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Brass Quintet - Grade 3 - Digital Download

SKU: DX.145514

Composed by May Taylor Roberts. Arranged by Dana F. Everson. Sacred instrumental music. Sheet Music. Traditional. Score and parts. 13 pages. David E. Smith - Digital Sheet Music #145514. Published by David E. Smith - Digital Sheet Music (DX.145514).

A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The piece takes off immediately with a thematic statement in the trombone, breaking in a duet with the horn. Additional entries keep massing in the lower voices until most of the ensemble is involved. All of a sudden, the upper brass, silently present the tune in block harmonies until the lower brass present a countermelody. Now! Everybody’s involved. Next, a dialog between the upper brass and middle brass takes place as it alternates back and forth. With a modulation in place the tempo goes slow, the tune is in the lower brass- expressive! All of a sudden from bottom to top motives are presented- in stacked chords…. This goes through different transformations until the piece elevates into an uplifting conclusion.

Meeting In The Air
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$12.00 11.36 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1401574

Composed by Bruce Gowers, Carol Rosenstein, Michael Lloyd, and Traditional. Arranged by S Smith-Masters & Peet du Toit. Christian,Christmas. 11 pages. Peet du Toit #984753. Published by Peet du Toit (A0.1401574).

Kum ba yah (Come by here) is an African American spiritual song of disputed origin, but known to be sung in the Gullah culture of the islands off South Carolina and Georgia, with ties to enslaved Central Africans. The song is thought to have spread from the islands to other Southern states and the North, as well as other places in the world. The first known recording, of someone known only as H. Wylie, who sang in the Gullah dialect, was recorded by folklorist Robert Winslow Gordon in 1926. It later became a standard campfire song in Scouting and summer camps and enjoyed broader popularity during the folk revival of the 1950s and 1960s.

The song was originally an appeal to God to come and help those in need. In American politics, the song would later become part of a phrase (sing Kumbaya) denoting unrealistic, excessively optimistic compromises.

Here is a brilliant arrangement by S Smith-Masters orchestrated for a brass quintet and functional percussion.

Kumbaya
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$14.00 13.26 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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