Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.795709 By The Searchers. By Jerry Leiber and Mike Stoller. Arranged by David Kolinski-Schultz. Contemporary. Score and parts. 15 pages. PDQ Music #6590611. Published by PDQ Music (A0.795709). Love Potion Number Nine Brass Quintet Trumpet 1, Trumpet 2, Horn in F, Trombone, Tuba - Intermediate Words and Music by Jerry Leiber & Mike Stoller Arranged for Brass Quintet by David Kolinski-Schultz. Score, Set of Parts. 15 pages. Published by PDQ Music. A 1959 hit for The Clovers, and for The Searchers in 1965. Also recorded by The Coasters and Herb Alpert. Appropriate for advanced students, community ensembles, as well as professionals.Great for Halloween!

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.

Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.757871 Composed by Giulio Marco Bordgni. Arranged by Giacomo Bicigo. Concert,Instructional,Opera,Romantic Period,Standards. Score and parts. 21 pages. Polar Publications #4847357. Published by Polar Publications (A0.757871). A nice polacca from Bordogni's 120 Vocalises. This is No. 9 in the 12 Vocalises for Mezzo Soprano. Everyone played the melody at some point and this is a wonderful showcase for quick and lyrical technique. A crowd pleaser for sure.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.487659 Composed by Antonin Dvorak. Arranged by Ian Xu. Classical,Contest,Festival,Praise & Worship. Score and parts. 9 pages. Ian Xu #105219. Published by Ian Xu (A0.487659). A compelling arrangement capitalizing on the rich, lush sound of the brass quintet. Suitable for recitals, festivals, concerts and an appropriate selection for commemorative programmes.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1267430 Composed by Georges Bizet. Arranged by James Haynor. 19th Century,Romantic Period. Score and Parts. 87 pages. Gordon Cherry #859991. Published by Gordon Cherry (A0.1267430). George Bizet's L'Arlésienne Suite is a captivating and evocative musical masterpiece that showcases the composer's brilliance and ability to create rich, emotional landscapes through his compositions. Originally composed as incidental music for the play L'Arlésienne by Alphonse Daudet, Bizet later compiled several of these pieces into two separate suites.The suite takes listeners on a journey through the vibrant and picturesque landscapes of Provence, France. From the hauntingly beautiful Prelude, which sets the stage with its melancholic melodies and dramatic tension, to the lively and rhythmic Farandole each movement offers a distinct atmosphere and mood.The suite skillfully combines various musical styles, including folk tunes, dance rhythms, and lyrical melodies, creating a diverse and immersive listening experience. With its intricate orchestration, passionate melodies, and expressive harmonies, L'Arlésienne Suite captures the essence of the characters and story from the original play while standing strong as a standalone musical work.A true gem of French Romantic music, Bizet's L'Arlésienne Suite continues to enchant audiences with its timeless beauty and emotional depth, showcasing the composer's mastery and ability to evoke powerful emotions through his music.This extraordinary 9-minute arrangement for advanced performers by James Haynor features a 10-part Brass Ensemble (double brass quintet) with Percussion. Instrumentation is for 4 Trumpets in B-flat, 2 Horns, 2 Trombones, 2 Tubas, Timpani, Snare Drum, Tambourine and Bass Drum.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1140551 Composed by Richard Wagner. Arranged by Randall Malmstrom. Opera,Romantic Period. Score and parts. 103 pages. Gordon Cherry #740789. Published by Gordon Cherry (A0.1140551). The Flying Dutchman (Der fliegende Holländer) is a German opera composed by Richard Wagner, first performed in 1843 in Dresden. The work is relatively an early one and exhibits styles that became hallmarks of his later operas. The music is dramatic, expressive, tempestuous and mysterious. The Overture, brilliantly arranged by Randall Malmstrom is scored for an 11-part Brass Ensemble and Timpani with the instrumentation of 3 Trumpets in C, 4 Horns, 3 Trombones, Tuba and Timpani. The Overture is appropriate for advanced performers and is 9-minutes in length.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.838063 Composed by William Boyce. Arranged by Spence Bundy. Baroque,Concert. Score and parts. 48 pages. Spencer Bundy #6866397. Published by Spencer Bundy (A0.838063). From a set of twelve Trio Sonatas composed by Boyce, in the 'Italian' style. They were very popular on first publication in 1747 and will still be enjoyed today by both the players and the audience.

Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.872883 Composed by Ludwig van Beethoven. Arranged by Peter A. Drahozal. Classical. Score and parts. 22 pages. MusicPAD Music Publications #2036563. Published by MusicPAD Music Publications (A0.872883). This delightful lesser-known string trio by Ludwig Van Beethoven is set for mixed brass quartet (two trumpets, one trombone, one tuba). Many rehearsal marks facilitate easy rehearsals. Despite having been written as a trio and intended for performance by three string players, every effort has been made to retain the composer's original style and flavor for this very colorful piece. With proper choice of keysign and careful orchestration, this piece lands very nicely in the range of the four brass players.

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.584688 Composed by Jeff Tincher. Contemporary. Score and parts. 38 pages. Jeff Tincher #6018209. Published by Jeff Tincher (A0.584688). This composition is a Bolero in 12/8. It begins with the initial rhythm that is played throughout the piece. The piece begins at ppp and increases in volume as each instrument plays the melody section. As each instrument enters, it forms a round of the same melody. The bridge begins with the continuing rhythm with each instrument adding their own note with the same rhythm until the complete quartet is playing the same rhythm in a chord. The bridge leads to the climax section where the initial rhythm continues with the third instrument imitates a tympani while the upper two instruments play the melody in harmony at fff volume. The finale is a repeat of the layering bridge to a single accented chord. Hear the full version of composition on Jeff Tincher's For Brass Quartet CD. Duration = 6:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527824 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Holiday,Instructional,Standards. Score and parts. 14 pages. Diego Marani #3500451. Published by Diego Marani (A0.527824). Ode to Joy (An die Freude) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. Ode to Joy is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. Beethoven's text is not based entirely on Schiller's poem, and introduces a few new sections. His tune was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.