Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1385967 By Kelly Clarkson. By Greg Kurstin and Kelly Clarkson. Arranged by Kayleigh Huelin. Christmas,Pop,R & B,Rock,Soul. 8 pages. Kayleigh Huelin #969908. Published by Kayleigh Huelin (A0.1385967). 'Underneath the Tree' was the lead single from Kelly Clarkson's first Christmas album, Wrapped in Red, and was released in 2013. A future holiday classic, it is an uptempo, retro-sounding song that sounds great at Christmastime! Arranged for brass quartet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.

Brass Quartet Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1376082 Composed by William H. Doane. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred. 6 pages. Ben Dockery #960647. Published by Ben Dockery (A0.1376082). Arranged for brass quartet: two Bb trumpets, french horn, and trombone. Great for preludes, offertories, postludes, recitals, and lessons. Especially well-suited for Easter services. Easy intermediate level. Includes score and parts.

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696537. Published by Regis Bookshar (A0.1092445). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – Digital Download. “Kyrie�, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 2 Bb Trumpets, 1 French Horn and 1 Trombone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrie�. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie� will continue to entertain both performers and audiences alike for years to come.

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.814530 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6632969. Published by Regis Bookshar (A0.814530). Brass Quintet Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Quinet, consisting of 2 Trumpets, 1 French Horn and 2 Trombones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.814532 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636621. Published by Regis Bookshar (A0.814532). Brass Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 4 Trumpets, 2 French Horns and 2 Trombones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.814531 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 11 pages. Regis Bookshar #6636613. Published by Regis Bookshar (A0.814531). Brass Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 3 Trumpets, 2 French Horns and 3 Trombones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.

Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1280293 Composed by Henry Purcell. Arranged by B. C. Dockery. Baroque,Classical,Film/TV,Opera. 8 pages. Ben Dockery #871730. Published by Ben Dockery (A0.1280293). From Henry Purcell's opera Dido and Aeneas, this is When I am laid in earth arranged for brass quartet: two B-flat trumpets, french horn, and trombone. Great for lessons, recitals, and performances of all kinds. Intermediate level. Includes score and parts.

Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.623623 Composed by Francesco Paolo Tosti. Arranged by Stephen DeCesare. Film/TV,Folk,Multicultural,Standards,Traditional,World. Score and parts. 13 pages. Exultet Music #4367628. Published by Exultet Music (A0.623623). The tender Neapolitan song composed Francesco Paolo Tosti has now been freshly arranged for a Brass Quartet (Bb-Trumpet (2), French Horn, Trombone) with Piano accompaniment. Accessible and appropriate for any school or concert setting.  .

Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1116138 Composed by Mykola Leontovych. Arranged by Fabio Britto. Broadway,Christmas,Film/TV,Holiday,Jazz,Musical/Show. Score and parts. 9 pages. Minhas Partituras #717810. Published by Minhas Partituras (A0.1116138). Arrangement of the song Carol of the Bells in Jazz Version (Christmas Song) for Brass Trio (With a sneak peek of The Incredibles Theme).

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.743505 Composed by Burton Lane. Arranged by Josef STASTNY. Contemporary. Score and parts. 8 pages. Josef STASTNY #3908823. Published by Josef STASTNY (A0.743505). Old Devil Moon is a popular song composed by Burton Lane, with lyrics by Yip Harburg for the 1947 musical Finian's Rainbow. It was introduced by Ella Logan and Donald Richards and many others singers.COMPOSERBurton LaneARRANGERSJosef STASTNYINSTRUMENTSTrumpet, Trombone, Horn in F, Brass Quartet, plus Eb horn (subst. for F horn) and Bb trombone (subst. for C trombone), clarinet Bb, Basson C

Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1115890 Composed by Mykola Leontovych. Arranged by Fabio Britto. Broadway,Christmas,Film/TV,Holiday,Jazz,Musical/Show. Score and parts. 12 pages. Minhas Partituras #717612. Published by Minhas Partituras (A0.1115890). Arrangement of the song Carol of the Bells in Jazz Version (Christmas Song) for Brass Quartet (With a sneak peek of The Incredibles Theme).

Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.688229 By Sleeping At Last. By Ryan Curtis O'neal. Arranged by Fabio Britto. Contemporary,Film/TV,Pop,Wedding. Score and parts. 5 pages. Minhas Partituras #6602171. Published by Minhas Partituras (A0.688229). Arrangement of the song Turning Page (from Twilight) for Brass Trio.

Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.714549 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Jeremy Corcoran. Rock. Score and parts. 16 pages. LPC Publishers #3436029. Published by LPC Publishers (A0.714549). Everyone knows and loves this Classic Journey tune. This Quartet arrangement (2 Trumpets, Horn in F, and Trombone)  is perfect for adding some fun to your Brass section. Your audience will be humming it as they leave the concert.

Brass Quartet Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1219633 Composed by Luigi Bottazzo (1845-1924). Arranged by Andrew Lamb. 19th Century,Chamber,Religious. 92 pages. Andrew Lamb #815997. Published by Andrew Lamb (A0.1219633). Title: 8 Easy Pieces, Op. 203Composer: Luigi Bottazzo (1845-1924)Arranger: Andrew LambDescription: This is a transcription of 8 Easy Pieces by Luigi Bottazzo (1845-1924).Luigi Bottazzo (1845-1924) was an Italian composer and conductor who was born in the town of Marostica, near Vicenza. He studied music at the Conservatory of Venice, where he excelled in both composition and performance.Bottazzo’s music is characterized by its romanticism and lyricism, and he is particularly known for his operas and choral works. His most famous opera is “Francesca da Rimini,� which was based on the famous tragic love story of Paolo and Francesca from Dante’s “Inferno.�In addition to his work as a composer, Bottazzo was also a respected conductor, and he served as the musical director of several Italian opera houses, including La Scala in Milan and the Teatro Regio in Turin.Bottazzo’s music was highly regarded in his lifetime, and he received many honors and awards for his contributions to Italian music. Today, his music is less well-known outside of Italy, but his operas and choral works continue to be performed and recorded by musicians and ensembles throughout the country.

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.