Brass Quintet - Level 2 - Digital Download SKU: A0.775282 Composed by Alex Belledna, Maceo Pinkard, and William Tracey. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #4747491. Published by Alexander Wilson (A0.775282). Tin Pan Alley composer Maceo Pinkard (of Sweet Georgia Brown fame) teamed up with lyricists William Tracey and Alex Belledna to write 'Tain't Nothin' Else But Jazz, a jazzy blues piece.   Our arrangement shares lead responsibilities across the trumpets and French horn. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:04. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

By Metallica. By James Hetfield and Lars Ulrich. Arranged by Natalie Goossens. 20th Century, Contemporary, Rock, Standards. Score and parts. 30 pages. Natalie Goossens #649178. Published by Natalie Goossens

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1279904 By Sinead O'Connor. By Prince. Arranged by David Lartey. Pop,Soul. 5 pages. David Lartey #871317. Published by David Lartey (A0.1279904).

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1379663 Composed by Robert Lowry. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred. 7 pages. Ben Dockery #964365. Published by Ben Dockery (A0.1379663). Arranged for brass quintet: two Bb trumpets, french horn, trombone, and tuba. Great for preludes, offertories, postludes, recitals, and lessons. Especially well-suited for Easter services. Includes score and parts.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.

Composed by public domain. Arranged by Jeff D. Anderson. Christian, Spiritual, Sacred, Wedding, Recital. 28 pages. Published by AnderKamp Music (S0.267931). - - Christian,Spiritual,Sacred,Wedding,Recital - AnderKamp Music

Brass Quintet - Level 4 - Digital Download SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress.com/ #1066386. Published by https://gildedmusicpress.com/ (A0.1489523). Dimension Traveler, Op. 150, for brass quintet was completed 26 Mar 2024.  When I wrote the first few distinctive notes into the computer, my ten-year-old son said that it sounded “futuristic.”  Somehow that sparked memories of a novel I had started years ago, titled “Dimension Traveler,” based on dimensional theories I had developed.  With that fresh inspiration in mind, the piece wrote itself with opening movie credits in mind.The form is thematically palindromic, the center point being m. 77.  The beginning to rehearsal letter A mirrors K to the end; A to B is parallel to J-K; B-C = I-J; C-D = H-I; D-E = G-H; and the central thematic sections E-F = F-G.  Concerning that central turning point, the thematic material shifts from the trumpets’ first statement at letter E to low brass with the trumpets taking on the pointillistic accompaniment at letter F.  Of interest is the parallel of C-D and H-I wherein the motivic material, including dynamics, is quite literally reversed note for note to a climax.For aural aesthetics in performance, there is an optional cut from letter K to m. 142.  Thematically, the structure remains chiastic, but taking the cut simply truncates the end for a motivic flavor rather than repeating the entire opening entrée.  There is nothing wrong with purists performing the work in its entirety—it is simply a matter of taste among the performing ensemble members.Stylistically, this piece strays far from my typical compositions.  Besides the pervasive echoing eighth-note motifs, the key never changes, and there is no chromaticism.  Inspired in that regard by the masterpiece “Quintet” by Michael Kamen, the diatonicism often flows in planed clusters mildly influenced by the choral works of Eric Whitacre.  Another deviation from my well-established compositional habits is the instrumentation including bass trombone instead of tuba.  Of course the part can be played by a tubist, though the bass trombone meshes more seamlessly with the timbres of the other instruments in passing along the pervasively echoing eighth-notes.The individual brass parts appear deceptively simple, and indeed, they are not technically demanding besides a couple high notes in the trumpets.  However, putting this piece together in an ensemble setting is rhythmically treacherous!The four-minute final product indeed sounds like it could be the opening to an epic movie of the same title, based on the novel-in-progress.

Brass Quintet - Level 3 - Digital Download SKU: A0.684899 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Hanukkah,Holiday. 50 pages. Gert Th. Walter #6561467. Published by Gert Th. Walter (A0.684899). Are you looking for modern and spirited Christmas music for your Brass Quintet? Here you go! Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music! Christmas Suite Box – The Complete Collection: Candy 'n Cake / Trick Or Treat! / The President's Turkey-Pardon / Thanksgiving Day / Turkey's Wishbone / Black Friday / National Christmas Tree / Dyker Heights / Pyjamas - We Are Family / Hanukkah / Stockings / A Visit From St. Nicholas / Santa Was Here! Wake Up! / Mistletoe / Yule Log / Nothing Goes Out / New Year's Eve / New Year's Hymn. Very easy arrangements, but not only for pupil and beginners. It works for any services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de

Brass Ensemble,Brass Quintet - Level 3 - Digital Download SKU: A0.774968 Composed by Will Rossiter. Arranged by Bill Wilson. 20th Century. Score and parts. 19 pages. Alexander Wilson #2930835. Published by Alexander Wilson (A0.774968). Will Rossiter and a team of 9 other composers and lyricists created Laughing Vamp, a charming song with a prominent section that consists of nothing but a major arpeggio in the melody followed by chromatically descending diminished chords.  Like many other songs built on a gimmick, this one actually works well to provide interest to the piece.  A Toot Suite Brass Quintet Arrangement for Bb trumpets, horn, trombone, and tuba.  Performance time is approximately 2 minutes.  Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1465650 Composed by Harry Warren and Jack Brooks. Arranged by Will Corbin. Film/TV,Pop. 23 pages. Will Corbin #1044262. Published by Will Corbin (A0.1465650). Jerry Lewis ostensibly forked over $30,000 of his own money to the songwriters to come up with something that woluld be a hit for his movie partner, Dean Martin. That's Amore did the job, becoming Martin's signature song. It first showed up in the 1953 Martin/Lewis comedy The Caddy, for which it received an Oscar nomination for best oriiginal song. (It lost to Doris Day''s Secret Love from Calamity Jane.It has been covered countless times, by artists from Annette Funicello to the Wellington International Ukulele Orchestra.This version leans on the trumpets for melody, with the others providing the oom-pah-pah and other support. Nothing fancy -- just fun, and a crowd pleaser.If you need other instrumentation, please contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1460791 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Will Corbin. Pop. 13 pages. Will Corbin #1039690. Published by Will Corbin (A0.1460791). This 1965 Beach Boys recording hit the top of the Billboard singles chart. Billboard called it an intriguing off-beat rouser, whatever that means.Not much to do with this, other than pass the melody around, and have it still feel like the Beach Boys. It's summertime-in-the-park fodder, nothing more.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55th�—under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song� most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio� section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweigh�, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March King�, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata form�, and even the modern formal designation of “recapitulating march� alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55th�, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Forever�) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th� an appropriate and even artistic concert march.

Brass Quintet - Level 3 - Digital Download SKU: A0.1251244 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Romantic Period. 15 pages. Woods Only, Arrangements #845522. Published by Woods Only, Arrangements (A0.1251244). This arrangement adapted for brass quintet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).