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Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
Ben Hur Chariot Race March
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano This was to become one of many marches and parlour piano compositions by 'E
$12.00 11.43 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158419 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy,Contemporary. 31 pages. Https://gildedmusicpress.com/ #758705. Published by https://gildedmusicpress.com/ (A0.1158419). This piece was inspired by a post-concert reception with the Sioux City Symphony to which all musicians, season ticket holders, and other select guests were invited. As I found a place to sit down and geek out with some fellow trumpeters, a group of concertgoers began to gather at the adjacent table. Each guest that joined that animated group added more character until they had spilled over into our small gathering. Their conversations also spilled over, including a couple of mild warnings about one final guest who would be joining us, who had already had just a bit too much to drink. Of course, she sat by me—a seasoned Brit with an easy-going love of life. During the course of the evening, several pairs of glasses made their way out of her purse and onto her head. Her friend asked me to take her picture and send it to her. That dignified portrait, textured and filtered with color highlights, became the cover to this work. “Concertgoers†is a musical soundtrack to that memorable evening with the unforgettable group of concertgoers. It begins with the motivic intro in the horn that becomes the main melodic content throughout the work which repeats in allusion to concertgoers joining the festivities one by one until the party blooms in full. Quirky and fun, this piece paints a fitting aural picture of the cacophonous reception and varied chatter of the evening. The use of chromaticism provides much of the quirkiness, along with the use of mixed meter for some of the varieties of that night of entertainment. These modern compositional techniques challenge a good college-level quintet, though it is accessible to the musicians and listenable to the average concertgoer. To program it on a brass quintet concert or recital aptly tips the hat in acknowledgement of the audience, as it is a dedicated piece just for them!
Concertgoers (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$24.95 23.77 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages. Https://gildedmusicpress.com/ #758471. Published by https://gildedmusicpress.com/ (A0.1158195). A hypercube is a theoretical cuboid-like fourth-dimensional object. In an attempt to explain spatial dimentions, I created an 18-minute video presentation titled “Dimensions Unfurled†exposing some initial fallacies of common thought, which can be seen on YouTube. All of the music for the above-mentioned video is original. There are two trumpet duets in the section that depicts a hypercube net folding into a hypercube model, starting at 13’20†and 14’51, respectively. Both duets are published in a collection titled “Fifteen-Course Dinner for Two†(available through Gilded Music Press). The two duets share thematic material, and are combined and greatly expanded for this present major six-minute work for brass quintet, “Building a Hypercubeâ€. The first short duet, “Drawing a Hypercube Netâ€, is presented as the quintet’s introduction, quite faithfully to the original, shared through five parts with harmonic expansion. The material from the second duet is essentially unadulterated starting at measure 27, spanning through measure 70 (up to letter D). From there, the development of thematic material is extensive and interesting, morphing into Escher-types of additional themes and melodies, many of which overlap and intertwine in a fascinatingly complex manner. This unsettling compositional style is indicative of years of profound pondering to fathom the mysterious matter of the fourth spatial dimension. Musically the piece is motivically and thematically unified. All the parts share in the rhythmic complexity fitting for the ponderous topic. The form is roughly sonata form with an introduction and coda, though the recapitulation (Del Segno) occurs in its original key. The majority of the piece (about three minutes, almost exactly half) is the symbolically explorative development section, from D to O. A point of interest: in spite of the piece’s high harmonic rhythm, the introduction is diatonically modal (G Mixolydian). The exposition, after a brief building transition, shifts to the relative D Dorian mode. The lengthy development section shifts tonal centers throughout, visiting various major and minor keys. Beginning at letter O, modality returns for a smooth transition into the recapitulation. The piece ends with an exhilarating coda.
Building a Hypercube (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$29.95 28.53 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158418 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 31 pages. Https://gildedmusicpress.com/ #758704. Published by https://gildedmusicpress.com/ (A0.1158418). Some of my fondest memories as a child were made during long, uncomfortable road trips. As a father, similar memories with my children are among my warmest. This three-and-a-half-minute piece of music aptly tells the title’s story. The excitement leading up to the anticipated day of departure is electric! The opening fanfare-ish intro reflects this buzz well. It is followed by a quirky rhythmic section as “helpful†kids load their poorly packed bags full of unnecessary items awkwardly into the vehicle. The fanfare returns as the family hits the road at last. As the rest of the music unfolds, imagine the alphabet game, off-key songs sung at the top of everyone’s lungs, rest stops (emergency or otherwise), spilled food, car problems, drowsiness, souvenirs, car sickness, and of course ultimate arrival at planned destinations. This soundtrack to a fun part of life can be anyone’s road trip! Work on this composition began on September 19, 2021 as a thoroughly sketched out fanfare in my manuscript notebook during a church youth activity in a park. It remained in that state until I contracted Covid-19 in July 2022 and was confined to a hotel room for a week. There, I entered this sketch into the computer, along with a dozen others. Throughout the summer, all of these works received some attention, but this one more than the rest. Much of the final work on “Road Trip†took place during a trip to Philadelphia.
Road Trip (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$24.95 23.77 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158373 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 28 pages. Https://gildedmusicpress.com/ #758654. Published by https://gildedmusicpress.com/ (A0.1158373). “Fly, fight, win!†The American bald eagle! The Air Force logo, with its stylized eagle wings! And of course, the awe-inspiring aircraft F-15 Eagle. During the compositional process, images of the F-15 made this work a rousing soundtrack for an imaginary three-minute awesome airpower video! The difficulty level is advanced, with little rest for the trumpets and horn. However, it is short enough to be playable in most any concert or recital setting. It is a rousing crowd-pleaser, especially with the proper introduction.
Eagle Wings (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$19.95 19.01 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet - Level 4 - Digital Download SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress.com/ #1066386. Published by https://gildedmusicpress.com/ (A0.1489523). Dimension Traveler, Op. 150, for brass quintet was completed 26 Mar 2024.  When I wrote the first few distinctive notes into the computer, my ten-year-old son said that it sounded “futuristic.”  Somehow that sparked memories of a novel I had started years ago, titled “Dimension Traveler,” based on dimensional theories I had developed.  With that fresh inspiration in mind, the piece wrote itself with opening movie credits in mind.The form is thematically palindromic, the center point being m. 77.  The beginning to rehearsal letter A mirrors K to the end; A to B is parallel to J-K; B-C = I-J; C-D = H-I; D-E = G-H; and the central thematic sections E-F = F-G.  Concerning that central turning point, the thematic material shifts from the trumpets’ first statement at letter E to low brass with the trumpets taking on the pointillistic accompaniment at letter F.  Of interest is the parallel of C-D and H-I wherein the motivic material, including dynamics, is quite literally reversed note for note to a climax.For aural aesthetics in performance, there is an optional cut from letter K to m. 142.  Thematically, the structure remains chiastic, but taking the cut simply truncates the end for a motivic flavor rather than repeating the entire opening entrée.  There is nothing wrong with purists performing the work in its entirety—it is simply a matter of taste among the performing ensemble members.Stylistically, this piece strays far from my typical compositions.  Besides the pervasive echoing eighth-note motifs, the key never changes, and there is no chromaticism.  Inspired in that regard by the masterpiece “Quintet” by Michael Kamen, the diatonicism often flows in planed clusters mildly influenced by the choral works of Eric Whitacre.  Another deviation from my well-established compositional habits is the instrumentation including bass trombone instead of tuba.  Of course the part can be played by a tubist, though the bass trombone meshes more seamlessly with the timbres of the other instruments in passing along the pervasively echoing eighth-notes.The individual brass parts appear deceptively simple, and indeed, they are not technically demanding besides a couple high notes in the trumpets.  However, putting this piece together in an ensemble setting is rhythmically treacherous!The four-minute final product indeed sounds like it could be the opening to an epic movie of the same title, based on the novel-in-progress.
Dimension Traveler, Op. 150
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$24.95 23.77 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813942 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Concert,Instructional,World. Score and parts. 8 pages. Regis Bookshar #6631141. Published by Regis Bookshar (A0.813942). Brass Quintet - Intermediate - Digital Download. This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Brass Quintet, consisting of 3 Trumpets and 2 Trombones, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
O Christmas Tree (G) (Brass Quintet - 3 Trp, 2 Trb)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$5.00 4.76 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1253352 By Alain Boublil. By Claude-Michel Schonberg. Arranged by James Haynor. Broadway,Musical/Show. 11 pages. James Haynor #847067. Published by James Haynor (A0.1253352). “ I Saw Him Once is a song that appeared in the first English production of the musical Les Miserables in London.This arrangement of “ I Saw Him Once “ is scored for brass quintet. It is playable by intermediate players and makes a great ballad addition to any program. Although scored with flugelhorns, trumpets may of course be substituted.( Duration - 1:47 ) 
I Saw Him Once
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Alain Boublil
$12.99 12.38 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet - Level 2 - Digital Download SKU: A0.1255014 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. 8 pages. Woods Only, Arrangements #848603. Published by Woods Only, Arrangements (A0.1255014). This simple arrangement adapted for brass quintet was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
Minuet by Boccherini for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$9.99 9.52 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .   Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.      Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).       Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio Machín on the vocal; its sales may well have been more than the million-plus sheet music copies sold.       English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.      Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.     This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)       Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
The Peanut Vendor (el Manisero)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Stan Kenton & His Orchestra
$12.99 12.38 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble - Level 2 - Digital Download SKU: A0.964567 Composed by Henry Purcell. Arranged by Betsy Bright. Baroque,Concert,Contemporary. Score and parts. 8 pages. Bright Music Company #6247011. Published by Bright Music Company (A0.964567). This heart-wrenching aria is adored by all audiences. Even without words, the melody is tragically beautiful and brings tears to the eyes of the listener. This brass quintet arrangement features the flugelhorn (or optional trumpet) as Dido. It is basic enough on the surface that it can be played by Level 2 ensembles. But of course it can be presented by professional ensembles with first rate artistic expression and it will be the highlight of any recital program.This piece is also short enough that it can fit beautifully into an education program without boring our younger listeners!Duration: about 2 minutes
Dido's Lament (Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$7.00 6.67 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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