Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.781977 By The Beatles. By John Lennon and Paul McCartney. Arranged by Aaron Hettinga. Rock. Score and parts. 17 pages. Aaron Hettinga #6022111. Published by Aaron Hettinga (A0.781977). An enjoyable romp from the Beatles’ Abbey Road album shows up here for 5 brass. The form and character of the original recording is generally fairly closely followed. This arrangement is set ½ step higher than the original recording for better accessibility, especially for players not as comfortable with the key of D. Besides the Tuba part (which has some fun twists and turns), every other instrument gets a chance to play the melody for an entire verse or chorus to keep things interesting for all.Performance options: The first and second verses are fairly identical. Since the lyrics of this song tell a story, it didn’t feel right to eliminate anything from the form. So, for variety’s sake, a different player is featured for each verse. If desiring a shorter play duration, a choice can be made to either feature the F Horn player or the Trombone player (or alternating between them) on the opening section before heading straight into the second ending.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.781973 By Queen. By Brian May. Arranged by Aaron Hettinga. Contemporary,Film/TV,Pop,Rock. Score and parts. 12 pages. Aaron Hettinga #6016763. Published by Aaron Hettinga (A0.781973). This fun classic rock anthem from Queen is presented here for Brass Quintet. The form of the original recording is closely followed but does not include the extended guitar solo playout, skipping ahead to the last three punctuated ending hits. This arrangement is one whole step lower than the record.Flexibility: This arrangement includes an optional (but encouraged) drum kit part. While the chart is constructed that it will work just fine without it, having a drummer on board will kick this one up a notch.Performance options: As noted, the form of the original is mostly followed with a few 2nd time only cues for variety, this can also be streamlined if so desired. The repeated first/second verse section near the start could jump ahead to the second ending to save time. Also, rather than following the transition back to the D.S., a group alternatively could jump straight to the coda having already covered the bulk of the song.