also between guitar and harp. A simple waltz follows, in which the flutes take up new melodies and the guitar initially just provides accompaniment but joins in the conversation as the movement progresses. The Sanctus and Benedictus section reflects the rhythms of the Latin words of the mass, with the Osanna after each main part being a little faster and reminsicent of some of the lute works of Vincenzo Galilei.  The harmonic ideas of the Sanctus also colour the slower parts of the last movement, Distant Storm, but the main part of this final movement is a rhythmically exciting dialogue between the various sections of the orchestra and the guitar, leading to an abrupt conclusion, possibly the first thunderclap of a distant but approaching storm, or possibly just a bit of fun. Score and parts:https://www.sheetmusicplus.com/title/20143223?aff_id=175705
Suite for guitar and orchestra (mp3)
Guitare

$3.50 3.35 € Guitare PDF SheetMusicPlus






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