Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802640 Composed by R Oppel. Arranged by Bernhard Kutsch & Peet du Toit. Contemporary. Score and parts. 12 pages. Peet du Toit #6111053. Published by Peet du Toit (A0.802640). Very little information on the composer. However, immensely beautiful music. I just had to arrange it for a brass quintet. I am very pleased with the result too. Hard work for the Flügel and French horns though.My hope is that you will find as much pleasure in performing it as I had in arranging it. .

By Elmer Bernstein. Arranged by Craig Garner. Score, Set of Parts. 25 pages. Published by Dorm 40 Music (H0.429757-508530). - Score,Set of Parts - - Dorm 40 Music

By Bill Schuetter. Arranged by Bill Schuetter. For brass choir (3 trumpets, 3 horns, 3 trombones, tuba). Level 3+. Score and parts. Duration 2 minutes. Published by Imagine Music - Digital

By Max Reger (1873-1916). Arranged by Bill Schuetter. For brass septet (2 trumpets, 2 horns, 2 trombones, tuba). Level 3+. Score and parts. Duration 3 minutes 30 seconds. Published by Imagine Music - Digital

By William Middendorf. For Brass Ensemble: 2 Trumpets, 2 Horns, 2 Trombones, Tuba. Large ensemble music. Score and parts. Published by Cimarron Music Press

By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arranged by Bill Schuetter. For brass septet (2 trumpets, 2 horns, 2 trombones, tuba). Level 3. Score and parts. Duration 2 minutes 50 seconds. Published by Imagine Music - Digital

(From the Ballet La Peri). By Paul Dukas (1865-1935). Arranged by Bill Schuetter. For brass choir (3 trumpets, 4 horns, 3 trombones, tuba). Level 4. Score and parts. Duration 2 minutes. Published by Imagine Music - Digital

By Michael Stewart. For Brass Ensemble: 3 Trumpets, 2 Horns, 2 Trombones and Tuba. Large ensemble music. Score and parts. Published by Cimarron Music Press

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817147 Composed by Thomas Weelkes. Arranged by Richard Decker. Chamber,Historic,Multicultural,Renaissance,World. 66 pages. Charles Decker Music Press #4354309. Published by Charles Decker Music Press (A0.817147). A spirited five-movement transcription of elegant vocal works from the late Renaissance by English master Thomas Weelkes. This works well as a recital opener and can be a rewarding musical experience strengthening the bonds between your first-chair brass in your band or orchestra. The edition is scored for two B-flat trumpets with alternate C parts, horn in F, trombone and tuba. For a truly homogeneous ensemble blend of conical-bore brass, substitute cornets or flugelhorns for trumpets and euphonium for trombone. The recording is of the complete edition.See more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.

Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817187 Composed by Jules Massenet. Arranged by Charles Decker. 19th Century,Chamber,Multicultural,Opera,Romantic Period,World. 45 pages. Charles Decker Music Press #6789509. Published by Charles Decker Music Press (A0.817187). From Massenet’s 1885 opera, Le Cid, these three movements are from his popular orchestral concert ballet suite of Spanish dances and showcase the technical and interpretative capabilities of brass quintet performers. Of the ten dances in the orchestral ballet suite, Castillane, Andalouse, and Catalane have been arranged to feature quintet members in solo roles with brilliant scoring and hauntingly beautiful melodic settings. The arrangement is scored for two B-flat trumpets with alternate C trumpet parts included and optional flugelhorns used in the Andalouse movement, horn in F, trombone, and tuba. The recording is of the entire edition.See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Press with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet publications use these links to Kendor Music and Cherry Classics Music to see listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Chris "Brody" Brown, Dernst Emile, and Bruno Mars. Arranged by Seb Skelly. Hip- Hop, Jazz, Pop, R & B. Score and parts. 24 pages. Seb Skelly #504704. Published by Seb Skelly

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1268030 Composed by Jim Hopson. 21st Century. 25 pages. Gordon Cherry #860586. Published by Gordon Cherry (A0.1268030). Fire and Ice for Brass Quintet and optional Percussion by Canadian Trombonist, composer, arranger and Alphorn virtuoso Jim Hopson is exciting, dramatic and bold. Fire and Ice earns its name as it charges headlong forward from the first bar to the last and works perfectly for advanced performers.Instrumentation is for 2 Trumpets in B-flat, Horn, Trombone, Tuba, optional Bass Drum and Snare Drum.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1403852 By The Blues Brothers. By Bert Berns, Gerry Wexler, and Soloman Burke. Arranged by Kayleigh Huelin. Film/TV,R & B,Soul. 10 pages. Kayleigh Huelin #987023. Published by Kayleigh Huelin (A0.1403852). Made famous by both Wilson Pickett and the Blues Brothers, Everybody Needs Somebody To Love is a classic rhythm and blues tune that is guaranteed to get toes tapping! Arranged for brass quintet, this is a piece that is great fun to play and any audience will appreciate it.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!� I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah� accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…� she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp� of a very satisfied tummy.