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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1462691

By Louis Armstrong & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by Will Corbin. Latin. 20 pages. Will Corbin #1041438. Published by Will Corbin (A0.1462691).

The Peanut Vendor (El Manisero) was written by Cuban composer Moises Simons in the late 1920s. The song sold a more than a million copies of sheet music and 78rpm records, and sparked rumbamania in the U.S. The National Recording Preservation Board recognizes it as the first American recording of an authentic Latin dance style. It has been covered in recordings something like 160 times, by Stan Kenton, Django Reinhart, Louis Armstrong, Dean Martin and many others.
This fairly simple arrangement is for two trumpets, horn, trombone and tuba. The tuba lays down a beat while the higher voices swap pieces of the melody. It ain't fancy, but it plays well.
If you want different instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.

The Peanut Vendor (El Manisero)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Louis Armstrong & His Orchestra
$15.00 14.41 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download

SKU: A0.1402823

Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823).

This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.
The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.

In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.
Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.
The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.
Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>
The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.
Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).

El Condor Pasa (If I Could)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 14.41 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1461571

By Paul Simon. By Paul Simon. Arranged by Will Corbin. Latin,Pop. 22 pages. Will Corbin #1040315. Published by Will Corbin (A0.1461571).

Here's a fun high-energy rendition of Paul Simon's 1980 hit. The original was rhythm-heavy with all kinds of drum activity; background horns fill in here, although you might want to bring along a couple of percussionist pals with a cowbell and other Afro-Latin-pop toys. The break strain was horns in the original. That part and the ending are tough; they require a very tight quintet.
If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

Late In The Evening
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Paul Simon
$15.00 14.41 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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