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Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church.  Joseph was in the process of writing a song but needed lyrics to go with his melody.  Henry obliged by writing a longish poem about the love of his life, Ella Blocksom.  She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart.  Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.”  Chicago’s Higgins Brothers published the song in 1857, and it became widely popular.  When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind.       J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded.  In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original.  You’ll find it a pleasure to play and a real crowd pleaser for audiences.     This composition is 201 measures in length.  It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141).  Initial tempo marking is Adagio, increasing to Moderato at section C.  There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing.     The introduction is 21 measures in length.  It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto.  In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression.       At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles.       The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme.     Performance time is about eight minutes, forty seconds.  Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument.     The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
Lorena: A Brass Quintet Setting
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$6.99 6.09 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.†Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
Higher Ground ("I'm pressing on the upward way") — brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 13.06 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass quintet - Grade 3 - Digital Download SKU: DX.145506 Composed by Priscilla J. Owens. Arranged by Dana F. Everson. Sacred instrumental music. Key of F, G, C. Traditional. Score and parts. 20 pages. David E. Smith - Digital Sheet Music #145506. Published by David E. Smith - Digital Sheet Music (DX.145506). Scored for traditional brass quintet the piece incorporates material from Pat-a-Pan with the melodic material in the upper voices and then passed to the lower voices. After much rhythmic activity the piece becomes more legato and flowing, and modulates to a new key using material from O Come, O Ye Faithful Him, in a fugal style After a new modulation the fragmented theme is broken into entrances by the various instruments- the tune_ God Rest Ye Merry Gentlemen, where it is broken into more syncopated renditions. Another modulation? Yes and this time introducing Angels From The Realms Of Glory The final section is imitative with brief snatches of Joy To The World!.
We Have An Anchor
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$10.00 8.71 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1168948 Composed by Ô±Ö€Õ´Õ¥Õ¶ Õ†Õ¡Õ½Õ«Õ¢ÕµÕ¡Õ¶ (Armen Nassibian) Arranged by Keith Terrett. Arranged by Keith Terrett. Multicultural,Patriotic,Traditional,World. 10 pages. Keith Terrett #769292. Published by Keith Terrett (A0.1168948). The regional anthem of Norgorno- Karaabakh arranged for Classical Brass Quintet.Free and independent Artsakh (Armenian: Ô±Õ¦Õ¡Õ¿ Õ¸Ö‚ Õ¡Õ¶Õ¯Õ¡Õ­ Ô±Ö€ÖÕ¡Õ­) (Russian: ГоÑударÑтвенный гимн РеÑпублики Ðрцах) is the national anthem of the Republic of Artsakh, a breakaway state in Transcaucasia. Adopted in 1992, the anthem was written by Vardan Hakobyan and composed by Armen Nasibyan.Artsakh, officially the Republic of Artsakh (/ˈɑËrtsÉ‘Ëx, -sæx/)[e] or the Nagorno-Karabakh Republic (/nəˌɡɔËrnoÊŠ kærəˈbæk/), is a breakaway state in the South Caucasus whose territory is internationally recognised as part of Azerbaijan. Artsakh controls a part of the former Nagorno-Karabakh Autonomous Oblast, including the capital of Stepanakert. It is an enclave within Azerbaijan. Its only overland access route to Armenia is via the 5 km (3.1 mi) wide Lachin corridor which is under the control of Russian peacekeepers.The predominantly Armenian-populated region of Nagorno-Karabakh was claimed by both the Azerbaijan Democratic Republic and the First Republic of Armenia when both countries became independent in 1918 after the fall of the Russian Empire, and a brief war over the region broke out in 1920. The dispute was largely shelved after the Soviet Union established control over the area, and created the Nagorno-Karabakh Autonomous Oblast (NKAO) within the Azerbaijan SSR in 1923. In the leadup to the fall of the Soviet Union, the region re-emerged as a source of dispute between Armenia and Azerbaijan. In 1991, a referendum held in the NKAO and the neighbouring Shahumyan Province resulted in a declaration of independence. Ethnic conflict led to the 1991–1994 Nagorno-Karabakh War. Conflict has sporadically broken out since then, most significantly in the Second Nagorno-Karabakh War.The Republic of Artsakh is a presidential democracy with a unicameral legislature. The country is reliant on and closely integrated with Armenia, in many ways functioning as a de facto part of Armenia. The country is very mountainous, averaging 1,100 metres (3,600 ft) above sea level. The population is 99.7% ethnic Armenian, and the primary spoken language is the Armenian language. The population is overwhelmingly Christian, most being affiliated with the Armenian Apostolic Church. Several historical monasteries are popular with tourists, mostly from the Armenian diaspora, as most travel can take place only between Armenia and Artsakh.
Nagorno-Karabagh Regional Anthem for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$9.99 8.7 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1302280 Composed by Traditional. Arranged by Betsy Bright. Jazz,Religious,Spiritual,Standards,Traditional. 23 pages. Bright Music Company #891892. Published by Bright Music Company (A0.1302280). Lifted begins with a medley of several spirituals:  Lift Every Voice and Sing, Oh When the Saints Go Marching In, and Will the Circle Be Unbroken.  It closes with a mashup of all three melodies, leaving the audience tapping their feet with joy.  There is room for some improv here, though it's not essential.  Duration: just under 4 minutesDifficulty Level:  4.
Lifted (Lift Every Voice and Sing, Oh When the Saints go Marching In, Will the Circle be Unbroken)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$25.00 21.77 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1258610 Composed by Leon Bolleman. Arranged by Trevor Wharton. 19th Century,Chamber,Wedding. 25 pages. Bumpmusic Editions #851869. Published by Bumpmusic Editions (A0.1258610). The 'Minuet Gothique' is the second movement from Leon Boellman's 'Suite Gothique' Opus 25 composed in 1895 for the Organ.The Minuet opens quietly stating the main themes which it develops through dynamically contrasting sections becoming increasingly modal in its feel. The middle section has a rising broken chord theme which is developed through new keys. Gradually ideas from the opening minuet are quietly introduced into the music like distant echos. Eventually the opening Minuet return in all its stately elegance to close the movement.This music needs good focus on dynamic control and articulation both in the ensemble sections and the solo portions. The quiet 'echo' sections need to keep the same energy in their forward movement without diminishing the tempo or relaxing the musical style.
Minuet Gothique
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$19.75 17.2 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1147711 Composed by Traditional French Melody. Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 16 pages. Con Spirito Music #747929. Published by Con Spirito Music (A0.1147711). “The Huron Carol†is the popular name for a Christmas song written in the language of the Wendat, an indigenous people of Canada — their name meaning “people of the island†or “dwellers on a peninsula†— nicknamed “Huron†(“boar's headâ€) by French explorers and traders due to the bristly hairstyle of Wendat men.The song began as a tool for teaching and converting the Wendat to Christianity, and it was likely written in the early 1640s by the French Jesuit missionary, Jean de Brébeuf. In Wendat, the song is titled “Jesous Ahatonnia,†which means “Jesus is Born.†The song's melody is based on a traditional French folk song, “Une Jeune Pucelle†(“A Young Maidâ€). Jean de Brébeuf’s lyrics present the Nativity story using images and ideas that would have been familiar to the Wendat. Angels are “spirits†and “sky peopleâ€; the Magi (wise men) are “elders,†and as an act of reverence they oil Jesus’ scalp, a practice Wendat people would have recognized. Today, “The Huron Carol's†most well-known lyrics, beginning “'Twas in the moon of winter-time,†were written by Canadian poet Jesse Middleton and published in 1927 in a small illustrated book titled “The First Canadian Christmas Carol.â€Middleton’s text is not a translation, but a complete rewriting of “Jesous Ahatonnia†for English speakers, and bears almost no relation to the original Wendat text. Middleton relied on stereotypes, critics say, painting a picture of an indigenous Nativity in a “lodge of broken bark,†with “hunter braves†replacing shepherds, and “gifts of fur and beaver pelt†delivered by “chiefs from far.†Still, the carol has long been popular, perhaps in part due to its refrain, “Jesus your King is born, Jesus is born. In excelsis gloria!†and its pairing with the easily singable “Une Jeune Pucelle†tune.This arrangement for brass quintet takes a contemplative, lyrical approach, featuring rich harmonies to the chant-like tune and contrasts in dynamics and tempo that evoke both the quiet peace and solemnity accompanying the birth of Christ.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
The Huron Carol — brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 13.06 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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