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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1199293

Composed by Edward Miller and Lowell Mason. Arranged by Nathaniel Hontz. Christian,Easter,Religious,Sacred,Traditional. 21 pages. TigerSong LLC #798356. Published by TigerSong LLC (A0.1199293).

When I Survey the Wondrous Cross has two tunes commonly associated with it: Hamburg and Rockingham. Both are present in this arrangement for brass quintet. The two melodies are played off against each other, trade time signatures, and move into a minor key before a chorale finish. Perfect for Holy Week, Good Friday, or any time of the year. Includes optional Euphonium part (doubles F Horn).

When I Survey the Wondrous Cross
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$12.99 12.36 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1109895

Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 8 pages. RayThompsonMusic #712266. Published by RayThompsonMusic (A0.1109895).

Arranged standard brass quintet.

A beautiful piece of music. It suits the brass quintet.

The Lacrimosa (Latin for weeping/tearful), also a name that derives from Our Lady of Sorrows, a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass.
Its text comes from the Latin 18th and 19th stanzas of the sequence.

Lacrimosa dies illa
Qua resurget ex favilla
Judicandus homo reus.
Huic ergo parce,
Deus: Pie Jesu Domine,
Dona eis requiem.
Amen.

Full of tears will be that day When from the ashes shall arise The guilty man to be judged; Therefore spare him, O God, Merciful Lord Jesus, Grant them eternal rest. Amen.

The piece begins piano on a rocking rhythm in 12/8, intercut with quarter rests, which will be reprised after two bars, on Lacrimosa dies illa (This tearful day). Then follows a diatonic progression, in disjointed eighth-notes on the text resurget (will be reborn), then legato and chromatic on a powerful crescendo.

The music is forte by bar 8, at which point Mozart's contribution to the movement is interrupted by his death. Süssmayr brings the music to a reference of the Introit and ends on an Amen cadence.
Discovery of a fragmentary Amen fugue in Mozart's hand has led to speculation that it may have been intended for the Requiem.
Indeed, many modern completions (such as Levin's) complete Mozart's fragment. Some sections of this movement are quoted in the Requiem mass of Franz von Suppé, who was a great admirer of Mozart.

Ray Robinson, the music scholar and president (from 1969 to 1987) of the Westminster Choir College, suggests that Süssmayr used materials from Credo of one of Mozart's earlier masses, Mass in C major, K. 220 Sparrow in completing this movement.

Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$4.95 4.71 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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