By Paul McCartney & Wings. Arranged by Thomas Graf. Score, Set of Parts. 25 pages. Published by Thomas Graf - the-hit-factory.com

By Paul McCartney and Wings. Arranged by Reese Blaskowski. Score, Set of Parts. 19 pages. Published by Reese Blaskowski (H0.356443-485700). - Score,Set of Parts - - Reese Blaskowski

By Paul McCartney. Arranged by Seb Skelly. Score, Set of Parts. 26 pages. Published by Seb Skelly (H0.286043-945640). - Score,Set of Parts - - Seb Skelly

By Paul McCartney. Arranged by Austin Ralphson. Score, Set of Parts. 18 pages. Published by Austin Ralphson (H0.154719-945640). - Score,Set of Parts - - Austin Ralphson

By Paul McCartney & Wings. Arranged by Thomas Graf. Score, Set of Parts. 33 pages. Published by Thomas Graf - the-hit-factory.com (H0.307979-485700). - Score,Set of Parts - - Thomas Graf - the-hit-factory.com

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Film/TV, Pop, Rock, Wedding. 10 pages. RayThompsonMusic #584511. Published by RayThompsonMusic

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1368177

By Paul Mccartney & Wings. By Linda McCartney and Paul McCartney. Arranged by Joseph Pugh. Pop,Rock. 9 pages. Joseph Pugh #952501. Published by Joseph Pugh (A0.1368177).

This post Beatles tune by Paul and Linda McCartney is timeless. A real find for any Brass Quintet and even encludes the guitar solo played by 1st trumpet. Dowload yours today and update your repertoire.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.554034

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Contemporary,Pop. 16 pages. RayThompsonMusic #6517979. Published by RayThompsonMusic (A0.554034).

The Fool on the Hill is a song by the English rock band the Beatles from their 1967 EP and album Magical Mystery Tour. It was written and sung by Paul McCartney and credited to the Lennon–McCartney partnership. The lyrics describe the titular fool, a solitary figure who is not understood by others, but is actually wise. McCartney said the idea for the song was inspired by the Dutch design collective the Fool, who derived their name from the tarot card of the same name, and possibly by Maharishi Mahesh Yogi.

The song's segment in the Magical Mystery Tour television film was shot separately from the rest of the film and without the other Beatles' knowledge. Accompanied by a professional cameraman, McCartney filmed the scene near Nice in France. In 1968, Sérgio Mendes & Brasil '66 recorded a cover version of the song that reached the top ten in the US. By the late 1970s, The Fool on the Hill was one of McCartney's most widely recorded ballads. A solo demo and an outtake of the song were included on the Beatles' 1996 compilation album Anthology 2.

Arranged for standard brass quintet, the melody is shared between both trumpets

Interesting parts for horn, trombone and tuba.

The mp3 extract is of verse 2

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1033565

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Film/TV,Pop,Rock,Standards. 9 pages. RayThompsonMusic #638875. Published by RayThompsonMusic (A0.1033565).

Arranged standard brass quintet When I'm Sixty-Four is a song by the English rock band the Beatles, written by Paul McCartney (credited to Lennon–McCartney) and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was one of the first songs written by McCartney, who wrote it when he was 14. The song was recorded in a different key than the final recording; it was sped up at the request of McCartney to make his voice sound younger. It prominently features a trio of clarinets (two regular clarinets and one bass clarinet) throughout.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1034793

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Praise & Worship,Rock,Standards. 12 pages. RayThompsonMusic #640139. Published by RayThompsonMusic (A0.1034793).

Arranged standard brass quintet.

The melody is taken first by the horn, then trombone and then the trumpet. The guitar break is given to the trombone and trumpet.

The mp3 starts before that guitar break.

Let It Be is a song by the English rock band The Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership.

The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared to the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.

At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles' final single before McCartney announced his departure from the band. Both the Let It Be album and the US single The Long and Winding Road were released after McCartney's announced departure from and the subsequent break-up of the group.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.844927

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 10 pages. RayThompsonMusic #450440. Published by RayThompsonMusic (A0.844927).

Arranged standard brass quintet: 2tpts, hn. tbn and tuba. Opening piano solo arr horn and tuba, then melody is taken by tpt 2 , chorus by trumpet 1. Fun for everyone.

Martha My Dear is a song by the English rock band the Beatles from their 1968 eponymous double album The Beatles (also known as the White Album). Credited to Lennon–McCartney, the song was written solely by Paul McCartney about his Old English Sheepdog, Martha. It has been covered by several artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, World Party, and Les Boréades de Montréal.
The song incorporates elements from pop rock music; it also features a music hall-inspired piano line that recurs throughout the piece, as well as a brass section.
The song modulates through several keys The song is notated mainly in the key of Eâ™­ major, showing up embellished chords with jazzy sprinkled dissonances.

The verse is a syncopated replicate of the first melodic section adding two extra beats, a technique similar to that used later by McCartney in Two of Us. Though the bridge is in the key of F major, the manner in which it abruptly sets in and exits makes it sound more out-of-the-way than it really is.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1422325

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 9 pages. RayThompsonMusic #1003661. Published by RayThompsonMusic (A0.1422325).

Arranged brass quintet

The melody is taken throughout by the trumpets.

Golden Slumbers is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney.

It is the sixth song of the album's climactic B-side medley. The song is followed by Carry That Weight and begins the progression that leads to the end of the album. The two songs were recorded together as a single piece and both contain strings and brass arranged and scored by producer George Martin.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.826366

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Wedding. 10 pages. RayThompsonMusic #433187. Published by RayThompsonMusic (A0.826366).

Arranged brass quintet 2tpts, horn, tbn and tuba. Horn plays arpeggio, tpts and tbn the melody.

Because is a song written by John Lennon (credited to Lennon–McCartney) and recorded by the English rock band the Beatles. It was released on their 1969 album Abbey Road, immediately preceding the extended medley on side two of the record.
It features a prominent three-part vocal harmony by Lennon, Paul McCartney and George Harrison, recorded three times to make nine voices in all. Transposed into F minor to suit instruments ranges Additional piano accompaniment included.

YouTube Link https://www.youtube.com/embed/G7XvuNfSpUY is a clarinet quintet version.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.965701

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 10 pages. RayThompsonMusic #571400. Published by RayThompsonMusic (A0.965701).

Arranged standard brass quintet

Hello, Goodbye is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. Backed by John Lennon's I Am the Walrus, it was issued as a non-album single in November 1967, the group's first release since the death of their manager, Brian Epstein.
The single was commercially successful around the world, topping charts in the United States, the United Kingdom, New Zealand, Canada, Australia and several other countries.

I have attempted to transcribe this as close as possible to the recoding. 
It does NOT include the fade out ending.

The melody is shared out.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.553896

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Classical,Pop,Rock. 8 pages. RayThompsonMusic #6051069. Published by RayThompsonMusic (A0.553896).

Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine. The song was written primarily by Paul McCartney and credited to Lennon–McCartney.

The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, Eleanor Rigby broke sharply with popular music conventions, both musically and lyrically.

Richie Unterberger of AllMusic cites the band's singing about the neglected concerns and fates of the elderly on the song as just one example of why the Beatles' appeal reached so far beyond the traditional rock audience.