Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759917 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 24 pages. Raymond Fenech #3453855. Published by Raymond Fenech (A0.759917). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This spiritual song is arranged for Brass quintet i.e. 2 Trumpets in B Flat, French Horn in F; Trombone/ Euphonium and Tuba and Optional Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.  

Brass Quintet - Level 2 - Digital Download SKU: A0.775149 Composed by George Gershwin. Arranged by Bill Wilson. Broadway,Musical/Show. 10 pages. Alexander Wilson #3529607. Published by Alexander Wilson (A0.775149). Master composer George Gershwin's On My Mind the Whole Night Long can be interpreted in a variety of ways. We present it here in a slow blues swing. While the melody is primarily played by the first trumpet, the other parts carry considerable countermelodic content. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:45. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1395309 By Monty Python. By Eric Idle. Arranged by Kayleigh Huelin. Broadway,Film/TV,Musical/Show. 9 pages. Kayleigh Huelin #978777. Published by Kayleigh Huelin (A0.1395309). A true classic from Monty Python's The Life of Brian and later Spamalot, 'Always Look on the Bright Side of Life' is a great piece to have in your repertoire - perfect for concerts, parties, funerals, crucifixions .... It will liven up any event! Arranged for brass quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.

Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1289635 By Ramseyer Radio Ministry. By S.E. Ramseyer. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Pop,Praise and Worship,Standards. 9 pages. Duration 51. J. Randolph Hall #3zzjy6dp3E9vO8PDp3dn8y. Published by J. Randolph Hall (A0.1289635). Key: C major.Ramseyer was a noted American radio pastor, musician, and composer. He and his wife broadcasted their music on the radio in the early part of the 20th Century. They also worked along side revivalists such as Billy Sunday and Oswald J. Smith. Sections A and C are the verse. Section B and D are the chorus. A modulation to a new key occurs at the end of section B with the aid of an Italian augmente sixth chord. A descant by yours truly is then added.

Brass Ensemble - Level 4 - Digital Download SKU: A0.1033395 Composed by Franklin L. Shepherd/Maltbie D. Babcock. Arranged by Peter McFarland. Christian,Sacred. Score and parts. 21 pages. Peter McFarland #6424163. Published by Peter McFarland (A0.1033395). This arrangement of This Is My Father's World offers an epic and beautiful rendition of the hymn for the brass quintet medium. A little over 4 and a half minutes and on the challenging side, collegiate level players will find this an effective and audience-pleasing piece for concerts or outreach gigs while an excellent high school group could flex their lyrical and technical chops with a performance of it. A decent brass quintet would also bless a church congregation with a special music performance of this piece. Contact Peter McFarland at pmcfhorn@gmail.com with any questions. (You know, in case you were wondering what instrument I play or something...)

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor� offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.�] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!� The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.

Composed by Philip Bliss (1838-1876) and Philip Bliss (1838-1876). Arranged by Todd Marchand. Christian, Gospel, Sacred. Score, Set of Parts. 15 pages. Published by Con Spirito Music (S0.180833). - Score,Set of Parts - Christian,Gospel,Sacred - Con Spirito Music

Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817127 Composed by Bedrich Smetana. Arranged by Charles Decker. 19th Century,Chamber,Contest,Festival,Romantic Period. 20 pages. Charles Decker Music Press #3561977. Published by Charles Decker Music Press (A0.817127). This brass quintet arrangement of the majestic and powerful Fanfare Prelude to Libusa Overture from 1881, composed for orchestral brass by Czech Bedrich Smetana, retains brass choir resonance with five performers. A very accessible work for students, doubling parts within your band and orchestra brass sections further enhances the impact of the fanfare. Trumpet parts in B-flat and C are included and a flugelhorn/trumpet substitute part for horn. The sound file is an actual brass quintet performance and not a computer playback of the score. See my orchestral brass section (4 tpts, 4 horns, 3 trbs, 1 tuba, timp) edition and my brass band version of this fanfare if considering using a larger brass group. See more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Press for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charls Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet editions use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.”  It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973.  After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences.  It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam.  What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities.  My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior.  During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.”  Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history.  They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs.  What an educational bridge of paradigms.  Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches.  That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination.  As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs.  For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells.  It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted.  Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013.  This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights.  This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam.  May this music contribute to a continuing growth of positive relations bridging the two nations.

Composed by Josef Franz Haydn. Arranged by Keith Terrett. Classical Period, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Casio (S0.110845). - Score,Set of Parts - Classical Period,World,European,Patriotic - Casio

Trumpet, Trombone, Tuba, Horn in F, Brass Quintet - Early Intermediate - Digital Download Arranged by Alessandro Macrì. Individual Part, Score, Set of Parts. 11 pages. Published by Music Macri Editions

By The Beach Boys. Arranged by Ray Thompson. Score, Set of Parts. 12 pages. Published by RayThompsonMusic (H0.134051-282380). - Score,Set of Parts - - RayThompsonMusic

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1006336 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Wedding. 8 pages. RayThompsonMusic #609739. Published by RayThompsonMusic (A0.1006336). And I Love Her is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership.It is the fifth track of their third UK album A Hard Day's Night and was released 20 July 1964, along with If I Fell, as a single release by Capitol Records in the United States, reaching No. 12 on the Billboard Hot 100.The Beatles performed And I Love Her just once outside EMI Studios; on 14 July 1964 they played it for an edition of the BBC's Top Gear radio show, which was broadcast two days later. And I Love Her has been covered by a variety of artists, including Esther Phillips, Kurt Cobain and Cliff Richard. Arranged brass quintet: 2 tpts, tbn,hn and tuba. The melody in both the verse and the chorus is shared amongst the 3 top instruments.Trumpet 1 plays the arpeggio figure.Other brass ensemble arrangements:A Hard Day’s Night Across the Universe All you need is love And I love her Because Blackbird Come Together Day Tripper Drive My Car Eleanor Rigby Getting Better Good Morning, Good Morning Hello Goodbye Here comes the Sun Hey Jude I am the Walrus I want to hold your hand Lovely Rita Lucy in the Sky Martha My Dear Penny Lane Sgt.Pepper’s Lonely Hearts Club band Something Strawberry Fields Forever Taxman The Fool on the Hill The long and Winding Road We can work it out When I’m Sixty- four With a little help from my friends Yellow Submarine Yesterday You tube is brass quartet version.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1373864 By Bobby Darin. By Paul Francis Webster and Sonny Burke. Arranged by Peet du Toit. Blues. 17 pages. Peet du Toit #958338. Published by Peet du Toit (A0.1373864). Black Coffee is a song with music by Sonny Burke and words by Paul Francis Webster. The song was published in 1948.It's first two measures are nearly identical to Mary Lou Williams' 1938 piece What's Your Story Morning Glory, and both songs share melodic motifs drawn from blues (including a strong melodic emphasis on the flat third and flat seventh intervals, known as blue notes). Williams felt that Burke and Webster plagiarized her composition, and reportedly considered taking legal action over the matter. The two songs have significant melodic and rhythmic differences after the first two measures of their respective 'A' sections, and Black Coffee has a unique bridge section that has no parallel in Morning Glory. However, during her piano solo, Williams plays both the identical feel and harmonies that appear on Black Coffee, with dominant chords moving up and down by half steps in lieu of staying on the tonic chord. While not a carbon copy, Burke and Webster arguably picked sections of What's Your Story Morning Glory to string together to create a new song. Coincidentally, jazz trumpeter Paul Webster (no relation to lyricist Paul Francis Webster) was given co-writer credit for Morning Glory by Williams when she published her song in 1938.My dear friend, Sam Harrill, has added his percussion magic some years later, and I am re-posting this for greater effect. Nothing in the brass parts changed. Thank you, Sam!