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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1202170

Composed by William Billings (1746-1800). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 13 pages. Con Spirito Music #800831. Published by Con Spirito Music (A0.1202170).

Ideal as a prelude or postlude to Easter Sunday and Eastertide services of worship, “Easter Anthem†originated as a choral work by William Billings (1746-1800) with text excerpted from Night Thoughts on Life, Death, and Immortality, an extensive blank-verse poem by the English poet Edward Young (1683-1765) published in nine parts (or “nightsâ€) from 1742 to 1745.

Born in Boston, Billings was self-taught in music — a tanner by trade — and he was renowned as a singing master and proponent of the singing-school tradition of American folk culture. Considered the ï¬rst native-born American composer, his works include hymns, anthems, psalms, and fuging tunes.

“Easter Anthem†is exemplary of his compositional style, which is noted for rhythmic vitality and straightforward harmonies. Exuberantly glorious, it celebrates the resurrection of Christ and the salvation of the world from its opening acclamation, “The Lord is risen indeed! Hallelujah!†to its closing declaration, Thine all the glory, man’s the endless bliss!

The Lord is risen indeed! Hallelujah!
Now is Christ risen from the dead,
And become the ï¬rst fruit of them that slept.
Hallelujah!

And did he rise?
Hear, O ye nations! Hear it, O ye dead!
He rose! He burst the bars of death,
And triumph'd o'er the grave.

Then I rose!
Then ï¬rst humanity triumphant
Pass'd the crystal ports of light,
And seiz'd eternal youth.
Man, all immortal, Hail!
Heaven, all lavish of strange gifts to man,
Thine all the glory! Man's the boundless bliss!

This joyful work, which explores various combinations of choral voices, is well-suited to the sonorities of the brass quintet. In this arrangement, tempo indications, dynamic markings and articulations, as well as a newly composed timpani part, have been added by the arranger.

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit
www.conspiritomusic.com

Easter Anthem (William Billings) — brass quintet, timpani Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 14.27 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1410576

By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. Arranged by Peet du Toit. Folk,Pop. 9 pages. Peet du Toit #992996. Published by Peet du Toit (A0.1410576).

(The) Carioca is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film Flying Down to Rio. It was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance number illustrating the ballroom dance. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco.

The word Carioca refers to inhabitants of Rio de Janeiro.

Astaire and Roger's short dance has historical significance, as it was their first screen dance together. Though billed fourth and fifth, many felt they stole the film, which became a big hit for RKO. The song was nominated for the Academy Award for Best Original Song at the 7th Academy Awards, but lost to an even bigger Astaire and Rogers production number, The Continental from The Gay Divorcee (1934), their next film together and their first starring vehicle. They were billed by RKO as The King and Queen of 'The Carioca.'

While the song has become a jazz standard, the dance did not have longevity. Following the success of Flying Down to Rio, an attempt was made to propagate it as a new ballroom dance, without much success. It was a mixture of samba, maxixe, foxtrot and rhumba. The distinctive feature of the dance â?? at least as portrayed in the movie â?? was that it was to be danced with the partners' foreheads touching.

A French cover of the song was introduced in the comedy movie La Cité de la Peur (1994) along with a dance, also meant in a humoristic way. Both the song and the dance appear in the film that takes place in Cannes during the Cannes film festival in France, and have become a reference for a whole generation in France. 25 years later, in May 2019, the Carioca scene of the movie was celebrated in Cannes with a flashmob dance and by the actors themselves who danced again the mythic scene included in La Cité de la Peur.

The Carioca
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Caetano Velosa
$15.00 14.27 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1393584

By BeBe and CeCe Winans. By Buffy Sainte-Marie, Jack Nitzche, and Will Jennings. Arranged by Peet du. Film/TV. 12 pages. Peet du Toit #977042. Published by Peet du Toit (A0.1393584).

Up Where We Belong is a song written by Jack Nitzsche, Buffy Sainte-Marie and Will Jennings that was recorded by Joe Cocker and Jennifer Warnes for the 1982 film An Officer and a Gentleman. Warnes was recommended to sing a song from the film because of her previous soundtrack successes, and she had the idea for the song to be a duet that she would perform with Cocker. Jennings selected various sections of the score by Nitzsche and Sainte-Marie in creating the structure of the song and added lyrics about the struggles of life and love and the obstacles in the way that we attempt to dodge. It was released in July of that year to coincide with the release of the film.

The song reached number one on the Billboard Hot 100 in the US and topped the charts in several other countries. It also sold more than one million copies in the US and was recognized by the Recording Industry Association of America as one of the Songs of the Century. Cocker and Warnes were awarded the Grammy for Best Pop Performance by a Duo or Group with Vocals, and Nitzsche, Sainte-Marie, and Jennings won both the Academy Award and Golden Globe Award for Best Original Song.

In 1984, the gospel duo BeBe & CeCe Winans recorded a religious variation of the song that received airplay on Christian radio stations, and their remake in 1996 earned them a GMA Dove Award. Various versions of the song have also been used to parody the final scene of the film on television shows such as Family Guy, The Simpsons, and South Park. The fact that the song is a ballad was seen as a misstep in Cocker's career, which had been built on performing rock and soul.

The lyrics tell of the struggles of life and love and the obstacles in the way that we attempt to dodge..

Up Where We Belong
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
BeBe and CeCe Winans
$19.00 18.07 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet - Level 3 - Digital Download

SKU: A0.1162338

Composed by Edward Madden, Gus Edwards. Arranged by Bill Wilson. 20th Century. 22 pages. Alexander Wilson #762699. Published by Alexander Wilson (A0.1162338).

Levee Lou, by Edward Madden and Gus Edwards, is a delightful pre-World War I tune.  Our arrangement includes the original tune itself (primarily featuring the first trumpet), plus solo sections featuring each of the rest of the brass players. Arranged for brass quintet (two Bb trumpets, French horn, trombone, tuba) and optional drum set.  Contact us at https://www.tootsuitebrasspublishing.com/about-us about the availability of additional transpositions.  Performance time is approximately 3:00.  Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

Levee Lou
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$4.00 3.81 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1393231

Composed by Jon Green. Arranged by Jack Peberdy & Peet du Toit. Pop,Standards. 20 pages. Peet du Toit #976714. Published by Peet du Toit (A0.1393231).

When I Fall in Love is a popular song, written by Victor Young (music) and Edward Heyman (lyrics). It was introduced in Howard Hughes' last film One Minute to Zero as the instrumental titled Theme from One Minute to Zero. Jeri Southern sang on the first vocal recording released in April 1952 with the song's composer, Victor Young, handling the arranging and conducting duties. The song has become a standard, with many artists recording it; the first hit version was sung by Doris Day released in July 1952.

Day's recording was made on June 5, 1952. It was released by Columbia Records as catalog number 39786 and issued with the flip side Take Me in Your Arms. The song reached number 20 on the Billboard chart.

A 1996 recording by Natalie Cole, sung as a duet with her father Nat King Cole using vocals from his 1956 version, won 1996 Grammys for Best Pop Collaboration with Vocals and Best Instrumental Arrangement with Accompanying Vocal(s).

Lovely chord progressions here! Great arrangement by Jack Peberdy. The essence captured here for brass quintet. Please use brushes as indicated.  Enjoy!

When I Fall In Love
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$22.00 20.93 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download

SKU: A0.1149132

By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132).

A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!

Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.

The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.

History:

Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.

The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.

Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.

Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.

The Sunflower controversy:

Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.

Hello, Dolly!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Louis Armstrong
$15.99 15.21 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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