Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!     Anyway, that’s the gist of the “Toot, Toot, Tootsie!� lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.    This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane� at measure 141.)Lots of fun!    Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

By Vangelis. Arranged by Diego Marani. Score, Set of Parts. 14 pages. Published by Diego Marani (H0.210223-126700). - Score,Set of Parts - - Diego Marani

Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.717642 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Nathan Deverill. Jazz,Standards. 27 pages. Nathan Deverill #326052. Published by Nathan Deverill (A0.717642). Caravan is one of Duke Ellington’s most popular tunes out of his vast repertoire. It was first recorded in a session under the leadership of Barney Bigard in 1936, although the band was essentially comprised of Duke Ellington’s Orchestra. There are a few versions of Caravan, with the B section being subjected to change compared to the original tune. Caravan has found its way into the film world, being featured in two Woody Allen films: Alice, and Sweet and Lowdown. It’s most notable appearance in films is definitely from the 2014 film Whiplash, where it forms an important plot element. This arrangement is an example of easy/medium brass quintet repertoire and works well as a light, set-filler.

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.�The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session� the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam� Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues� was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues� was one of his nightly features with Satch’s ensemble along with “Tea for Two.� Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,� etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,� featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Brass Quintet - Level 4 - Digital Download SKU: A0.1489504 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Children,Classical,Film/TV. 72 pages. Https://gildedmusicpress.com/ #1066367. Published by https://gildedmusicpress.com/ (A0.1489504). Alfredo’s Demise was completed on 29 Dec 2023. Alfredo was a snowman built after a late spring snowstorm. The first half underscores time lapse footage of the rapidly melting snowman, syncing precise sforzando punctuations to moments of falling chunks. The sunset remains were gleefully decimated by our six-year-old James.Shuttle from Haneda depicts a delayed return from a trip. The video elicited an atonal compositional style to underscore the hustle and chaos of a city as enormous as Tokyo, but with a lovely view of the Bay about midway through the work.Petite Wave was composed to accompany a time lapse hanging of a three-panel canvas print of the woodcut art “The Great Wave off Kanagawa” by Japanese artist Katsushika Hokusai in 1831. This art was featured on the cover of Claude Debussy’s “La Mer” when it was published in 1905, prompting a quote from “La Mer.”Fast Food to Fitness aurally illustrates a pan of nine fast food ads on a sheet. The bottom ad ironically promotes “BeFit 360”.  The music has a series of exciting flourishes that morph into a sinister chord as the last ad dampens the caloric prospects.Pigeons personifies a substantial flock of pigeons contentedly pecking at grass. I filmed while slowly approaching, occasionally causing a stir. The nervous flock took flight to find less threatening spot of ground to peck. The scene presented some fine opportunities for musical underscoring.Blue Snowman Group accompanies a rare Tokyo storm that dumped inches of wet packing snow. When my ten-year-old started rolling the base of a snowman, I whipped out my cell phone and started a time lapse video. Mom came out and built her own, armed with a spray bottle of colored water. The two snowmen turned blue in the cold and lived happily together for a couple of days.Autumn Fuji Puzzle undersores tightly crafted moments of puzzle-working and deconstruction.Outing in Japan was crafted to highlight key moments of a time lapse, running errands in northwest Tokyo.  Many subtle and obvious moments in this work aurally augment visually stimulating moments, including blinking turn signals, passing traffic, turns, vehicle approaches, parking at destinations, and many more.

Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.

Brass Quintet - Level 4 - Digital Download SKU: A0.1306227 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Kenneth Abeling. Film/TV,Jazz. 18 pages. LINCOLN MUSIC PUBLICATIONS #895618. Published by LINCOLN MUSIC PUBLICATIONS (A0.1306227). They Can’t Take That Away from Me, music by George Gershwin and lyrics by Ira Gershwin arranged for Brass Quintet. This is an intermediate to advanced intermediate level arrangement of the Academy Award nominated song introduced by Fred Astaire in the 1937 film Shall We Dance. It has been featured in several other Broadway musicals, films and covered by numerous recording artists as well. The playing time is approximately 3:30. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.

Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1473676 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Traditional. 49 pages. Jmsgu3 #1051393. Published by jmsgu3 (A0.1473676). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1392839 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Peet du Toit. Broadway,Musical/Show. 12 pages. Peet du Toit #976363. Published by Peet du Toit (A0.1392839). You Are My Lucky Star is a song originally written for the 1935 film Broadway Melody of 1936 by Nacio Herb Brown and Arthur Freed. The song was also featured in the 1952 film Singin' in the Rain sung by Betty Noyes as Kathy Selden and Gene Kelly as Don Lockwood.LyricsYou are my lucky starI saw you from afarTwo lovely eyes at me they were gleamingBeaming I was star struckYou're all my lucky charms I'm lucky in your armsYou've opened heaven's portal here on earth for this poor mortalYou are my lucky starYou are my lucky starI saw you from afarIf Garbo is a glamorous creatureYou're a four star featureThough you are never seenUp on a movie screenYou are my Shearer, Crawford, Hepburn, Harlow and my GarboYou are my lucky starSo, the Brass Quintet version hereof is available for your to play and enjoy.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1367551 By Yann Tiersen. By Yann Tiersen. Arranged by Jhonatan Lucio Viana. Classical,Film/TV,Holiday,Multicultural,Thriller,World. 13 pages. JLVPartitura #951913. Published by JLVPartitura (A0.1367551). Immerse yourself in the melody of Comptine d'un autre été L'après-midi with this sheet music designed for an ensemble. Crafted for a Brass Quintet this arrangement is tailored for those with Easy Intermediate skills:  Trumpet in Bb 1, Trumpet in Bb 2, Horn in F, Trombone and Tuba. Allow the essence of the film Amélie directly to your fingertips. Seize the moment, create memories, and make this musical masterpiece yours today. Key Features:- Song title: Comptine d'un autre été L'après-midi- Instrumentation: Trumpet in Bb 1, Trumpet in Bb 2, Horn in F, Trombone and Tuba- Score format: Brass Quintet- Difficulty level: Easy Intermediate- Genre: Film/Soundtrack/Musical/Holiday/Classical- Featured in the movie Amelie-Includes a full score and individual parts for each instrumentIt is with great pleasure that I present an exclusive offer to enhance your musical experience. Upon purchasing the sheet music of your choice, I invite you to explore my extensive database, accessible through the website by entering my name: Jhonatan Lucio Viana. There, you will find a variety of thoughtfully crafted arrangements for various instruments, all at affordable prices. I appreciate your preference and look forward to the opportunity to further enrich your musical journey.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1367553 By Yann Tiersen. By Yann Tiersen. Arranged by Jhonatan Lucio Viana. Classical,Film/TV,Holiday,Multicultural,Thriller,World. 13 pages. JLVPartitura #951915. Published by JLVPartitura (A0.1367553). Immerse yourself in the melody of Comptine d'un autre été L'après-midi with this sheet music designed for an ensemble. Crafted for a Brass Quintet this arrangement is tailored for those with Easy Intermediate skills:  Trumpet in Bb 1, Trumpet in Bb 2, Horn in F, Trombone and Tuba + Chords. Allow the essence of the film Amélie directly to your fingertips. Seize the moment, create memories, and make this musical masterpiece yours today. Key Features:- Song title: Comptine d'un autre été L'après-midi- Instrumentation: Trumpet in Bb 1, Trumpet in Bb 2, Horn in F, Trombone and Tuba + Chords- Score format: Brass Quintet + Chords- Difficulty level: Easy Intermediate- Genre: Film/Soundtrack/Musical/Holiday/Classical- Featured in the movie Amelie-Includes a full score and individual parts for each instrumentIt is with great pleasure that I present an exclusive offer to enhance your musical experience. Upon purchasing the sheet music of your choice, I invite you to explore my extensive database, accessible through the website by entering my name: Jhonatan Lucio Viana. There, you will find a variety of thoughtfully crafted arrangements for various instruments, all at affordable prices. I appreciate your preference and look forward to the opportunity to further enrich your musical journey.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104718 Composed by Allen Toussaint, Alvin Tyler, Freddy Friday, and Marilyn Schack. Arranged by David J. Miller. 20th Century,Chamber,Contemporary,Film/TV,Jazz. 15 pages. Sterling Music Editions #707950. Published by Sterling Music Editions (A0.1104718). Originally released in the late 1950's, Al Hirt's version of Java propelled this song into popularity with his 1964 release. He won a Grammy Award later that same year, and the song was featured on The Muppet Show numerous times. This version for brass quintet features both trumpet players with soloistic passages, and is a welcome addition to your next concert.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. Arranged by Peet du Toit. Folk,Pop. 9 pages. Peet du Toit #992996. Published by Peet du Toit (A0.1410576). (The) Carioca is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film Flying Down to Rio. It was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance number illustrating the ballroom dance. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco.The word Carioca refers to inhabitants of Rio de Janeiro.Astaire and Roger's short dance has historical significance, as it was their first screen dance together. Though billed fourth and fifth, many felt they stole the film, which became a big hit for RKO. The song was nominated for the Academy Award for Best Original Song at the 7th Academy Awards, but lost to an even bigger Astaire and Rogers production number, The Continental from The Gay Divorcee (1934), their next film together and their first starring vehicle. They were billed by RKO as The King and Queen of 'The Carioca.'While the song has become a jazz standard, the dance did not have longevity. Following the success of Flying Down to Rio, an attempt was made to propagate it as a new ballroom dance, without much success. It was a mixture of samba, maxixe, foxtrot and rhumba. The distinctive feature of the dance â?? at least as portrayed in the movie â?? was that it was to be danced with the partners' foreheads touching.A French cover of the song was introduced in the comedy movie La Cité de la Peur (1994) along with a dance, also meant in a humoristic way. Both the song and the dance appear in the film that takes place in Cannes during the Cannes film festival in France, and have become a reference for a whole generation in France. 25 years later, in May 2019, the Carioca scene of the movie was celebrated in Cannes with a flashmob dance and by the actors themselves who danced again the mythic scene included in La Cité de la Peur.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1476064 Composed by Michael Giacchino. Arranged by Diego Marani. Film/TV,Instructional,Jazz,Latin,Standards. 21 pages. Diego Marani #1053614. Published by Diego Marani (A0.1476064). Ratatouille is the second Pixar film to be scored by Michael Giacchino after The Incredibles. The scores feature a wide range of instrumentation and are influenced by various music genres. In addition to the score, Giacchino wrote the main theme song, Le Festin, about Remy and his dream to be a chef. French artist Camille (who was 29 at the time of the film's release) was hired to perform Le Festin after Giacchino listened to her music and realized she was perfect for the song; as a result, the song is sung in French in almost all versions of the film. The soundtrack album was released by Walt Disney Records on June 26, 2007.This arrangement for brass quintet (duration ca. 5:00) includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba. Is suitable for any occasion: repertoire, classroom, recital.