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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass.   Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.   The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.  Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$49.95 43.64 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$49.95 43.64 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528195 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score and parts. 25 pages. Diego Marani #5224119. Published by Diego Marani (A0.528195). The Symphony No. 7 in A major, Op. 92, is a symphony in four movements composed by Ludwig van Beethoven between 1811 and 1812. At its premiere, Beethoven was noted as remarking that it was one of his best works. The second movement, Allegretto, was the most popular movement and had to be encored. The instant popularity of the Allegretto resulted in its frequent performance separate from the complete symphony.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba. It is a fantastic way to celebrate Beethoven's 250th birthday.
Allegretto from Symphony No. 7 for Brass Quartet
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$16.99 14.84 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528196 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score and parts. 28 pages. Diego Marani #5287325. Published by Diego Marani (A0.528196). The Symphony No. 7 in A major, Op. 92, is a symphony in four movements composed by Ludwig van Beethoven between 1811 and 1812. At its premiere, Beethoven was noted as remarking that it was one of his best works. The second movement, Allegretto, was the most popular movement and had to be encored. The instant popularity of the Allegretto resulted in its frequent performance separate from the complete symphony.This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba. It is a fantastic way to celebrate Beethoven's 250th birthday.
Allegretto from Symphony No. 7 for Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$19.90 17.39 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767576 Composed by Johann Christian Pezel. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #6421951. Published by Lyons Music Services (A0.767576). Johann Christoph Pezel is largely unknown today, save for this short Intrada. he was actually quite influential in the development of instruments musical forms and an accomplished clarino trumpet player as well as a composer of much sacred and secular music.This is a great opener for concerts and works well both inside and outside (and, surprisingly, when socially distanced!)The difficulty of this piece depends almost entirely on how fast you want to take it! It is marked as Allegro, but that was a vague term in the Renaissance and Baroque periods. The recording is at 120bpm, but I have heard it played as widely different as 100bpm and 140bpm.Your choice!
Brass Quintet - Intrada (Pezel)
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$15.00 13.11 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.585124 By Chicago. By Robert Lamm. Arranged by Jeff Tincher. Pop,Rock. Score and parts. 25 pages. Jeff Tincher #6184137. Published by Jeff Tincher (A0.585124). Here is a song that stands the test of time. The lyrics pertains to today as much as it did back in 1970. In the original key from their self-titled 2nd LP, this song has changes in mood and time signature. It's one of my favorites off this double LP. It's marked intermediate due to the tempo and unusual time signature changes. Duration = 5:40. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
Poem For The People
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Chicago
$12.99 11.35 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726088 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Holiday,Traditional. Score and parts. 17 pages. Con Spirito Music #4790249. Published by Con Spirito Music (A0.726088). Past Three O'Clock (or Past Three A Clock) is a Christmas carol loosely based on the traditional cry of the city night watchman, set to the English traditional tune, London Waits.The tune and refrain have been known since the Renaissance, and both were possibly used by London's waits (also waites or waytes). According to the Encyclopaedia Brittanica (1911):The earliest waits (those of the 14th and 15th centuries) were simply watchmen who sounded horns or even played a tune on a flute or flageolet to mark the hours. This appears to have been known as 'piping the watch....' The duties of the London waits, which included playing before the mayor during his annual progress through the streets and at city dinners, seem to have been typical of all 16th- and 17th-century city waits. The London waits had a special uniform of blue gowns with red sleeves and caps, and wore a silver collar or chain round the neck. In the 18th and early 19th century the ordinary street watchmen appear to have arrogated to themselves the right to serenade householders at Christmas time, calling round on Boxing Day to receive a gratuity for their tunefulness as well as their watchfulness. When in 1829 their place as guardians of the city's safety was taken by police, it was left for private individuals to keep up the custom.This arrangement of this sprightly tune features the Westminster Chimes (aka Westminster Quarters or Cambridge Quarters), the tune written for the clock tower at Cambridge in 1793, as introduction, in accompaniment, and at the conclusion of the piece.©Copyright 2019 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
Past Three O'Clock - brass quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$15.00 13.11 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782461 By Pentatonix. By Kevin Olusola, Martin Johnson, Mitchell Grassi, Sam Hollander, and Scott Hoying. Arranged by James Haynor. A Cappella. Score and parts. 17 pages. James Haynor #6663173. Published by James Haynor (A0.782461). Pentatonix is the fourth studio album by American a cappella group Pentatonix, which was released on October 16, 2015. The release date was announced on Twitter by a series of pictures featuring the five band members released over a five-day-span, with one band member added to the picture each day, culminating in the date being revealed on August 28.  It is the group's seventh release overall in their discography. This is the first release of the band to feature predominantly original material. Pentatonix also marks the first time band members receive individual songwriting credits for the majority of the tracks. Sing is a very up tempo cut from this album and makes for a very high energy arrangement - fun for performers and audiences alike. ( Duration - 3:00 ) 
Sing
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Pentatonix
$12.99 11.35 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528536 By Lady Antebellum. By Johnny Marks. Arranged by Diego Marani. 20th Century,Christmas,Country,Instructional,Jazz. Score and parts. 11 pages. Diego Marani #6190315. Published by Diego Marani (A0.528536). A Holly Jolly Christmas (also called Have a Holly Jolly Christmas) is a Christmas song written by Johnny Marks and most famously performed by Burl Ives, Lady Antebellum and Michael Bublè. The song has since become one of the Top 25 most-performed holiday songs written by ASCAP members, for the first five years of the 21st century.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.It is suitable for classroom, repertoire and recital.
A Holly Jolly Christmas
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Lady Antebellum
$14.99 13.1 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528537 By Lady Antebellum. By Johnny Marks. Arranged by Diego Marani. 20th Century,Christmas,Country,Instructional,Jazz. Score and parts. 14 pages. Diego Marani #6195199. Published by Diego Marani (A0.528537). A Holly Jolly Christmas (also called Have a Holly Jolly Christmas) is a Christmas song written by Johnny Marks and most famously performed by Burl Ives, Lady Antebellum and Michael Bublè. The song has since become one of the Top 25 most-performed holiday songs written by ASCAP members, for the first five years of the 21st century.This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.It is suitable for classroom, repertoire and recital.
A Holly Jolly Christmas
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Lady Antebellum
$19.99 17.46 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus






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