By Henry Fillmore (1881-1958). Arranged by Don Patterson. For brass quintet. Quintet music. Score and parts. Published by Cimarron Music Press

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church.  Joseph was in the process of writing a song but needed lyrics to go with his melody.  Henry obliged by writing a longish poem about the love of his life, Ella Blocksom.  She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart.  Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.”  Chicago’s Higgins Brothers published the song in 1857, and it became widely popular.  When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind.       J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded.  In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original.  You’ll find it a pleasure to play and a real crowd pleaser for audiences.     This composition is 201 measures in length.  It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141).  Initial tempo marking is Adagio, increasing to Moderato at section C.  There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing.     The introduction is 21 measures in length.  It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto.  In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression.       At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles.       The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme.     Performance time is about eight minutes, forty seconds.  Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument.     The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1234267 Composed by Helmut Kogler. 21st Century,Chamber,Classical,Praise & Worship,Wedding. 13 pages. Pentharmonics #829807. Published by Pentharmonics (A0.1234267). Fanfare & Theme - Grade 3 - Duration 3:30 min....the fellow. Fate determines all the ways, which humans have to follow. Often routes are crossed by others, at different course and orientation. But there are sections side-by-side. If humans trail one common path, maybe even at same time, then they are fellows. Affiliated with the same intention, unified by higher power, which gives them strength, lends courage, moves on the unity. One result is often friendship, but fellowship in any case. To share the common fate let weld together a strong bond, which may hold a whole life long...The PDF contains the score and all parts. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722742 Composed by Fredrik Pacius, John Stafford Smith. Arranged by Jari A. Villanueva. Holiday,Patriotic,Romantic Period,World. Score and parts. 12 pages. JV MUSIC #3389317. Published by JV MUSIC (A0.722742). Anthems of Finland and The United StatesFinland National Anthem US National Anthem for Brass QuintetArranged by Jari VillanuevaIn honor of the 100 years of independence of Finland and 100 years of friendship between our two great nations.Score 2 Trumpets in BbHorn in FTromboneTubaSubstitute parts for Eb Horn and Baritone T.C .providedMaamme or VÃ¥rt land is the title of Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. The Star-Spangled Banner is the national anthem of the United States of America. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large American flag, the Star-Spangled Banner, flying triumphantly above the fort during the American victory. Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country. He is the winner of the 2016 Sheet Music Plus Arranging Contest and 2016 Holiday Arranging Contest.https://youtu.be/FkGeeFGmcHw

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.961206 Composed by Conrad Kocher, Donnalyn Grunewald. Arranged by Robert Coil. Holiday,Praise & Worship,Sacred. 16 pages. Polished Brass #6329555. Published by Polished Brass (A0.961206). This arrangement for brass quintet, is based on a tune that is often used for the lyrics, written by the German composer, Conrad Kocher, in 1836. The melody was modified by William Chatterton Dix in 1859, for a hymn titled As With Gladness Men Of Old, hence the tune is often identified in hymnals as DIX. Though there are several other hymn tunes that can be used with the text, this arrangement also uses a modern setting by Donnalynn Grunewald (2013) in triple meter. Folliott S. Pierpoint was an English teacher and poet. The words to For the Beauty of the Earth were written in 1864. The marriage of the text with the melody by Kocher/Dix is credited to an English organist, William H. Monk in 1861. The popularity of the hymn is due partly to the aptness of the text to Thanksgiving celebrations, thus assuring in annual performance. Not only do the words express thanks for the world in which we live, but it also includes thanks for family and friends, brother, sister, parent, child. Friends on earth and friends above. Also worthy of note is the universality of the sentiment, expressed in a way that can be embraced by people of any religion. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble and the Polished Brass quintet in Cincinnati, OH.  This arrangement is available for trombone quintet and brass quintet.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1006336 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Wedding. 8 pages. RayThompsonMusic #609739. Published by RayThompsonMusic (A0.1006336). And I Love Her is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership.It is the fifth track of their third UK album A Hard Day's Night and was released 20 July 1964, along with If I Fell, as a single release by Capitol Records in the United States, reaching No. 12 on the Billboard Hot 100.The Beatles performed And I Love Her just once outside EMI Studios; on 14 July 1964 they played it for an edition of the BBC's Top Gear radio show, which was broadcast two days later. And I Love Her has been covered by a variety of artists, including Esther Phillips, Kurt Cobain and Cliff Richard. Arranged brass quintet: 2 tpts, tbn,hn and tuba. The melody in both the verse and the chorus is shared amongst the 3 top instruments.Trumpet 1 plays the arpeggio figure.Other brass ensemble arrangements:A Hard Day’s Night Across the Universe All you need is love And I love her Because Blackbird Come Together Day Tripper Drive My Car Eleanor Rigby Getting Better Good Morning, Good Morning Hello Goodbye Here comes the Sun Hey Jude I am the Walrus I want to hold your hand Lovely Rita Lucy in the Sky Martha My Dear Penny Lane Sgt.Pepper’s Lonely Hearts Club band Something Strawberry Fields Forever Taxman The Fool on the Hill The long and Winding Road We can work it out When I’m Sixty- four With a little help from my friends Yellow Submarine Yesterday You tube is brass quartet version.

Brass quintet - Digital Download SKU: IZ.IMS158 Composed by Gary Gazlay. Score and Parts. 18 pages. Imagine Music - Digital #IMS158. Published by Imagine Music - Digital (IZ.IMS158). 9 x 12 in inches.One of my fond memories of being a part of the Seminole High School Band, Seminole, Florida, was theopportunity of playing in a brass ensemble with my friends Kent Gall, Daryl Harpold, Wayne Veith, and TedNicholson. CROSSWINDS was written for my brass students with the purpose of providing them with anenjoyable song to play as well as a tool to improve their instrumental technique.It is my hope that CROSSWINDS will provide students with a song that they will enjoy learning to play, andprovide other music educators with a teaching tool that can be used to motivate and encourage their students.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!� I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah� accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…� she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp� of a very satisfied tummy.

Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all Occasions