Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767574 Composed by Domenico Zipoli. Arranged by Mike Lyons. Baroque,Christian,Sacred. Score and parts. 17 pages. Lyons Music Services #6415399. Published by Lyons Music Services (A0.767574). Arranged for brass quintet, this is the adagio, by Zipoli, made famous by so much airtime on Classic FM. The music was originally intended to be played on the organ during the Elevation of the Host section of the Catholic Mass - hence the title. It really suits the sound of a brass ensemble in a church setting.

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.586017 By Porcupine Tree. By Christopher James Maitland, Colin Edwin, Colin Edwin Balch, Richard Barbieri, and Steven Wilson. Arranged by Jeff Tincher. Contemporary. Score and parts. 28 pages. Jeff Tincher #6535805. Published by Jeff Tincher (A0.586017). I was rolling through youTube and ran across this tune. I thought the title was interesting. I fell in love with the chord progressions, the syncopation, and the time signature changes from 4/4 to 3/4 to 6/8. Little did I know until I got to the end of the arrangement that this song takes lyrics from the Heaven's Gate Cult Manifesto. I said, so what. This is really a great tune. The arrangement includes all the spoken parts. In the original key from Porcupine Tree's Lightbulb Sun CD. Duration = 4:46. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722787 Composed by George Gershwin and Ira Gershwin. Arranged by Jari A. Villanueva. 20th Century. Score and parts. 13 pages. JV MUSIC #4785693. Published by JV MUSIC (A0.722787). Love Is Here to Stay for Brass Quintet Music by George Gershwin Arranged by Jari VillanuevaFull Score, 2 Trumpets in Bb, Horn in F, Trombone, TubaLove Is Here to Stay was the last musical composition George Gershwin completed before his death on July 11, 1937. Ira Gershwin wrote the lyrics after George's death as a tribute to his brother. Although George had not written a verse for the song, he did have an idea for it that both Ira and pianist Oscar Levant had heard before his death. When a verse was needed, Ira and Levant recalled what George had in mind. Composer Vernon Duke reconstructed the music for the verse at the beginning of the song.This is a nice setting of the seldom heard verse and chorus of this beautiful tune.

Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.

Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass.   Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.   The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.  Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.

Brass quartet - Grade 3 - Digital Download SKU: DX.145427 Composed by Eliza E. Hewitt. Arranged by Dana F. Everson. Sacred instrumental music. Key of Bb, Eb, Ab. Traditional. Score and parts. 12 pages. David E. Smith - Digital Sheet Music #145427. Published by David E. Smith - Digital Sheet Music (DX.145427). Scored for two trumpets and two trombones with opt. Horn for Trom. 1 and Bar. TC for Trom. 2. The opening begins excitedly while giving a sense of moving upward. The first presentation of the theme is very much in a march style and then breaks into more activity with rhythmic alterations. The second section moves to a new key and is essentially a trombone duet and then adds upper voices to place the piece on an elevated plain. Another modulation moves the musical thought even higher while passing the melodic motifs around to the different voices. The Coda gives a sense of elevation and arrival.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.991268 Composed by Traditional. Arranged by Geoff Ogle (ASCAP). Contemporary,Romantic Period. Score and parts. 28 pages. Geoff Ogle #5990911. Published by Geoff Ogle (A0.991268). Your best players can have an opportunity to grow with this unbelievable quartet. Your program or festival repertoire will have the cultural weight to fascinate listeners. Engage your listeners with the sounds of Appalachia with this well-known ballad. The stunning counterpoint and lyrical style will elevate your players to new heights. The arrangement includes alternate parts to create an optimal combination of players.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1098790 Composed by Joseph Bologne, Chevalier de Saint-Georges. Arranged by Betsy Bright. Classical. Score and parts. 28 pages. Bright Music Company #702643. Published by Bright Music Company (A0.1098790). This high energy Presto movement of Chevalier de Saint-Georges is a thrill to hear in brass quintet form! A hero of Mozart, Chevalier de Saint-Georges embodies the European Classical style of the late 1700s. This piece fits beautifully onto any program and showcases the fast, technical skills of each musician in the quintet. Duration: 3 minutes Difficulty: Advanced Intermediate.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855253 Composed by Charles Austin Miles (1868-1946). Arranged by Joseph Pugh. Christian,Sacred. Score and parts. 9 pages. Joseph Pugh #6506087. Published by Joseph Pugh (A0.855253). In the Garden (sometimes rendered by its first line I Come to the Garden Alone is a gospel song written by American songwriter C. Austin Miles (1868–1946), a former pharmacist who served as editor and manager at Hall-Mack publishers for 37 years.The song was first published in 1912 and popularized during the Billy Sunday evangelistic campaigns of the early twentieth century by two members of his staff, Homer Rodeheaver and Virginia Asher .Roy Rogers and Dale Evans recorded the song with vocal quartet and orchestra on March 3, 1950.[2] Tennessee Ernie Ford performed the song on his 1956 platinum album Hymns. A June 18, 1958 recording by Perry Como was part of his album When You Come to the End of the Day.- wikipedia This BQ arrangement by, Joseph Pugh attempts to breathe new life in to this old tune.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.722779 Composed by James Horner. Arranged by Jari A. Villanueva. Contemporary. Score and parts. 11 pages. JV MUSIC #4364420. Published by JV MUSIC (A0.722779). Field Of Dreams for Brass Quintet by James Horner Arranged for Brass Quintet by Jari Villanuevahttps://youtu.be/qEwS-Hw4tq8Full Score, 2 Trumpets, Horn Trombone, TubaField of Dreams for Brass Quintet by James Horner Arranged by Jari Villanueva

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722778 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic. Score and parts. 11 pages. JV MUSIC #4363331. Published by JV MUSIC (A0.722778). The National Game for Brass Quintet by John Philip SousaArranged by Jari Villanuevahttps://youtu.be/LweuvxbTtOYA great baseball piece of music! John Philip Sousa was a great fan of baseball. He played the game and even wrote article about America’s Pastime. Sousa wrote the march THE NATIONAL GAME at the behest of Kenesaw Mountain Landis, the Commissioner of Baseball. For music and sports scholars and aficionados the years 1900-1920 are considered the golden age of the John Philip Sousa Band and baseball in America. The 1908 World Series is considered the greatest and most controversial baseball series of the twentieth century and the Sousa Band’s World Tour of 1910-1911 is undoubtedly one of the most unique music public relations efforts by a single individual to introduce the early twentieth-century world to American music, culture and baseball. John Philip Sousa’s band also served as his baseball team whenever they had a chance to play a game of baseball against another team from a community in which they were performing a concert.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722824 Composed by Albert Von Tilzer. Arranged by Jari A. Villanueva. Baroque,Holiday,Patriotic. Score and parts. 11 pages. JV MUSIC #6342515. Published by JV MUSIC (A0.722824). Take Me Bach To The Ball Game or Baseball, Joy of Man's Desiring for Brass QuintetScore, 2 Trumpets in B Flat, Horn, Trombone, TubaA little tongue in cheek music from Jari Villanueva for Brass Quintet. What if Bach wrote Take Me Out To The Ballgame? Plus some program notes.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.722761 Composed by Smith/Key. Arranged by Jari A. Villanueva. Folk,Holiday,Patriotic. Score and parts. 14 pages. JV MUSIC #3507789. Published by JV MUSIC (A0.722761). The Star-Spangled Banner Stylized and Traditional Versions For Brass QuintetStylized and traditional versions Arranged by Jari VillanuevaScore2 Trumpets in BbHorn in FTromboneTubahttps://youtu.be/oVqTx8WWlqA

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722815 By Eddie Fisher. By Harry Akst, Mann Curtis, Salvatore D'Espisito, and Tito Manlio. Arranged by Jari A. Villanueva. Contemporary. Score and parts. 10 pages. JV MUSIC #6130189. Published by JV MUSIC (A0.722815). Anema E Core (with All My Heart And Soul) for Brass QuintetArranged by Jari Villanueva2 Trumpets, Horn in F, Trombone, TubaGreat Italian love song.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722796 Composed by Claudio S. Grafulla. Arranged by Jari A. Villanueva. Classical,Folk,Holiday,Patriotic. Score and parts. 27 pages. JV MUSIC #5197829. Published by JV MUSIC (A0.722796). Manual of Arms Polka for Bugle with Brass Quintet by Claudio Grafulla arranged by Jari Villanueva.Bugle in Bb and Brass Quintet. Full score and parts including extra sub parts for Eb Alto Horn and Baritone TCClaudio S. Grafulla (1810-80) was an outstanding bandmaster mostly known to bandsmen as the composer of The Grand March and Washington Greys. He was known also as a talented arranger and during the war was director of the 7th Regimental Band of the New York State Militia (N.Y.S.M) in New York. This band was considered a pace-setter not only for military but also popular music. Manual of Arms Polka was written for the 7th Regiment in 1862 and incorporates the bugle signals of Assembly, Shoulder Arms, Right Face, Left Face, Right About Face, and Fix Bayonets. Some of these calls are not found in the regulation drill manuals of the day and may have been exclusive to the 7th Regiment.  The last section includes the song Comrades Touch the Elbow. This was the song of the 9th Company, 7th Regiment, N.Y.S.M. The song describes how Soldiers would touch the elbow to steady their nerves as they moved forward together in battle.  Touch the elbow now, my boys! Comrades, touch the elbow I Nerve the arm, and banish fear, And, comrades, touch the elbow