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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.768520 Composed by Victor Ewald. Arranged by Roar Kvam. 20th Century. 204 pages. KVAMusic Edition #6424311. Published by KVAMusic Edition (A0.768520). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition. As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields.Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba). Roar Kvam, Fossbrekka, April 14, 2020
Ewald: Quintet No. 4 for Brass instruments
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$40.00 34.49 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1461101 Composed by Porter Steele and Walter Melrose. Arranged by Will Corbin. Jazz,Standards. 22 pages. Will Corbin #1040011. Published by Will Corbin (A0.1461101). This 1901 Dixieland standard was a favorite of my father's, so I arranged it for him to hear our brass quintet perform it. This chart is based on an old stock that had some pretty crazy licks, particularly for the horn part. It's one of the earliest examples of New Orleans-style Dixieland, famous for a pioneering clarinet solo in its earliest days.If you prefer alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
High Society
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 12.94 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1148566 Composed by Anonymous. Arranged by Max Rutledge. Chamber,Classical,Early Music,Multicultural,World. 13 pages. Max Rutledge #748728. Published by Max Rutledge (A0.1148566). This piece is one of the first examples of a round that we have to date. Composed in the 13th century, this piece was originally written in Middle English for voices. Although speculated to have been written by composer W. de Wycombe, it is not certain who originally wrote this round. This upbeat piece has been arranged for brass quintet with added countermelodies in the low brass and French horn. As a lighthearted piece, this arrangement is sure to be a fun tune for both audience and performers.
Sumer Is Icumen In
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 12.94 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
Ben Hur Chariot Race March
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano This was to become one of many marches and parlour piano compositions by 'E
$12.00 10.35 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1318153 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Patriotic. 10 pages. RayThompsonMusic #906857. Published by RayThompsonMusic (A0.1318153). Arranged symphonic brass quintet.I Vow to Thee, My Country is a British patriotic hymn, created in 1921, when music by Gustav Holst had a poem by Sir Cecil Spring Rice set to it. The music originated as a wordless melody, which Holst later named Thaxted, taken from the Jupiter movement of Holst's 1917 suite The Planets. The tune is used forWorld in Union – the anthem with lyrics by Charlie Skarbek, introduced at the 1991 Rugby World Cup.It has been used for many other Christian Hymns.Notable examples are:O God Beyond All Praising – Michael Perry, 1982.We Praise You and Acknowledge You, O God – a paraphrase of the Te Deum Laudamus by Stephen P. Starke in the 2006 Lutheran Service BookThe Answer – song with lyrics by Corrinne May, which appears on her fourth album, The Gift.For the Splendor of Creation – a hymn sung at Harvard Universitycommencement ceremonies.Building the Kingdom – a recessional hymn sung at St Aloysius College.O Spirit All-Embracing – Delores Dufner, 1995.This is my arrangement for brass quintet of Gustav Holst's orchestral arrangement.It has an opening section, before the melody begins.Check out my other Holst brass arrangements including Christmas Day and In the Bleak Midwinter
Holst: I vow to thee my country (Thaxted) - brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$7.95 6.86 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy.  By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s.  But he also found time to write melodies for a whole raft of popular songs.  Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot.  One was It Had to Be You, with words by Gus Kahn.     Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary.  It remains popular and has evolved into a jazz standard.     This brass quintet version retains the original key of G Major.  It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus.  At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F.  Trumpet 2 quickly joins and the melody changes to an upper brass trio.  The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F.  The section winds up  with the original Trumpet-Horn-Tuba combination.     The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass.  As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.     Rehearsal letter D marks the beginning of the chorus’ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion.  The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end.  (Although, a good time is had by all!)     Performance time is about three minutes, fifty seconds.  All notes are within the normal playing range of each instrument with the following exceptions:  (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.     The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
It Had to Be You
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s   But he also found time to write melodies for a whole raft of popular songs
$12.99 11.2 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1317480 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 28 pages. Matthew Nunes Music #906146. Published by Matthew Nunes Music (A0.1317480). Dedicated to Secretary of State John Milton Hay, The Diplomat was apparently composed over one of the best tenderloin steaks Sousa ever had. It is one of a few Sousa marches where, with the right emphasis, a different character jumps off the page. It is also highly nuanced, for example the added hits in the repeat of the Final Strain. Special interest may be directed to the tuba part, which is incredibly active throughout. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Diplomat was composed in 1904, and the referenced edition was made Public Domain in 2018. The piece is catalogued as Volume 4, No. 63.
The Diplomat
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$1.99 1.72 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1237416 Composed by Johannes Brahms. Arranged by F. Leslie Smith. 19th Century,Chamber,Classical,Romantic Period,Wedding. 51 pages. Sweetwater Brass Press #832340. Published by Sweetwater Brass Press (A0.1237416). “Fast and Playful,†a jolly mix of fanfares and quieter, more lighthearted sections, packs impish drollery and escapades into one fun-filled piece.  Based on “Allegro giocoso,†the delightful third movement of Brahms Symphony No. 4, this arrangement was especially created for brass quintet.  It preserves the fun and whimsicality of the original but translates that into a form accessible for brass instruments.  Changes involve octaves and rhythmic figures, but melodic themes, sections, period order and key signature remain the same.      Completed in 2023, performance time at the suggested tempo runs about 6 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
Fast and Playful (Symphony No. 4, in E minor, Op. 98: Allegro giocoso)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$6.99 6.03 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble,Brass Quintet - Level 2 - Digital Download SKU: A0.774875 Composed by Luigi Cervi. Arranged by Bill Wilson. Sacred. Score and parts. 17 pages. Alexander Wilson #518077. Published by Alexander Wilson (A0.774875). Luigi Cervi's Regina Coeli is a splendid example of early 20th century retro sacred music. This hymn-like tune combines delightful melody and harmony with just enough of the occasional harmonic surprise to intrigue the audience. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba).  Performance time is approximately 2:10.  Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
Regina Coeli
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$4.00 3.45 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church.  Joseph was in the process of writing a song but needed lyrics to go with his melody.  Henry obliged by writing a longish poem about the love of his life, Ella Blocksom.  She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart.  Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.”  Chicago’s Higgins Brothers published the song in 1857, and it became widely popular.  When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind.       J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded.  In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original.  You’ll find it a pleasure to play and a real crowd pleaser for audiences.     This composition is 201 measures in length.  It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141).  Initial tempo marking is Adagio, increasing to Moderato at section C.  There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing.     The introduction is 21 measures in length.  It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto.  In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression.       At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles.       The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme.     Performance time is about eight minutes, forty seconds.  Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument.     The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
Lorena: A Brass Quintet Setting
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$6.99 6.03 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1354866 Composed by Traditional. Arranged by BRIAN W. COPPING. Folk,Hanukkah,Jewish,Traditional. 19 pages. EMK Music #939570. Published by EMK Music (A0.1354866). Scored for 2 Trumpets (Bb Cornet/Flugel Horn), Horn in F, Trombone/Euphonium and Tuba.  There are alternative parts for Eb and Bb Horns (Trombone), Bb Trombone in Treble and Bass Clefs and Bb and Eb Tuba in Treble and Bass Clefs.  ‘Hava Nagila’ is an integral part of Jewish culture and it is appropriate that this arrangement would be played in the style and with the inflections of, for example, the 'Klezmer' Clarinet tradition. Although there are lyrics, the tune has gained considerable  wider  universal popularity as a dance that moves inexorably to an exciting and  exhausting climax.
HAVA NAGILA – BRASS QUINTET
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$14.00 12.07 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet - Level 3 - Digital Download SKU: A0.1243419 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Opera,Romantic Period. 15 pages. Woods Only, Arrangements #838384. Published by Woods Only, Arrangements (A0.1243419). This adaptation was intended for a small group of brass quintet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests.The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
Symphony No. 5 by Beethoven for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$9.99 8.62 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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