Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1282352 Composed by Donald John Sebesky. Arranged by Trevor Wilson. Chamber,Funk,Jazz. 17 pages. Trevor's Music Studio #873664. Published by Trevor's Music Studio (A0.1282352). Taken from Doc Severinsen’s album, Brass Roots, comes this arrangement of, well, Brass Roots! From the composing mind of Don Sebesky, this arrangement by Trevor Wilson is a loud, funky powerhouse! Featuring solos in the 2nd trumpet and trombone, this piece is a crowd pleaser and will surely be perfect for any jazz, funk, or rock concert or gig. Starting with a horn and trumpet duet, this arrangement explores the various “mini ensembles� of a brass quintet, most notably during the chorale section with a horn-trombone-tuba trio. And yeah, for the 1st trumpet: go for the high F at the end. You deserve it. Maybe even hold it over a little….

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1459167 Composed by Bill Danzeisen. Arranged by Will Corbin. Broadway,Latin,Musical/Show,Pop. 24 pages. Will Corbin #1038137. Published by Will Corbin (A0.1459167). A song doesn't get more traveled than this one. American Cole Porter wrote it in 1935 while on a South Pacific cruise between Indonesia and Fiji aboard a British liner. Its roots are in a Latin dance from the French Caribbean islands of Guadeloupe and Martinique. So it's somewhere between a minuet and a samba. The name of the dance, beguine, is Creole (probably pejorative) for white woman. The song was first performed in a Broadway musical called Jubilee. It didn't get much traction until Artie Shaw recorded it with his big band, in a purely swing mode, in 1938; it became the 3rd best-selling recording of the year and set off a new dance craze. Check out the drummer in the YouTube video of Shaw's band performing the song, with special attention to the drummer. It's a young and relatively quite subdued Buddy Rich. This arrangement, for two trumpets, horn, trombone and tuba, sticks pretty close to a Latin feel except for a swing break in the middle.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1463544 By Various. By Traditional. Arranged by Will Corbin. Blues,Jazz,Traditional. 22 pages. Will Corbin #1042269. Published by Will Corbin (A0.1463544). This song's roots go back to medieval England and may or may not refer to a hospital for lepers. Or maybe one for prostitutes. Or for young rakes with veneral disease and an addiction to alcohol. Whatever the case, it has been through many iterations, many names and many supposed composers. Louis Armstrong's 1928 recording put it permanently on the U.S. blues/jazz map.This rendition is inspired in part by a treatment by Troy Andrews, otherwise, and mostly, known as Trombone Shorty.If you need alternative instrumentation, please contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461375 By The Beatles. By John Lennon and Paul McCartney. Arranged by Will Corbin. Pop. 18 pages. Will Corbin #1040131. Published by Will Corbin (A0.1461375). The Beatles recorded this song -- mostly by McCartney -- in 1968, just before they headed off to India and the Mahareshi Mahesh Yogi. This was heralded as a return to their rock'n'roll roots after a dive into psychedelic weirdness. It's just a fun song, particularly without the downer lyrics.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461185 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and Rosa Lee Hawkins. Arranged by Will Corbin. Jazz,Pop. 24 pages. Will Corbin #1040044. Published by Will Corbin (A0.1461185). This song has roots in a Mardi Gras chant that ostensibly came from some unspecified Native American language. James Sugar Boy Crawford turned it into a song, and his band, Sugar Boy and his Cane Cutters (southern Louisiana had a lot of that) recorded it in 1953 as Jock-a-Mo, which may mean kiss my ass or a defiant response to that effect. It was recorded again, as kind of a whim, in 1964 by the girl trio The Dixie Cups, who made it a hit. It has since been endlessly covered by everyone from Cyndi Lauper to The Grateful Dead.This arrangement is essentially solo variations on the main melody backed by horn rhythms. If you want to make it go on endlessly, it's a simple three-chord tune (actually, mostly two chords) that lends itself to simple improv. It's arranged for two trumpets, horn, trombone and tuba.If you require alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

Composed by African-American Spiritual. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. 13 pages. Published by Con Spirito Music (S0.181361). - - Christian,Gospel,Spiritual,Sacred,Americana - Con Spirito Music