Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contemporary. Score and parts. 17 pages. Peet du Toit #5793495. Published by Peet du Toit (A0.802564). Sergei Rachmaninoff's Prelude in C-sharp minor, Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces entitled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.Its first performance was by the composer on 26 September 1892, at a festival called the Moscow Electrical Exhibition. After this première, a review of the concert singled out the Prelude, noting that it had aroused enthusiasm. From this point on, its popularity grew.This work was one of the first the 19‑year‑old Rachmaninoff composed as a Free Artist, after he graduated from the Moscow Conservatory on 29 May 1892. He performed this new work for the first time at one of the concerts of the Moscow Electrical Exhibition on 26 September 1892. It was printed the following year as the second of five Morceaux de fantaisie (Op. 3), all dedicated to Anton Arensky, his harmony teacher at the Conservatory. Because at the time Russia was not party to the 1886 Berne Convention, Russian publishers did not pay royalties, so the only financial return he ever received for this piece was a 40 ruble (about two months' wage of a factory worker) publishing fee.The prelude has been arranged for orchestra in several versions. It has been used in many films, and many songs have sampled it. I thought it would sound great on brass instruments if played well. Well, here it is for you to play well. Enjoy!

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.554008 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Concert,Contemporary,Folk,World. Score and parts. 25 pages. RayThompsonMusic #6455715. Published by RayThompsonMusic (A0.554008). Romanian Folk Dances  Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.892056 Composed by Rachmaninov, Sergei. Arranged by Arkstar Brassmusic. 20th Century,Romantic Period. Score and parts. 17 pages. ASANO Takashi #4641841. Published by ASANO Takashi (A0.892056). Composed by Sergei Rachmaninov, as the last of his 14 Songs or 14 Romances, Op. 34, written for soprano or tenor with piano accompaniment, the most popular song. It contains no words, but is sung using any one vowel of the singer's choosing.The arrangement is for Brass Quartet.Duration: 6 minutes

Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1136989 Composed by Traditional Irish-American Song. Arranged by Glen Poehlmann. Celtic,Irish,Traditional. Score and parts. 10 pages. Arrangements by GPoehlmann #736979. Published by arrangements by GPoehlmann (A0.1136989). TOO-RA-LOO-RA-LOO-RAL for Trumpet, Trombone & Tuba (unaccompanied) The classic Irish-American song (That's an Irish Lullaby) arranged for a Brass Trio (unaccompanied). A little challenging but worth it! Medium Difficult (Grade 3+) 144 measures. Performance Time approx. 3:40 Key: Eb - F. Meter: 3/4 Instrument Ranges (C4=middle C): Bb Trumpet E4 - G5 (written) Trombone A2 - G4 Tuba A1 - F3 Parts included (PDF): Score, Bb Trumpet, Trombone, Tuba

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722796 Composed by Claudio S. Grafulla. Arranged by Jari A. Villanueva. Classical,Folk,Holiday,Patriotic. Score and parts. 27 pages. JV MUSIC #5197829. Published by JV MUSIC (A0.722796). Manual of Arms Polka for Bugle with Brass Quintet by Claudio Grafulla arranged by Jari Villanueva.Bugle in Bb and Brass Quintet. Full score and parts including extra sub parts for Eb Alto Horn and Baritone TCClaudio S. Grafulla (1810-80) was an outstanding bandmaster mostly known to bandsmen as the composer of The Grand March and Washington Greys. He was known also as a talented arranger and during the war was director of the 7th Regimental Band of the New York State Militia (N.Y.S.M) in New York. This band was considered a pace-setter not only for military but also popular music. Manual of Arms Polka was written for the 7th Regiment in 1862 and incorporates the bugle signals of Assembly, Shoulder Arms, Right Face, Left Face, Right About Face, and Fix Bayonets. Some of these calls are not found in the regulation drill manuals of the day and may have been exclusive to the 7th Regiment.  The last section includes the song Comrades Touch the Elbow. This was the song of the 9th Company, 7th Regiment, N.Y.S.M. The song describes how Soldiers would touch the elbow to steady their nerves as they moved forward together in battle.  Touch the elbow now, my boys! Comrades, touch the elbow I Nerve the arm, and banish fear, And, comrades, touch the elbow

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.931264 Composed by Johann Sebastian Bach. Arranged by Alessandro Macrì. Baroque,Christmas,Instructional,Sacred. Score and parts. 43 pages. Music Macri Editions #5805697. Published by Music Macri Editions (A0.931264). The Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The Christmas Oratorio is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander).The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the Ascension Oratorio (BWV 11) and the Easter Oratorio (BWV 249). All three of these oratorios to some degree parody earlier compositions. The Christmas Oratorio is by far the longest and most complex work of the three.The Christmas Oratorio is in six parts, each part being intended for performance on one of the major feast days of the Christmas period. The piece is often presented as a whole or split into two equal parts. The total running time for the entire work is nearly three hours.The first part (for Christmas Day) describes the Birth of Jesus, the second (for December 26) the annunciation to the shepherds, the third (for December 27) the adoration of the shepherds, the fourth (for New Year's Day) the circumcision and naming of Jesus, the fifth (for the first Sunday after New Year) the journey of the Magi, and the sixth (for Epiphany) the adoration of the Magi.

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.585237 By The Guess Who. By Burton Cummings, Garry Peterson, Jim Kale, and Randy Bachman. Arranged by Jeff Tincher. Contemporary. Score and parts. 34 pages. Jeff Tincher #6208743. Published by Jeff Tincher (A0.585237). Here is one of the biggest hits from one of the great bands from Canada. In the original key from The Guess Who's American Woman LP, this arrangement does not include the blues beginning. This arrangement includes the live ending from their 2000 Running Back Thru Canada tour. Duration = 4:13 Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.740285 Composed by Bedrich Smetana. Arranged by Craig Garner (for Brass Quintet, Organ and Timpani). Romantic Period. Score and parts. 18 pages. Dorm 40 Music #6230863. Published by Dorm 40 Music (A0.740285). This arrangement is part of the Chicago Gargoyle Brass and Organ Ensemble Signature Series.In 1867, Smetana composed this fanfare as a prelude for a performance of his symphonic poem, Richard III. The original work was scored for a brass ensemble of horns, trumpets, trombones and timpani. This arrangement, for brass quintet, organ and timpani was also conceived as concert opener. It is rather short, not too demanding and certain to grab the attention of your audience. Performance time, 1 minute. Published by Dorm 40 Music,  www.dorm40music.com

Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005653 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Baroque,Concert. Score and parts. 5 pages. Rudy Volkmann #6361813. Published by Rudy Volkmann (A0.1005653). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children.  As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein.  This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece.  Notes in parenthesis suggest breathing spots (if necessary).  This is a great recital piece or concert opener.

Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005664 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6385005. Published by Rudy Volkmann (A0.1005664). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein.  This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece.  This is a great recital piece or concert opener.

Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005665 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6402425. Published by Rudy Volkmann (A0.1005665). This is a nice one - I added some articulations to make it a bit more brass-like.  The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children.  As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein.  This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece.  This is a great recital piece or concert opener.

Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005657 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6365233. Published by Rudy Volkmann (A0.1005657). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein.  This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece.  This is a great recital piece or concert opener.

Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005659 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6364605. Published by Rudy Volkmann (A0.1005659). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein.  This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece.   This is a great recital piece or concert opener.

Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005660 Composed by J. S., Bach (1685-1750). Arranged by Rudy Volkmann. Baroque. Score and parts. 5 pages. Rudy Volkmann #6369291. Published by Rudy Volkmann (A0.1005660). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein.  This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece.  This is a great recital piece or concert opener.

Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005655 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Baroque,Concert. Score and parts. 6 pages. Rudy Volkmann #6362691. Published by Rudy Volkmann (A0.1005655). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein.  This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece.  This is a great recital piece or concert opener.