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Brass quintet - Digital Download

SKU: IZ.CMS164

Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164).

9 x 12 in inches.

While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben Hur
Chariot Race March on YouTube.

Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.

The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.

Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. The
popularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.

Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.

Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not find
any. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.

Ben Hur Chariot Race March
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano This was to become one of many marches and parlour piano compositions by 'E
$12.00 11.36 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download

SKU: A0.1204316

Composed by Trevor Rabin. Arranged by Alessandro Macrì. Classical,Film/TV,Historic. 10 pages. Music Macri Editions #802795. Published by Music Macri Editions (A0.1204316).

Le musiche originali della colonna sonora sono composte da Trevor Rabin, nome d’arte di Trevor Charles Rabinowitz, chitarrista e compositore sudafricano noto anche per aver fatto parte degli Yes dall’inizio degli anni ottanta. Rabin ha avuto un ruolo centrale nella realizzazione del fortunato album 90125 e del singolo di grande successo Owner of a Lonely Heart. Tra i film a cui ha lavorato troviamo Il Grande Match, Sono il numero quattro, L’apprendista stregone, 12 Round, Agente Smart – Casino totale, Hot Rod, Il mistero delle pagine perdute – National Treasure (sequel del 2007 de Il mistero dei Templari).

National Treasure (national Treasure Suite/ben/treasure)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$14.00 13.26 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1402950

By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Rick Windley. 20th Century,Pop,Standards. 19 pages. RockWind Music, LLC #986154. Published by RockWind Music, LLC (A0.1402950).

A brass quintet arrangement of the old classic, Stand By Me, that was sung by Ben E. King and featured in the motion picture, Stand By Me (1986).  This arrangement begins with the familiar ostinato bass line now played by the Tuba.  The Lead Trumpet then begins the melody and the 2nd Trumpet, French Horn, and Trombone join in with accompaniment.  The piece crescendos to a climax with polyphonic voicings of melody and harmonies before calming down and getting softer to end the piece.

This arrangement would be a great addition to your program to take your audience down memory lane or to educate your younger audience members on the great pop music styles of the '50's and '60's.  Enjoy!

Stand By Me
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Ben E King
$14.99 14.19 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1446054

Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054).

Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.

The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.

Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.

Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.

''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.

The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.

Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$8.99 8.51 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download

SKU: A0.945052

Composed by I. Albeniz and E. Chabrier. Arranged by Kent S, Burchill. 20th Century,Contest,Festival,Folk,Latin,Traditional. Score and parts. 26 pages. WINDCREST #5718967. Published by WINDCREST (A0.945052).

DOS BAILES, Two Dances, has been written as a show piece for the more advanced brass quintet. Performance time is about five minutes and fifty seconds, using the suggested tempo markings. The introduction includes a cadenza for the two trumpet players. Ranges are reasonable, except for the trumpet I part which has a written D above high C in the cadenza. The French Horn part has several instances of high staff tessitura and ascends to Bb and B above the staff a couple of times.  The following keys are featured: c minor, C Major, Eb Major, Bb Major.  There are also excursions to modal harmonies and juxtapositions of various hemiola-type rhythmic patterns. Trumpet, French Horn, and trombone performers must be able to employ multiple tonguing; and all players must demonstrate bravura playing  as well as a delicate waltz style.

DOS BAILES - "Two Dances" for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 14.2 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Up on the Housetop - Christmas Sing along (For Brass Quintet - 2 Trumpets, Horn, Euphonium and Tuba) Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$5.00 4.73 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet - Level 3 - Digital Download

SKU: A0.1356210

Composed by Richard E Brown. Chamber,Praise & Worship. 13 pages. Dacker Music #940881. Published by Dacker Music (A0.1356210).

Possibly dating from the Middle Ages, this English folk tune was first published with secular lyrics in English County Songs, an anthology compiled in 1893. It was first introduced as a hymn tune in The English Hymnal of 1906 set to the words of Horatius Bonar’s “I Heard the Voice of Jesus Say.†It is also commonly sung to Louis Benson’s Christmas carol O Sing a Song of Bethlehem and Fred Pratt Green's Passion hymn To Mock Your Reign, O Dearest Lord. The tune is named for the English town of Kingsfold. Grade 3+ - Duration 2:40.

Chorale Prelude on Kingsfold - Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$10.00 9.47 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download

SKU: A0.1195453

Composed by S. Rachmaninov. Arranged by Alessandro Macrì. 19th Century,Chamber,Classical,Film/TV. 11 pages. Music Macri Editions #794622. Published by Music Macri Editions (A0.1195453).

Il Concerto per pianoforte e orchestra n. 2 in do minore, Op. 18 è il più popolare ed eseguito dei quattro concerti per pianoforte del compositore russo Sergej Vasil'eviÄ Rachmaninov, nonché uno dei concerti per pianoforte più famosi di tutti i tempi. Fu composto tra il 1900 ed il 1901.
Il terzo movimento riprende il tono marziale del primo movimento, ma con un'atmosfera più ironica. Il primo tema ha un carattere guizzante, saltellante; dopo una sua elaborazione, si arriva al secondo tema, dolcemente cantabile, presentato dalle viole e dall'oboe e ripreso dal pianoforte, tema che indubbiamente può essere considerato tra i più belli e i più celebri fra tutti quelli composti da Rachmaninov. Lo sviluppo centrale si basa sul primo tema, che viene spezzettato ed alternato fra il solista e vari strumenti, con un accenno di un passo fugato. Questo sviluppo si salda praticamente con la ripresa, che si afferma con il ritorno, adesso con i violini, del secondo tema. Da qui deriva una nuova elaborazione prevalentemente mossa che porta, con il cambio della tonalità in do maggiore, alla trionfale affermazione del secondo tema (che quindi è il vero protagonista del finale) a piena orchestra. Segue una breve coda nuovamente mossa che in un clima ora festoso e trascinante porta alla conclusione. Terminano il brano tre accordi ripetuti che rappresentano la firma ritmica del compositore: ta- tatata (Rach - maninov).
Esiste una leggenda riguardo al famosissimo secondo tema di questo movimento. A detta del critico Leonid Sabaneev tale tema non sarebbe di Rachmaninov, ma di un suo amico, Nikita Morozov. Ascoltando un brano di Morozov, Rachmaninov avrebbe detto: Oh, ma è una melodia che avrei potuto comporre io. Ebbene, perché non te la prendi?, avrebbe risposto Morozov, e Rachmaninov non si sarebbe fatto pregare.

Piano Concerto n. 2 Third Movement
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$8.00 7.57 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download

SKU: A0.1389750

By Alessandro Macrì. By G. Mameli and M. Novaro. Arranged by Alessandro Macrì. Film/TV,Historic,March,Patriotic. 11 pages. Music Macri Editions #973346. Published by Music Macri Editions (A0.1389750).

Il Canto degli Italiani, conosciuto anche come Fratelli d'Italia, Inno di Mameli, Canto nazionale o Inno d'Italia, è un canto risorgimentale scritto da Goffredo Mameli e musicato da Michele Novaro nel 1847, inno nazionale della Repubblica Italiana. Il testo si compone di sei strofe e un ritornello, che si alterna alle stesse; l'inno è musicato in tempo di 4/4 nella tonalità di si bemolle maggiore. La sesta strofa riprende, con poche variazioni, il testo della prima.
Il canto fu molto popolare durante il Risorgimento e nei decenni seguenti, sebbene dopo l'unità d'Italia (1861) come inno del Regno d'Italia fosse stata scelta la Marcia reale, brano ufficiale di Casa Savoia. Il Canto degli Italiani era infatti considerato inadatto alla situazione politica dell'epoca: Fratelli d'Italia, di chiara connotazione repubblicana e giacobina, mal si conciliava con l'esito del Risorgimento, che fu di stampo monarchico.
Dopo la seconda guerra mondiale l'Italia diventò una repubblica e il Canto degli Italiani fu scelto, il 12 ottobre 1946, come inno nazionale provvisorio, ruolo che ha conservato anche in seguito rimanendo inno de facto della Repubblica Italiana. Nei decenni si sono susseguite varie iniziative parlamentari per renderlo inno nazionale ufficiale, fino a giungere alla legge nº 181 del 4 dicembre 2017, che ha dato al Canto degli Italiani lo status di inno nazionale de iure.

Il Canto degli Italiani - Inno di Mameli
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Alessandro Macrì
$9.00 8.52 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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