Piano and voice - Digital Download SKU: LV.14104 Composed by John M. Mills. Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14104). The American Flag. Song and Chorus. [clipped copy of Song Victory at Last pasted to back cover]. Words by J.W. Lawton. Music by John M. Mills. Published 1860 by Blodgett & Bradford, 209 Main St. in Buffalo. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Patriotism. First line reads The American flag, will it e'er be disowned By the sons of that patriot band.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.21480 Composed by John M. Mills. Civil War--Union, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21480). The American Flag. Song & Chorus. Words by J.W. Lawton. Music by John M. Mills. Published 1860 by Blodgett & Bradford, 209 Main St. in Buffalo. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Patriotism. First line reads The American flag, will it e'er be disowned by the sons of that patriot band.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Concert Band - Level 3 - Digital Download SKU: A0.1309638 Composed by Thomas Shacklady. Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 42 pages. Keith Terrett #898806. Published by Keith Terrett (A0.1309638). An arrangement made especially for the Band of the Royal Papua New Guinea Constabulary of ''O Arise, All You Sons''., one og PNG's two professional military bands, the other belongs to the PNG Defence Force both based in Port Morsebly the nations captital.O Arise, All You Sons is the national anthem of Papua New Guinea. Adopted in 1975, it was written and composed by Thomas Shacklady, a former Royal Marine who took over the band from Inspector David Crawley. I took over the band from 1994-99, after taking the band on two overseas tours to Adelaide in 1996 & Kobe in 1999.The National Identity Act of Papua New Guinea was formulated in 1971, motivating the country to create a national flag, a national emblem, a national pledge and a national anthem. A national flag and emblem were adopted in 1971. However, the national anthem remained undecided until independence from Australia in 1975, four years later. Although many songs were submitted to be the anthem, the National Executive Council decided a week before the country's Independence Day (10 September 1975), to adopt as the national anthem a composition that was composed by Chief Inspector Thomas Shacklady (1917–2006), a bandmaster of the Royal Papua New Guinea Constabulary Band.During the 2015 Pacific Games opening ceremony, the anthem was sung with the first line altered from O arise all you sons of this land to O arise sons and daughters of this land. An official later stated that this was illegal and a violation of the National Identity Act.

Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.899869 Composed by John Stafford Smith (1750-1836), Francis Scott Key (1779-1843). Arranged by Alexander L Burden (b.1989). Graduation,Holiday,Patriotic. Score and parts. 4 pages. Alexander Burden #3573183. Published by Alexander Burden (A0.899869). 2018 Instrumental Arranging Contest EntryGenre: National Anthem, PatrioticLength: 1:20Instrumentation: Alto Saxophone and EuphoniumThe Star-Spangled Banner is the national anthem of the United States. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.The poem was set to the tune of a popular British song written by John Stafford Smith and renamed The Star-Spangled Banner. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.This fun and accessible arrangement is perfect for sporting events, school and corporate functions, parades, private events and any other occasion that calls for use of the Star-Spangled Banner!The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1394380 Composed by John Philip Sousa. Arranged by Joel Jacklich (ASCAP). Chamber,Holiday,March,Patriotic. 21 pages. Joel Jacklich #977860. Published by Joel Jacklich (A0.1394380). The Thunderer (1889) is one of John Philip Sousa's most beloved marches. It is knot known to what, or more likely to whom, the title refers. Paul E. Bierley suggests that since the work was dedicated the the Columbia Commandery No. 2, Knights Templar, of Washington, D.C., and composed for its Twenty-fourth Triennial Conclave of the Grand Encampment, that the title may refer to Myron M. Parker, one of the principal masons responsible for the success of the conclave.(1)Sousa is so universally loved, that it seems a shame to restrict his performance only to marching bands and concert bands.  Here The Thunderer is arranged for string quartet by Joel Jacklich (A.S.C.A.P.). Perfect for that next patriotic concert.(1)Paul E. Bierley, The Works of John Philip Sousa (Westerville, Ohio: Integrity Press, 1984), 89.

Brass Quintet - Level 2 - Digital Download SKU: A0.775129 Composed by Edmund L. Gruber. Arranged by Bill Wilson. Holiday,Patriotic. 19 pages. Alexander Wilson #3478469. Published by Alexander Wilson (A0.775129). Edmund L. Gruber's The Caissons Go Rolling Along was written in the early 1900's and was later adopted as the official song of the United States Army.   Our arrangement of this presents the song twice. The first time it is presented in a transcription that is quite faithful to a 1921 publication of the song. The second time it is presented in a big band swing style.   This arrangement is suitable for use in informal Fourth of July festivities. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:40. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1458194 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 28 pages. Matthew Nunes Music #1037171. Published by Matthew Nunes Music (A0.1458194). Nearly lost, this march honors the Volunteers of the U.S. Army Ambulance Corps. It relies upon melodies from the musical Good-Bye Bill, written by USAACs William B. Kernell and Richard Fechheimer. Quite a difficult one to arrange, as the melodies and original band version were not by Sousa.This Brass Quintet arrangement was made using “The President’s Own” United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. USAAC March was composed in 1918, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 87.Section titles (such as “First Strain” and “Trio”) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.

Composed by Josef Franz Haydn. Arranged by Keith Terrett. Classical Period, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Casio (S0.110845). - Score,Set of Parts - Classical Period,World,European,Patriotic - Casio

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158022 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary. 34 pages. Https://gildedmusicpress.com/ #758318. Published by https://gildedmusicpress.com/ (A0.1158022). When Dr. Thrower won the audition for a position in the Air Force Bands in 2011 it fulfilled a childhood dream of becoming a military musician. Then he experienced an intense eight-week party known as Basic Military Training! All new Airmen go through Basic Training at Lackland Air Force Base in San Antonio, TX, which is known as the “Gateway to the Air Force.� Two reasons he chose to enter that Gateway were his patriotism toward the great United States of America, and the great benefits and security that the Air Force offered his family. With these passions in mind, he composed a rousing musical depiction of becoming an Airman. The composition began before Basic Training, so the excitement and anticipation that he felt are exuberantly presented as heroic fanfares and patriotic gestures. However, he completed the composition after boot camp. Accordingly, in the middle of the piece there are moments of struggle and anguish that musically paint the common rigors of Basic Training. The piece ends with recapitulated heroic strains with additional flourishes, as the overall feel for this new life chapter was bound to be exhilarating and inspiring. It is beneficial for the performers to visualize the exciting and difficult journey into the military as they prepare and perform “Gateway to Freedom.� Also a play on the title, this piece was composed for and premiered by “Gateway Brass� (the brass quintet from the USAF Band of the West) in October 2011. Special gratitude goes to Jim Bartelt (USAF, retired) who contributed greatly to the creation of the percussion part.

B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1368479 By Goran Bregovic. By serbian folk song. Arranged by Zoran Radanovic. Folk,Patriotic,Standards,Traditional,Wedding. Individual part. 2 pages. Zoran Radanovic #952810. Published by Zoran Radanovic (A0.1368479). This arrangement is very famous serbian folk song for Bb trumpet solo. Ovaj aranzman je za solo Bb trubu.Ederlezi is a popular traditional folk song of the Romani people in the Balkans. The song got its name from Ederlezi, which is a festival[1] celebrating the return of springtime, especially by the Romani people of the Balkans, and elsewhere around the world. Ederlezi is the Romani name for the Feast of Saint George. It is celebrated on 6 May [O.S. 23 April] (occurring approximately 40 days after the spring equinox),[2]. The various Balkan spellings (Herdeljez, Erdelezi) are variants of the Turkish Hıdırellez. Versions The song is featured on Bijelo Dugme's 1988 album Ćiribiribela under the title �urđevdan (St. George's Day). Goran Bregović, the frontman of Bijelo Dugme, wrote the Serbo-Croatian lyrics. Bregović also recorded a version with Greek lyrics, titled Του Αη Γιώ�γη (Tou Ai Giorgi, Saint George's), with Greek singer Alkistis Protopsalti in 1991.[3] The Greek lyrics are credited to Lina Nikolakopoulou. Bregović also worked with Turkish singer Sezen Aksu on her album titled Düğün ve Cenaze (A Wedding and a Funeral) featuring a version with Turkish lyrics, titled (Hıdrellez) in 1997. The lyrics were adapted by Aksu and Pakize Barışta. Finally, together with Polish singer Kayah he also recorded a version with Polish lyrics, titled Nie ma, nie ma ciebie. Bulgarian group Ku-Ku Band, with lead singer Slavi Trifonov, released the song on several albums with Bulgarian lyrics, titled Гергьовден (Gergyovden, St. George's Day); Serbo-Bulgarian lyrics, titled Свети Георги (Sveti Georgi, St. George); and Romani-Serbo-Bulgarian lyrics, titled Erdelezi. The band Beirut, Italian saxophonist Daniele Sepe, and the Boston-based band Bury Me Standing also do covers of Ederlezi. The Gypsy Rebels of Toronto, Ontario also cover the song, featuring the vocals of Micheal T. Butch and his band. Kroke released a version of the song as well. A Bosnian version was released by the folk-punk musical group No Smoking Orchestra on their 2007 album Time of the Gypsies, Punk Opera. A beatbox/trip version was released by French band Plume Tribu on their 2010 album Le Chainon Manquant. In popular culture Goran Bregović's version titled Ederlezi (Scena Djurdjevdana Na Rijeci) was famously used in Emir Kusturica's movie Time of the Gypsies.[1] It was performed by the Macedonian singer Vaska Jankovska.[4] Ederlezi (Scena Djurdjevdana Na Rijeci) also appeared in the movie Borat, although it has no connection to the authentic music of Kazakhstan. The text in brackets in Serbo-Croatian means: The scene of �urđevdan on the river, a description of a �urđevdan celebration on a river in the movie Time of the Gypsies where that song was used. Sacha Baron Cohen's movie does not have a �urđevdan river scene.[5][6] In both soundtrack albums – Time of the Gypsies and Stereophonic Musical Listenings That Have Been Origin in Moving Film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan – it was credited to Goran Bregović, although he is not the author nor the singer of the song on these albums. However, he arranged the song. A.I. Rising (2018), a Serbian science fiction film, was originally entitled Ederlezi Rising. A portion of Ederlezi (Scena Djurdjevdana Na Rijeci) was also featured in Lazy Square's (or Lenivko Kvadratjić) unofficial Russian art film reimagining of The Simpsons popular opening sequence couch gag.[7][8] Lyrics

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1488853 Composed by Traditional Folk Tune. Arranged by Richard Jones. 19th Century,Folk. Brass Band. 26 pages. Richard Jones #1065707. Published by Richard Jones (A0.1488853). A Farmer's Boy is an example of a piece that gained fame and popularity through the oral traditions of singing in the United Kingdom during the 19th Century. It first appeared in print in an 1832 catalogue of street songs collected James Catnach, and appeared in many other printed books during that century. There are many tunes that are associated with the words, the most popular of these being 'Ye Sons of Albion', a patriotic tune associated with the Napoleonic Wars, that later become extremely popular as regimental march tunes for the Duke of Edinburgh and Prince of Wales Regiments.At the beginning of the 20th century legendary Folk Collector Percy Grainger recorded the song on phonograph, the song performed by a M. Tandy of Winchcombe, Gloucestershire. Just under 50 years later the great Musicologist/Ethnomusicologist Alan Lomax recorded a version that can be heard in his vast recording archive. Over time the tune followed people to other Commonwealth countries and numerous other versions appeared.This is a version that attempts to faithfully recreate the performances of bands in the late 19th Century period.

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1362979 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 24 pages. Matthew Nunes Music #947363. Published by Matthew Nunes Music (A0.1362979). Using a 1908 artillery song known as The Caisson Song, The Caissons Go Rolling Along, or The Field Artillery Song by Lieutenant Edmund L. Gruber, this march is one of Sousa’s finest homages to the Army. This Brass Quintet arrangement was made using “The President’s Own� United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. U.S. Field Artillery was composed in 1917, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 78.Section titles (such as “First Strain� and “Trio�) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.