Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1352197

By Joseph C. Bridge. By Joseph C. Bridge. Arranged by Andrew Lamb. 19th Century,Praise & Worship,Sacred. 35 pages. Andrew Lamb #937029. Published by Andrew Lamb (A0.1352197).

🎺 Immerse your audience in the timeless beauty of 'Song of Peace' with this stunning Brass Quintet adaptation by Joseph C. Bridge! 🎶 This arrangement caters to a versatile ensemble, allowing you to showcase your musical prowess with instruments ranging from Trumpets and Cornets to French Horns, Trombones, and Tubas. 🎺📯 The medium difficulty level ensures an engaging challenge for performers, making it a perfect choice for concerts, recitals, or even a solemn Ordination Church Service. 🕊�✨

Whether you're drawn to the majestic tones of the French Horn or the powerful resonance of the Trombone, this arrangement accommodates various instrument choices for each part. 🎺🎷📯 The harmonious blend of brass instruments brings out the essence of peace, making it a captivating addition to any program.

Unleash the expressive potential of your ensemble with this carefully crafted adaptation that captures the spirit of the original composition. 🌟 Elevate your performance and leave a lasting impression with the rich, melodic layers that 'Song of Peace' provides. 🎵

Bring a touch of serenity to your musical repertoire—this arrangement is not just a performance; it's an experience. Order your sheet music today and let the brass harmony resonate with the hearts of your audience. 🎼✨

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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1344127

By Various. By J.S. Bach (1685-1750). Arranged by Joseph Pugh. Baroque,Chamber,Classical. 9 pages. Joseph Pugh #929609. Published by Joseph Pugh (A0.1344127).

J.S. Bach was a remarkable member of a family of musicians. This is an arrangement of one of his many 
famous and popular works arranged for Brass by, Joseph Pugh.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download

SKU: A0.1468129

Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129).

In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church.  Joseph was in the process of writing a song but needed lyrics to go with his melody.  Henry obliged by writing a longish poem about the love of his life, Ella Blocksom.  She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart.  Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.”  Chicago’s Higgins Brothers published the song in 1857, and it became widely popular.  When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind.  
     J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded.  In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original.  You’ll find it a pleasure to play and a real crowd pleaser for audiences.
     This composition is 201 measures in length.  It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141).  Initial tempo marking is Adagio, increasing to Moderato at section C.  There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing.
     The introduction is 21 measures in length.  It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto.  In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression.  
     At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles.  
     The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme.
     Performance time is about eight minutes, forty seconds.  Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument.
     The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1126280

Composed by Frederic Chopin(1810-1849). Arranged by Joseph Pugh. Baroque,Chamber,Classical. 6 pages. Joseph Pugh #726983. Published by Joseph Pugh (A0.1126280).

Frédéric Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys. In addition, Chopin wrote three other preludes: a prelude in C♯ minor, Op. 45; a piece in A♭ major from 1834; and an unfinished piece in E♭ minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively. This No.28, a favorite for many, is here transcribed and arranged by Joseph Pugh for the Brass Quintet. Download today at a reduced price.

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1494842

Composed by Jan Zelenka. Arranged by Joseph Judge. Chamber,Classical. 20 pages. School Ensemble Music #1071409. Published by School Ensemble Music (A0.1494842).

From Sonata VI in C minor, ZWV 181,6. Music by Jan Dismas Zelenka is known for being daring, spirited, and complex. His works are sometimes difficult to perform, but always fresh and surprising, with sudden turns of harmony. In particular, his writing for bass instruments is far more demanding than that of other composers of the early 1700s.
Duration - 3:33
Parts - Trumpet, Trumpet, Horn, Trombone, Tuba.
For a full list of arrangements by Joseph Judge, please visit SchoolEnsemble.com. Most are available for multiple ensembles: brass, string, woodwind, saxophone, clarinet.

Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1145313

Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313).

Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition. 

Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule für Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. 

“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!�   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music

“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.�  Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind Ensemble

The Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. 

See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series� in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1415152

Composed by L. v. Beethoven. Arranged by CBQarrangements. Classical. 46 pages. CBQarrangements #996887. Published by CBQarrangements (A0.1415152).

Arrangement for Brass Quintet

Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig. It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found to be from 1795. 
The symphony is clearly indebted to Beethoven's predecessors, particularly his teacher Joseph Haydn as well as Wolfgang Amadeus Mozart, but nonetheless has characteristics that mark it uniquely as Beethoven's work, notably the frequent use of sforzandi, as well as sudden shifts in tonal centers that were uncommon for traditional symphonic form and the prominent, more independent use of wind instruments.

Approx run time 7m22s.

Brass Quintet - Level 3 - Digital Download

SKU: A0.1372446

By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical. 4 pages. Peet du Toit #956746. Published by Peet du Toit (A0.1372446).

Franz Peter Schubert (German: [f�ants ˈpe�t� ˈʃu�b�t]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art songs Erlkönig, Gretchen am Spinnrade, Ave Maria; the Trout Quintet, the unfinished Symphony No. 8 in B minor, the Great Symphony No. 9 in C major, the String Quartet No. 14 Death and the Maiden, a String Quintet, the two sets of Impromptus for solo piano, the three last piano sonatas, the Fantasia in F minor for piano four hands, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin, Winterreise and Schwanengesang.

Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis.

Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers in the history of Western classical music and his work continues to be admired and widely performed.