Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.810705 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 13 pages. Matthew Nunes Music #417653. Published by Matthew Nunes Music (A0.810705). Based on the song The Quilting Party or Aunt Dinah’s Quilting Party, also featuring the Gilbert and Sullivan song When a Wooer Goes a-Wooing from Yeomen of the Guard.This Brass Quintet arrangement was made using “The President’s Own� United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Quilting Party March was composed in 1889, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 3, No. 36.

Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1120866 Composed by Louis Kohler. Arranged by Matthew Nunes. 19th Century,Chamber,Christmas,Holiday,Romantic Period. 11 pages. Matthew Nunes Music #722078. Published by Matthew Nunes Music (A0.1120866). Louis Kohler's Sleighing Party arranged for Brass Quintet by Matthew Nunes. A fun and short addition to your holiday program.

By Coldplay. Score, Set of Parts. 22 pages. Published by Marty VanWesten (H0.176663-136662). - Score,Set of Parts - - Marty VanWesten

Arranged by Martyn C Adams. Video Games, Repertoire, Birthday. Score, Set of Parts. 35 pages. Published by Martyn C Adams

By Metallica. Arranged by Scott Hagarty. Score, Set of Parts. 29 pages. Published by Scagarty Music (H0.162489-224848). - Score,Set of Parts - - Scagarty Music

Brass Ensemble - Digital Download SKU: A0.939489 Composed by Claude Debussy. Arranged by Scott Hagarty. 20th Century,Children,Concert,Wedding. Score and parts. 38 pages. Scagarty Music #6374135. Published by Scagarty Music (A0.939489). Three movements from Debussy's famous Children's Corner collection of piano music has been transcribed and arranged for brass quintet. The movements featured are The Little Shepherd, Jimbo's Lullaby, and Serenade for the Doll.  Each movement musically depicts a toy from one of Debussy's children and different instruments of the brass quintet are featured in each movement. Difficulty is Grade 5.

Composed by Wolfgang Amadeus Mozarty. Arranged by Paul Hanna. Classical Period. Score, Set of Parts. 27 pages. Published by TBQ Press (S0.102039). - Score,Set of Parts - Classical Period - TBQ Press

Brass Quintet - Level 3 - Digital Download SKU: A0.1372181 By Procol Harum. By Gary Brooker, Keith Reid, and Matthew Fisher. Arranged by Peet du Toit. Rock. 11 pages. Peet du Toit #956459. Published by Peet du Toit (A0.1372181). A Whiter Shade of Pale is the debut single by the English rock band Procol Harum, released 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June 1967 and stayed there for six weeks. Without much promotion, it reached number 5 on the US Billboard Hot 100. One of the anthems of the 1967 Summer of Love, it is one of the most commercially successful singles in history, having sold more than 10 million copies worldwide.Keith Reid got the title and starting point for the song at a party. He overheard someone at the party saying to a woman, You've turned a whiter shade of pale, and the phrase stuck in his mind.Here is my representation of this magical music to be performed by a brass quintet and a percussionist. Enjoy!

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1223422 By Acker Bilk. By Al J. Neiburg, Jerry Livingston, and Marty Symes. Arranged by Seth Almond. Barbershop,Jazz. 18 pages. Seth Almond #819610. Published by Seth Almond (A0.1223422). This classic is brought to life in Seth Almond's arrangement for brass quintet!

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.844927 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 10 pages. RayThompsonMusic #450440. Published by RayThompsonMusic (A0.844927). Arranged standard brass quintet: 2tpts, hn. tbn and tuba. Opening piano solo arr horn and tuba, then melody is taken by tpt 2 , chorus by trumpet 1. Fun for everyone.Martha My Dear is a song by the English rock band the Beatles from their 1968 eponymous double album The Beatles (also known as the White Album). Credited to Lennon–McCartney, the song was written solely by Paul McCartney about his Old English Sheepdog, Martha. It has been covered by several artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, World Party, and Les Boréades de Montréal.The song incorporates elements from pop rock music; it also features a music hall-inspired piano line that recurs throughout the piece, as well as a brass section. The song modulates through several keys The song is notated mainly in the key of E♭ major, showing up embellished chords with jazzy sprinkled dissonances.The verse is a syncopated replicate of the first melodic section adding two extra beats, a technique similar to that used later by McCartney in Two of Us. Though the bridge is in the key of F major, the manner in which it abruptly sets in and exits makes it sound more out-of-the-way than it really is.

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1514082 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Mary Clark. Broadway,Film/TV,Musical/Show,Standards. 30 pages. Second Wind Music #1088546. Published by Second Wind Music (A0.1514082). This short piece could be fun to use for the end of a performance or as an encore.  This arrangement follows the original musical vocal and orchestral score closely, featuring each member of the quintet with a verse of the melody and on fun transition phrases.In the musical The Sound of Music, “So Long, Farewell”, is performed for dinner guests by the children of the host, Captain von Trapp.  As the children are heading off to bed, one by one they sing their goodbyes.  After the youngest barely stays awake for her final verse, the children give one final, yawning goodbye and the party guests in turn responds “goodbye” before sitting down for dinner. [Source: The Rodgers & Hammerstein Organization] In this arrangement, the “So Long, Farewell” melody moves between each of the five instrumental parts, similar to how the melody in the vocal version from the musical moves from one of the children to the next as well as covers the orchestral phrases and accompaniments.

Level 3 - Digital Download SKU: A0.781970 Composed by Terry Rendall and Werner Thomas. Arranged by Aaron Hettinga. Children,Contemporary,Folk,Multicultural,Standards,World. 12 pages. Aaron Hettinga #6014805. Published by Aaron Hettinga (A0.781970). This wedding reception/dance party standard is presented here in an arrangement for Brass Quintet. As this song meant to be a fun participation number, much interpretation of tempo and form will be left to the performers. It’s best to start moderately slow, then increase tempo a little more every time taking the D.S. There is no need to limit a performance to following this road map once through, be ready to repeat it for as long as your dancers are still active...and up to as fast as your players can handle! Flexibility: The 5 core brass parts will work fully freestanding on their own without drums as the accompaniment can propel itself forward without depending on the drummer alone for the rhythm. This arrangement’s package includes a sub part for Alto Sax in place of the F Horn. Find more from this arranger at https://aaronhettinga.com  

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1514884 Composed by William Ortiz. 21st Century,Chamber,Contemporary,Hip-Hop,Latin. 16 pages. William Ortiz #1089378. Published by William Ortiz (A0.1514884). “Sandungueo”, for Brass Quintet, uses Caribbean and Hip-Hop dance motives to create a lively and energetic dancescape. The opening fragmented “cencerro” and reggaeton rhythmic motive proclaimed is significant in that it introduces the works essence. “Sandungueo” is a style of dance and party music associated with reggaeton. This “cencerro” and “guaguanco” tumbao motives return throughout the piece in various guises and changes of tonality. The piece emulates a jazz ensemble where there are sections in which the instruments are called upon to solo against a rhythmic basso continuo or vamp. Latin and Hip-Hop rhythmic motives are prominent and integral to the work. This piece is a reworking of the second movement of my “Quinteto de Metales”.