Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital Download

SKU: A0.721730

Composed by Peter Ilyich Tchaikovsky. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and parts. 4 pages. Music-Scores.com #4986627. Published by Music-Scores.com (A0.721730).

Odette's Theme from Swan Lake. This beautiful theme is repeated several times in different ways throughout the ballet. For Flute. Clarinet and Piano.
Duration about 1 minute.

Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com.

String Ensemble,String Trio Cello,Violin - Level 3 - Digital Download

SKU: A0.1517045

Composed by Lee Holdridge. Arranged by Homco/Crinion. Film/TV,Patriotic. 7 pages. Homco/Crinion #1091224. Published by Homco/Crinion (A0.1517045).

An American Hymn is a powerful song that evokes a deep sense of patriotism and pride. It was used as the main title theme from East of Eden - the 1981 miniseries adaptation of John Steinbeck's novel of the same name. In this String Trio arrangement, the melody is voiced at different times by different instruments, sharing in the all-inclusive theme of the song.

Violin, Cello, Piano Trio, Piano - Intermediate - Digital Download By Joe Hisaishi. Arranged by Clara Obsidian. Individual Part, Score. 14 pages. Published by Clara Obsidian

String Trio Cello,Viola,Violin - Level 4 - Digital Download

SKU: A0.1201012

Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012).

Sonata No. 6, “Durnitz� for String Trio

Score and performance parts:  Score: 32 pages. Duration: ca. 28:54

Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.

The sonata is divided into three movements:
1.    Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.

2.    Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.

3.    Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.
Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire.
 

Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.

Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.

There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.

Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download

SKU: A0.1289854

By Adolphe Danhauser. By Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber. 18 pages. Andrew Lamb #880554. Published by Andrew Lamb (A0.1289854).

La Foi, L’Espérance et La Charité (Faith, Hope, and Charity) - Clarinet Trio Arrangement

Elevate your clarinet ensemble's repertoire with our exquisite arrangement of Adolphe Danhauser's La Foi, L’Espérance et La Charité, originally composed as a Secular Chorus. This beautiful composition, thoughtfully reimagined for clarinet trio, will add depth and emotional resonance to your musical performances. Whether you're planning a concert, a recital, or an educational endeavor, this arrangement is sure to captivate both musicians and audiences.

Composer's Legacy:
Adolphe Danhauser, the esteemed French composer, brought this captivating composition to life, and now, you have the opportunity to explore its depth and charm in a new instrumental context. La Foi, L’Espérance et La Charité is a timeless work that explores the themes of faith, hope, and charity, making it a poignant addition to any musical program.

Medium Level of Difficulty:
Designed with versatility in mind, this arrangement is rated at a Medium level of difficulty. It strikes the perfect balance between accessibility and artistic challenge, making it suitable for a wide range of clarinetists, from intermediate to advanced players. It offers a fulfilling musical experience while allowing performers to showcase their skills and artistry.

Instrumentation Flexibility:
This arrangement is thoughtfully crafted for three Bb clarinets, offering a balanced and harmonious ensemble. Additionally, it can be adapted for a combination of two Bb clarinets and one bass clarinet, providing you with the flexibility to tailor the piece to your ensemble's instrumentation.

Versatile Usage:
La Foi, L’Espérance et La Charité is a versatile composition that can grace various occasions:

1. Concerts: Enrich your concert repertoire with the depth and emotion of this arrangement. Its melodic beauty and historical significance will resonate with audiences.

2. Recitals: Create a memorable performance that showcases the talent and artistry of your clarinet trio. This piece will leave a lasting impression on your listeners.

3. Educational Purposes: Utilize this arrangement as a valuable teaching tool to introduce students to the beauty and complexity of classical music. It offers an excellent opportunity for ensemble learning and development.

Unveil Timeless Beauty:
With this clarinet trio arrangement of La Foi, L’Espérance et La Charité, you can unlock the enduring beauty of this classic work. Adolphe Danhauser's composition, adapted for clarinets, will transport your audience to a world of musical enchantment. Don't miss the chance to incorporate this piece into your musical journey today and explore the profound themes of faith, hope, and charity through the power of music. This arrangement is a testament to the universal language of artistry and emotion, ready to be discovered by performers and listeners alike.

Saxophone Trio,Woodwind Ensemble - Level 3 - Digital Download

SKU: A0.569613

Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Baroque,Wedding. 16 pages. Thomas Graf - the-hit-factory.com #6560127. Published by Thomas Graf - the-hit-factory.com (A0.569613).

This piece has been composed as a main theme of a wedding ceremony in the polyphonic baroque style of Pachelbel, J.S.Bach. It fits in any liturgical/clerical context and for sure as well as a perfect festive concert piece. Perfect choice for any recital! 

Instrumentation:  Part I: Soprano/Alto  -  Part II Alto/Tenor  -  Part III: Tenor           

Listen to the video recording - a challenge for your ensemble.  Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!                               

Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic             .

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download

SKU: A0.1487814

Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814).

The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key.

The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent).

The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel.

The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin.

The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21).

The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets.

Dianne James.

String Trio Cello,Viola,Violin - Level 4 - Digital Download

SKU: A0.1151962

Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,Traditional,Wedding. 283 pages. Jmsgu3 #752169. Published by jmsgu3 (A0.1151962).

A monument of music.

Mozart's Five Divertimenti K. Anh. 229 are a set of five chamber pieces composed in 1772. The five pieces, K.Anh.227–231, were written for two oboes, two horns, and two bassoons, and were likely intended for a private performance. The five pieces, which are written in the traditional divertimento style, are light-hearted and filled with melodic themes and charming modulations. Each of the pieces is unique, but they are all unified by their harmonic language and Mozart's signature style.


The Divertimenti K. Anh. 229 offers a glimpse into the early compositional style of Mozart, showing a masterful understanding of classical forms and instrumentation. Each of the five pieces are charming, witty, and filled with joyful melodies. While the pieces are light-hearted and intended for a small ensemble, they still showcase Mozart's remarkable skill and compositional genius. The Divertimenti K. Anh. 229 remain some of Mozart's most beloved works and are a delightful listen for any chamber music enthusiast.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download

SKU: A0.938413

Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages. Colin Bayliss #9995. Published by Colin Bayliss (A0.938413).

Piano Trio (B44) was written in the spring of 1991 for David Johnson and the trio which he was forming in Cologne. The work is in three movements:-1. Structures The three instruments build differing structural patterns based on a 12-note row. The violin and 'cello often complement each other, but the piano rarely joins them and tries to pull the music towards a diatonic tonal language, eventually succeeding to end in G major. The movement is in arch form, the second half being based on the retrogrades of the note row. 2. Textures Most forms of sound textures are used, including col legno and sul ponticello for the strings, while the piano occasionally employs soft-headed timpani sticks both on the keyboard and the interior of the instrument. Again the movement is in arch form, with a central section incorporating a miniature scherzo, with a trio section parodying the palm court trio style with a tune of sickly sentimentality. [ This movement may be played separately under the title Einer Kleiner Alptraum - A Little Night... mare] 3. Metamorphoses The notes which will eventually become a Scottish folk tune are hidden either in the repeated notes or in the left hand of the piano, either singly or in harmony. After a neo- classical exposition, using a serial melody, progress is quickly halted by the use of some of the notes of the folk tune being arranged into the theme of Weber's Turandot which was used by Hindemith in his Symphonic Metamorphoses . This pulls the music into a slightly more tonal frame work which becomes more pronounced after a reference to the theme of the slow movement of the Eroica symphony used in Richard Strauss' Metamorphosen. From then onwards, tonality, or rather modality, is established and the folk tune style is maintained with simplicity to the end, except for a miniscule coda reminiscent of the opening of the movement. The sound sample is a performance of the second movement Textures.

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1043721

Composed by Traditional Scottish Tune. Arranged by John A. Dempsey. Celtic,Contemporary,Holiday,Irish,Multicultural,Traditional,World. 16 pages. John A. Dempsey #648418. Published by John A. Dempsey (A0.1043721).

You take the high road and I'll take the low road.  This Scottish favorite, full of windswept beauty and Celtic charm, is arranged here as a string trio for violin, viola and cello.  The melody is varied and embellished; there's a bit of variation in all three parts.  Take this musical journey to the bonny, bonny banks and you'll find all roads lead to Scotland.  Recommended for concerts, recitals, banquets, Scottish weekend festivities, ceilidhs and other multiple Celtic-themed music events and venues.  Key: G major. 12 pages of music (that includes the score and separate two-page parts for each instrument).

String Trio Cello,Violin - Level 4 - Digital Download

SKU: A0.1419194

By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. 12 pages. Sarah Cellobat Chaffee #1000626. Published by Sarah Cellobat Chaffee (A0.1419194).

*INSTRUMENTATION: 2 VIOLINS & CELLO*

New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello trio features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.

Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:

http://www.cellobat.com
http://www.instagram.com/cellobat
https://www.youtube.com/@Cellobat.