Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030654 Composed by Robert Jackson. Arranged by Steve Ash. Jazz,Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 13 pages. Aaron Hettinga #636014. Published by Aaron Hettinga (A0.1030654). Robert Jackson composed the enduring hymn tune “Trentham� in 1894 as a setting of Edwin Hatch’s “Breathe On Me, Breath of God� which was written in 1886. Steve Ash brings a modern harmonic approach to this classic melody with a sensitive treatment in this arrangement for 7-part brass ensemble. Though the melody is primarily passed between the lead Flugel and Trombone parts, other accompanying moving lines around the entire ensemble will keep things interesting for everybody, making for a good exercise in ensemble balance and blend. This arrangement doesn’t contain any significant range or other technical challenges making for an accessible chart for a broad range of skill levels. This tender arrangement would fit well when needing a reflective piece on a program for concert or worship.

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.585295 By Alexis Ffrench. By Alexis Ffrench. Arranged by Jeff Tincher. Soul. Score and parts. 14 pages. Jeff Tincher #6230671. Published by Jeff Tincher (A0.585295). This is a fast, lively piece by Alexis Ffrench. In the original key from his Evolution LP, the original is a piano solo with string and synth background. This arrangement is a combination of both. Duration = 2.55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855315 Composed by Edward F. Rimbault(1816-1876). Arranged by Joseph Pugh. Christian,Concert,Contemporary,Sacred. Score and parts. 8 pages. Joseph Pugh #6610071. Published by Joseph Pugh (A0.855315). This tune is likely the work of the composers named here, but has also been attributed to others as . William J. Reynolds, in his Companion to Baptist Hymnal .: Happy Day appeared in William McDonald’s Wesleyan Sacred Harp (Boston, 1854),-hymnary.orgThis contemporary arrangement , by Joseph Pugh, breathes life into this old Hymn. Get it today at a reduced price for your brass quintet.

Brass Quartet Horn,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1258677 Composed by Charles Wesley and Joseph Parry. Arranged by André Nusa. Christian,Easter,Religious,Sacred. 6 pages. Andre_Nusa #851938. Published by Andre_Nusa (A0.1258677). Elevate your worship experience with the majestic sounds of Jesus, Lover of my Soul arranged for brass quartet. Immerse yourself in the rich harmonies and powerful melodies of this cherished hymn as it resonates through the brilliant tones of two trumpets, French horn and tuba. This arrangement captures the depth and devotion of the original composition while adding a touch of grandeur and brilliance through the brass ensemble. Whether you're performing in a worship service, a sacred concert, or simply seeking to explore the beauty of sacred music, this arrangement is sure to leave a lasting impression. Revel in the grandeur and beauty of Jesus, Lover of my Soul as the brass quartet breathes new life into this beloved hymn.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855073 Composed by William B. Bradbury (1816-1868). Arranged by Joseph Pugh. Christian,Concert,Sacred,Standards. Score and parts. 9 pages. Joseph Pugh #6117163. Published by Joseph Pugh (A0.855073). My Hope Is Built on Nothing Less has served as basis of other hymns such as Solid Rock that use the same refrain. The tune Solid Rock to which Mote's words are most commonly set was composed by William B. Bradbury in 1863.Many times, both My Hope Is Built on Nothing Less and Solid Rock hymns are sung together as a medley. Solid Rock has also been sung as a medley with In Christ Alone written by Keith Getty and Stuart Townend.Hillsong Music released in 2012 a worship song as the title track to Cornerstone, which uses the lyrics of My Hope Is Built on Nothing Less but with a different refrain and melody.(wikipedia) This brass quintet arrangement by Joseph Pugh of Wm. H. Bradbury's tune Solid Rock, breathes life back into the iconic Hymn. Download it today!

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855253 Composed by Charles Austin Miles (1868-1946). Arranged by Joseph Pugh. Christian,Sacred. Score and parts. 9 pages. Joseph Pugh #6506087. Published by Joseph Pugh (A0.855253). In the Garden (sometimes rendered by its first line I Come to the Garden Alone is a gospel song written by American songwriter C. Austin Miles (1868–1946), a former pharmacist who served as editor and manager at Hall-Mack publishers for 37 years.The song was first published in 1912 and popularized during the Billy Sunday evangelistic campaigns of the early twentieth century by two members of his staff, Homer Rodeheaver and Virginia Asher .Roy Rogers and Dale Evans recorded the song with vocal quartet and orchestra on March 3, 1950.[2] Tennessee Ernie Ford performed the song on his 1956 platinum album Hymns. A June 18, 1958 recording by Perry Como was part of his album When You Come to the End of the Day.- wikipedia This BQ arrangement by, Joseph Pugh attempts to breathe new life in to this old tune.

Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005663 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6384137. Published by Rudy Volkmann (A0.1005663). This is one of my favorites.  I chose adapted, rather than arranged because in order to make it playable I had to leave out a few notes (carefully chosen) in order to give the brass players a spot or two to breathe.  For the real 'horses, the written arrangement leaves these in with the breaths notes in parenthesis; the mp3 audio file leaves them out.  The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children.  As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein.  This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece.  This is a great recital piece or concert opener.