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Brass Ensemble - Level 2 - Digital Download

SKU: A0.742369

Composed by John IV, John Reading, and John Wade. Arranged by Javier Martínez Maya. Children,Christmas,Classical,Concert,Standards. Score and parts. 8 pages. Arte Nova Music Lab #2150649. Published by Arte Nova Music Lab (A0.742369).

O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol which has been attributed to various authors, including John Francis Wade (1711–1786), with the earliest copies of the hymn all bearing his signature, John Reading (1645–1692) and King John IV of Portugal (1604–1656).[1][2][3]

The original four verses of the hymn were extended to a total of eight, and these have been translated into many languages. The English translation of O Come, All Ye Faithful by the English Catholic priest Frederick Oakeley, written in 1841, is widespread in most English speaking countries.[2][4] The present harmonisation is from the English Hymnal (1906).[2]. Taken from https://en.wikipedia.org/wiki/O_Come,_All_Ye_Faithful

An original manuscript of the oldest known version, dating from 1751, is held by Stonyhurst College in Lancashire.[5]

Adeste Fidelis - Brass Quintet Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$5.00 4.75 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1446054

Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054).

Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.

The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.

Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.

Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.

''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.

The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.

Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$8.99 8.54 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download

SKU: A0.549869

Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869).

Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet.

Sonata Op. 49 No. 2

Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike.

Beethoven Background

Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio.

Beethoven Overview

First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period.

First Period

Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13.

Second Period

His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio.

Third Period

In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.

 

   www.jamesguthrie.com.

Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$49.95 47.47 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1471115

Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Standards. 297 pages. Jmsgu3 #1048764. Published by jmsgu3 (A0.1471115).

Christmas Brass Quintet Book: Concert Edition

O Come, O Come, Emmanuel (Veni, veni Emmanuel)

Lo, He Comes with Clouds Descending (Helmsley) 

Joy to the World (Antioch)

It Came Upon a Midnight Clear (Carol)

Lo, How a Rose E’er Blooming (Es ist ein Ros)

Angels We Have Heard on High (Gloria)

God Rest Ye Merry, Gentlemen (God Rest You Merry)

What Child is This? (Greensleeves)

In Sweet Rejoicing (In Dulci Jubilo)   

Hark! the Herald Angels Sing (Mendelssohn)

Let Them Sing Today (Personet hodie)

The First Noel 

At the Lamb’s High Feast, We Sing (Salzburg)         

We Three Kings (Three Kings of Orient)

O Come, All Ye Faithful (Adeste Fidelis)       

O Little Town of Bethlehem (St. Louis)

Away in a Manger (Mueller)

Silent Night (Stille Nacht)

Auld Lang Syne          

We Wish You a Merry Christmas.

Guthrie: The Christmas Brass Quintet Book - Concert Edition
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$49.95 47.47 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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