Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.586108 Composed by Paul McCartney. Arranged by Jeff Tincher. Contemporary. Score and parts. 15 pages. Jeff Tincher #6596591. Published by Jeff Tincher (A0.586108). This is probably my favorite Paul McCartney song ever. This song truly shows his songwriting skills. In the original key from his Ram LP, this song is a suite with various tempo changes. Duration = 5:08. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.854894 By The Carpenters. By Bonnie Sheridan and Leon Russell. Arranged by Joseph Pugh. Pop,Rock. Score and parts. 10 pages. Joseph Pugh #5303883. Published by Joseph Pugh (A0.854894). Superstar is a 1969 song written by Bonnie Bramlett and Leon Russell with a songwriting credit also given to Delaney Bramlett that has been a hit for many artists in different genres and interpretations in the years since; the best-known version is by the Carpenters in 1971.Here's a great rendition of the mega hit by Joseph Pugh for Brass Quintet. ( Parts and Score).

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782461 By Pentatonix. By Kevin Olusola, Martin Johnson, Mitchell Grassi, Sam Hollander, and Scott Hoying. Arranged by James Haynor. A Cappella. Score and parts. 17 pages. James Haynor #6663173. Published by James Haynor (A0.782461). Pentatonix is the fourth studio album by American a cappella group Pentatonix, which was released on October 16, 2015. The release date was announced on Twitter by a series of pictures featuring the five band members released over a five-day-span, with one band member added to the picture each day, culminating in the date being revealed on August 28.  It is the group's seventh release overall in their discography. This is the first release of the band to feature predominantly original material. Pentatonix also marks the first time band members receive individual songwriting credits for the majority of the tracks. Sing is a very up tempo cut from this album and makes for a very high energy arrangement - fun for performers and audiences alike. ( Duration - 3:00 ) 

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1033890 Composed by Jaromir Vejvoda. Arranged by F. Leslie Smith. Holiday,Pop,Wedding. Score and parts. 41 pages. Sweetwater Brass Press #639202. Published by Sweetwater Brass Press (A0.1033890).      Jaromir Vejvoda, born in 1902 in the Czech city of Zbraslav, was a fiddler and flugelhorn player. As a young man, he began writing music while working as a bartender. In 1927 he composed a particularly rollicking, toe-tapping tune. He persuaded the Czech-American composer Eduard Ingriš to write an arrangement for the piece, and the result was titled "ModÅ™anská polka" (ModÅ™any being the Prague suburb in which it was first performed). In 1934 Václav Zeman added lyrics, and the title changed to "Škoda lásky," Czech for “Wasted Love.” It also became known as “Rosamunde.” The public loved it. It was so successful that Vejvoda was able to quit tending bar and turn full time to music. The polka soon spread to other countries. Lew Brown and Wladimir Timm added English lyrics, and when the Andrews Sisters recorded it in 1939 as “Beer Barrel Polka,” it became one of their biggest hits. During World War II it was the favorite song of the Western Allies and has since been played and recorded by literally dozens of artists.      Suggested tempo for this brass quintet “Škoda lásky” is 120 BPM. It opens in C major, changes to F major, then back to C. All five instruments get a chance to shine. There are no really tricky rhythmic patterns, and the notes are, for the most part, within the normal playing range of each instrument. Some possible exceptions: Trombone’s highest notes are F above the staff; it’s lowest, G at the bottom; Tuba’s highest notes are F in the staff; Trumpet 2’s highest are its G at the top of its staff.      Completed in 2022, performance time runs about 3 minutes. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.

Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.585385 By Casting Crowns. By Bernard Herms, Bernie Herms, John Mark Hall, Mark Hall, Matthew West, Seth Mosely, and Seth Mosley. Arranged by Jeff Tincher. Christian,Gospel. Score and parts. 21 pages. Jeff Tincher #6252937. Published by Jeff Tincher (A0.585385). Here is a four-on-the-floor steady beat Contemporary Christian rock song. In the original key from Casting Crowns' Only Jesus project, this song has a great counter rhythm writing in 12/8 but maintaining a straight 4 feel. A song to drive churches to work for the Lord. Duration = 3:26. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726073 Composed by Pietro A. Yon. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 17 pages. Con Spirito Music #3386423. Published by Con Spirito Music (A0.726073). Italian-born organist and composer Pietro Yon (1886-1943) wrote the anthem Gesu Bambino in 1917 while engaged as organist at St. Francis Xavier Church in Manhattan, New York, and as organ instructor and co-director (with his brother, Constantino) of the Yon Music Studios, a conservatory for liturgical musicians at New York’s Carnegie Hall.Yon was an acclaimed organist, later holding positions as Titular Organist of the Vatican and Music Director of St. Patrick’s Cathedral in New York. He supervised installations of organs at both St. Patrick’s and Carnegie Hall. He was an influential teacher as well, with students occupying positions as organists and music directors at prominent churches in New York, Philadelphia, Pittsburgh, Grand Rapids, Dallas, Salt Lake City, and more.Yon was among the most important composers of sacred music for the Roman Catholic Church in the first half of the twentieth century, writing 21 masses, numerous motets, and various other sacred works. In addition, he wrote works for solo organ and solo piano, songs, chamber music, and orchestral compositions including several concertos. His best-known work, however, is Gesu Bambino, which incorporates the Venite adoramus (O come, let us adore him) refrain of the carol, Adeste Fideles (O Come All Ye Faithful), as its refrain.©Copyright 2017 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.586198 By The Monkees. By Bill Martin, Chip Douglas, and Chris Douglas. Arranged by Jeff Tincher. Contemporary. Score and parts. 17 pages. Jeff Tincher #6644237. Published by Jeff Tincher (A0.586198). I started this arrangement the day Michael Nesmith passed. Guitar player with The Monkees, Michael was the quiet one of the group. He was the only musician until the other members learned their craft. Mike and Micky Dolenz did their last live show less than a month before. Michael was also the creative one, writing many of The Monkees' songs. His Elephant Parts project is considered the first music video and was an integral part of the beginning of MTV. In the original key, this song is the third song of The Monkees Pisces, Aquarius, Capricorn, & Jones LP and includes the live ending from their final tour. Duration = 3:16. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/sheetmusic, https://www.facebook.com/jefftincherpublishing.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1129678 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by Joseph Pugh. Christmas,Holiday,Jazz,Pop. Score and parts. 9 pages. Joseph Pugh #730088. Published by Joseph Pugh (A0.1129678). According to Tormé, the song was written in July during a blistering hot summer. In an effort to stay cool by thinking cool, the most-performed (according to BMI) Christmas song was born. I saw a spiral pad on his (Wells's) piano with four lines written in pencil, Tormé recalled. They started, 'Chestnuts roasting..., Jack Frost nipping..., Yuletide carols..., Folks dressed up like Eskimos.' Bob didn't think he was writing a song lyric. He said he thought if he could immerse himself in winter he could cool off. Forty minutes later that song was written. I wrote all the music and some of the lyrics. This is Joseph Pugh's Brass Quintet arrangement of the classic. Download today at a reduced price.

Brass Quartet - Level 3 - Digital Download SKU: A0.1264323 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Traditional,Wedding. 6 pages. Woods Only, Arrangements #857186. Published by Woods Only, Arrangements (A0.1264323). Adaptation for brass quartet of Luigi Boccherini’s String Quintet in E major, Op. 11, No. 5, G 275. Ideal for beginner students in classical music with the help of a teacher. The original essence of the work was maintained, with adaptations in tonality and tessitura of the instruments. Can be used in professional and academic recitals, didactic material and repertoire for ensemble practice. Boccherini was born in Lucca, Italy, and became a cello virtuoso. He moved to Spain, where he worked with the Spanish royal family. The third movement of the quintet, minuet and trio, is famous and often played as an independent piece. The work is beautiful and has good partial writing for all instruments, with melodies and rhythms typical of Boccherini. Suitable for concerts and home performances.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.971797 Composed by Britt Andrew Burns. Contemporary. Score and parts. 22 pages. Indie Classical Publications #42345. Published by Indie Classical Publications (A0.971797). BEING WITH TIME was composed in 2002. It is one of my very early compositions and my first attempt at writing a brass quintet. I performed various low brass instruments in my younger years, and I learned a lot about how to write for brass as a result. The horn is the most challenging of the parts, but nothing here is too overwhelming for a college-level player. The work is set in a type of rondo form with various new ideas introduced throughout the work. The title is based on the feeling of peace in your life one gets while focusing on the present moment instead of worrying about the future.v Difficulty: Grade 4 (medium advanced). Duration: 4:40.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782456 Composed by Richard Rodgers. Arranged by James Haynor. Contemporary. Score and parts. 16 pages. James Haynor #6643363. Published by James Haynor (A0.782456). You'll Never Walk Alone is a show tune from the 1945 Rodgers and Hammerstein musical Carousel. Rodgers and Hammerstein refers to the theatre-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960) Scored here for brass quintet, You’ll Never Walk Alone would make a great encore for your next concert or recital. ( The written Flugelhorn parts could easily be played on trumpet.) ( Duration 3:35 )