Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.782434

Composed by Erik Satie. Arranged by James Haynor. Contemporary. Score and parts. 23 pages. James Haynor #6476835. Published by James Haynor (A0.782434).

Éric Alfred Leslie Satie, who signed his name Erik Satie after 1884, was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde.

Scored here for brass quintet, this mini suite includes - Gymnopedie #1, March Du Grande Escalier and Je Te Veux.

( Duration 5:08 )

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.813843

Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843).

Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.

Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.

Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:
  
  I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.

He further explained how Native American music influenced his symphony:

  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.

In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.

Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.

The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.813823

Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823).

Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.

Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.

Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:
  
  I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.

He further explained how Native American music influenced his symphony:

  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.

In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.

Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.

The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.

Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.813824

Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824).

Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.

Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.

Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:
  
  I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.

He further explained how Native American music influenced his symphony:

  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.

In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.

Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.

The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.587860

Composed by Various. Arranged by David McKeown. Christian,Easter,Praise & Worship,Sacred. Score and parts. 64 pages. David McKeown #5031035. Published by David McKeown (A0.587860).

16 Favourite Easter Hymns for Brass Quartet is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for two Trumpets, Trombone and Tuba. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above.

16 Favourite Easter Hymns for Brass Quartet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Brass Quartet useful for building ensemble, reading and rhythmic skills.

The hymns are in alphabetical order and are as follows…

·     All Creatures of Our God and King, (Lasst Uns Erfreuen)

·     All Hail the Power of Jesus Name, (Coronation)

·     Before the Throne of God Above, (Before the Throne)

·     Blessed Assurance, (Blessed Assurance)

·     Christ the Lord is Risen Today, (Easter Hymn)

·     Crown Him with Many Crowns, (Diademata)

·     The Day of Resurrection, (Ellacombe)

·     Just as I Am, (Woodworth)

·     I Know that My Redeemer Lives, (Bradford)

·     It is Well with My Soul, (Ville du Havre)

·     A Mighty Fortress is Our God, (Ein Feste Burg)

·     Nothing But the Blood of Jesus, (What Can Wash Away My Sin)

·     There is a Green Hill Far Away, (The Green Hill)

·     Thine Be the Glory, (Judas Maccabeus)

·     Were You There? (Were You There?)

·     When I Survey the Wondrous Cross, (Hamburg)

 There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

 

Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1452561

By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Jps Arrangements. Children,Folk,Pop,Wedding. 18 pages. Jps Arrangements #1031864. Published by Jps Arrangements (A0.1452561).

I present to you the sheet music of the song that conquered the world:
 “Wellerman” by Nathan Evans for brass quartet. 
This iconic piece, which revived the 
genre of maritime shanties, is now available to you
 bring the magic of the seas to your home or classroom.
Features of the “Wellerman” Sheet Music:

Diversified Arrangements: Available for one
 variety of instruments and skill levels,
 from beginners to advanced musicians.

Professional Quality: Official sheet music
 and meticulously transcribed community arrangements
 to ensure the best musical experience.

Versatility: Choose between solos, duets,
or camera assemblies.
Whether to practice, teach, or simply enjoy
 of the beauty of this melody, the “Wellerman” score is 
a valuable addition to any repertoire.
The arrangement is with the figures.
 Get it today and embark on this musical journey!

Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1452553

By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Jps Arrangements. Children,Folk,Pop,Wedding. 18 pages. Jps Arrangements #1031863. Published by Jps Arrangements (A0.1452553).

I present to you the sheet music of the song that conquered the world:
 “Wellerman” by Nathan Evans for brass quartet and piano. 
This iconic piece, which revived the 
genre of maritime shanties, is now available to you
 bring the magic of the seas to your home or classroom.
Features of the “Wellerman” Sheet Music:

Diversified Arrangements: Available for one
 variety of instruments and skill levels,
 from beginners to advanced musicians.

Professional Quality: Official sheet music
 and meticulously transcribed community arrangements
 to ensure the best musical experience.

Versatility: Choose between solos, duets,
or camera assemblies.
Whether to practice, teach, or simply enjoy
 of the beauty of this melody, the “Wellerman” score is 
a valuable addition to any repertoire.
The arrangement is without the figures.
 Get it today and embark on this musical journey!

Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1452562

By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Jps Arrangements. Children,Folk,Pop,Wedding. 18 pages. Jps Arrangements #1031865. Published by Jps Arrangements (A0.1452562).

I present to you the sheet music of the song that conquered the world:
 “Wellerman” by Nathan Evans for brass quartet. 
This iconic piece, which revived the 
genre of maritime shanties, is now available to you
 bring the magic of the seas to your home or classroom.
Features of the “Wellerman” Sheet Music:

Diversified Arrangements: Available for one
 variety of instruments and skill levels,
 from beginners to advanced musicians.

Professional Quality: Official sheet music
 and meticulously transcribed community arrangements
 to ensure the best musical experience.

Versatility: Choose between solos, duets,
or camera assemblies.
Whether to practice, teach, or simply enjoy
 of the beauty of this melody, the “Wellerman” score is 
a valuable addition to any repertoire.
The arrangement is without the figures.
 Get it today and embark on this musical journey!

Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1452548

By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Jps Arrangements. Children,Folk,Pop,Wedding. 18 pages. Jps Arrangements #1031851. Published by Jps Arrangements (A0.1452548).

I present to you the sheet music of the song that conquered the world:
 “Wellerman” by Nathan Evans for brass quartet and piano. 
This iconic piece, which revived the 
genre of maritime shanties, is now available to you
 bring the magic of the seas to your home or classroom.
Features of the “Wellerman” Sheet Music:

Diversified Arrangements: Available for one
 variety of instruments and skill levels,
 from beginners to advanced musicians.

Professional Quality: Official sheet music
 and meticulously transcribed community arrangements
 to ensure the best musical experience.

Versatility: Choose between solos, duets,
or camera assemblies.
Whether to practice, teach, or simply enjoy
 of the beauty of this melody, the “Wellerman” score is 
a valuable addition to any repertoire.
The arrangement is with the figures.
 Get it today and embark on this musical journey!

Brass Quartet Horn,Trumpet,Tuba - Level 1 - Digital Download

SKU: A0.1258677

Composed by Charles Wesley and Joseph Parry. Arranged by André Nusa. Christian,Easter,Religious,Sacred. 6 pages. Andre_Nusa #851938. Published by Andre_Nusa (A0.1258677).

Elevate your worship experience with the majestic sounds of Jesus, Lover of my Soul arranged for brass quartet. Immerse yourself in the rich harmonies and powerful melodies of this cherished hymn as it resonates through the brilliant tones of two trumpets, French horn and tuba. This arrangement captures the depth and devotion of the original composition while adding a touch of grandeur and brilliance through the brass ensemble. Whether you're performing in a worship service, a sacred concert, or simply seeking to explore the beauty of sacred music, this arrangement is sure to leave a lasting impression. Revel in the grandeur and beauty of Jesus, Lover of my Soul as the brass quartet breathes new life into this beloved hymn.