SKU: A0.795709

Love Potion Number Nine

Brass Quintet

Trumpet 1, Trumpet 2, Horn in F, Trombone, Tuba - Intermediate

Words and Music by Jerry Leiber & Mike Stoller

Arranged for Brass Quintet by David Kolinski-Schultz. Score, Set of Parts. 15 pages. Published by PDQ Music.

A 1959 hit for The Clovers, and for The Searchers in 1965. Also recorded by The Coasters and Herb Alpert.

Appropriate for advanced students, community ensembles, as well as professionals.

Great for Halloween!

SKU: A0.855391

Copyright © 1991 ALMO MUSIC CORP., UNIVERSAL MUSIC - MGB SONGS and BRIO BLUES MUSIC All Rights Reserved Used by Permission
One of America's favorite Bonnie Rait tunes. I Can't Make You Love Me  is a song written
 by Mike Reid and Allen Shamblin and recorded by
 American singer Bonnie Raitt for her eleventh studio album Luck of the Draw (1991). This arrangement for brass quintet features Trombone and French Horn leads. Download today at a reduced price.

SKU: A0.1461272

Here is one of the biggest Yacht Rock songs. This arrangement was taken from their performance on Mike Huckabee's Huckabee Jukebox January 11, 2024. I used that performance because they had an extended ending that was really interesting and it's included in this arrangement. Duration = 6:25. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

SKU: A0.782679

I love this Beach Boys song and I hope your Quintet will too.
Scored for Standard Brass Quintet with optional Treble Clef Parts for Brass Band Instruments.

SKU: A0.563369

The Beach Boys' biggest Christmas hit is presented here in a straightforward arrangement which will brighten up any Christmas concert, recital or party!

SKU: A0.767367

At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.

In Amor che deggio far, the poet is pleading with his love for constancy. he feels she doesn't love him enough to be his lover forever.

This is one of the longer poems set in the seventh book and has a variety of musical forms within it. It begins with an opening statment of the 3 ritornelli that will reappear after each solo, duet, trio or quartet from the soloists. In this way, the composer prepares the listener for what will come and it will therefore be familiar and recognisable in the context of the song.

This ia also one of the most demanding songs in the book. It requires a set of four solo singers (Trumpet/Horn/Trombone/Tuba) a pair of obbligato violins (Eb trumpet and Bb trumpet) and a string+ keyboard continuo part (Trumpet/Horn/Euphonium/Tuba) making 10 instruments in all. I had to use an Eb trumpet as the range of the obbligato is quite adventurous for the period and covers some of the clarino range that was to become popular in the High Baroque.

At 5 minutes in length, this is a great finisher for either hafl of a concert, especially as Monteverdi has reserved use of all the instruments/voices until the very end, creating a rousing finish.

The seventh book continues to be a challenge. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)

Once again, this song is exquisitely crafted and travels well onto brass.

SKU: A0.767365

At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.

Chiome d'oro, bel tesoro tells of golden tresses of hair, strings of pearls and roses that all charm and bind the lover to his love. It's a typical slushy romantic poem of the time and Monteverdi gives it some special treatment indeed. Originally for 'two voices (unspecified) two violins and basso continuo (now a standard part of any accompaniment) I have chosen to arrnage it for Two horns, Two Trumpets/Cornets, two trombones (baritone/euphonium) and tuba.The range of the violin parts is quite small, so it fits rather well on the trumpets. Of course, we are in the era when music was apt to be composed to fit any combination of instruments and so all the ranges would have to be similar to enable this to happen. I decided to give the duet lines to the horns.


The seventh book continues to be a challenge. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)

Once again, this song is exquisitely crafted and travels well onto brass.

SKU: A0.586034

Here is a great moderate tempo ballad from Mercyme. In the original key from their Inhale (Exhale) CD, this song went up the charts. Duration = 3:51. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

SKU: A0.767364

At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.

Here is a group of four very short songs for soprano duet with continuo. I have arranged them as a duet for trumpet/cornet with a four part accompaniment.

The four songs are related under the commone title Ohimè, dov'è il mio ben but each also has a title of its own:

1. Romanesca a 2 (This is the subtitle. A romanesca was a musical formula characterised by a falling sequence of 5 notes and with a fixed harmonic progression.) The text translates as Alas, where is my beloved?
2. Dunque ha potuto sol desio d'onore - Can it be that love of honour...
3. Dunque ha potuto in me, più che il mio amore - Can it be that ambition and vainglory...
4. Ahi, sciocco mondo - Alas, foolish blind world

Each song is a setting of a pair of couplets which together form the whole poem, which is why I have collected them together here. Besides, on their own, each is too short.

Here also is evidence of Monteverdi's progress in telling a story through music.

These four songs work beautifully on brass, with gorgeous suspensions and resolutions and well directed rhythmic drive from the accompaniment.

The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)

Once again, these songs are exquisitely crafted and travel well onto brass.

SKU: A0.767310

At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs - like this one - will be in 6 or more parts.
A quest'olmo is described as a sei voci concertato, which basically means it is an operatic chorus, The title translates as In this elm, in these shadows and describes a clandestine meeting between two lovers.

The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)

Once again, these songs are exquisitely crafted and travel well onto brass.

SKU: A0.767361

At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.

Ai lume delle stelle is a song of loss. By the light of the stars, Tirsi bemoans the loss of his beloved whose eyes were like flickering stars or torches flickering in the night.

This setting is for an expanded ensemble of 8 players as follows:

Part 1 in Bb - Trumpet/Cornet 1

Part 2 in Bb - Trumpet/Cornet 2

Part 3 in F/C/Bb/Eb - Horn/Euphonium/Trombone/Baritone

Part 4 in C/Eb/Bb - Euphonium/Baritone/Trombone/Tuba/Eb Bass

Part 5 in Bb - Trumpet/Cornet 3

Part 6 in Bb/F/Eb - Trumpet/Cornet/Horn

Part 7 in C/F/Bb - Trombone/Horn/Euphonium

Part 8 in C/Eb - Tuba/Eb Bass

The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)

Once again, these songs are exquisitely crafted and travel well onto brass.