Brass Ensemble - Level 3 - Digital Download SKU: A0.913317 Composed by Ben Homer, Bud Green, and Les Brown. Arranged by Chris Hardy. Contemporary. Score and parts. 16 pages. Chris Hardy #3139001. Published by Chris Hardy (A0.913317). Sentimental Journey for Brass Quintet. Score and Parts. Trumpet 1/Cornet 1, Trumpet 2/Cornet 2, Horn, Trombone and Tuba, plus Tenor Horn in Eb, Trombone in Bb, Euphonium and EEb BassArranged for intermediate standard band.

Brass Quintet - Level 2 - Digital Download SKU: A0.1394240 Composed by Jule Styne and Sammy Cahn. Arranged by Peet du Toit. Film/TV,Jazz. 8 pages. Peet du Toit #977715. Published by Peet du Toit (A0.1394240). Time After Time is a jazz standard about nostalgia with lyrics written by Sammy Cahn and music by Jule Styne in 1946.The first recording was on November 19, 1946 for Musicra by Sarah Vaughan with the Teddy Wilson Quartet: Wilson on piano, Charlie Ventura on tenor saxophone, Remo Palmieri on guitar, and Billy Taylor on double bass.The song was written for Frank Sinatra in the 1947 film It Happened in Brooklyn. The pianist providing the music offstage was André Previn. Sinatra recorded it again in 1957 with the Nelson Riddle Orchestra.Here is a short and easy cover of this beautiful piece, without neglecting its magnificent chord structures.

Brass Ensemble - Digital Download SKU: A0.501343 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Kenneth Abeling. Christmas,Jazz. Score and parts. 17 pages. LINCOLN MUSIC PUBLICATIONS #114236. Published by LINCOLN MUSIC PUBLICATIONS (A0.501343). Christmas Time is Here lyrics by Lee Mendelson and music by Vince Guaraldi arranged for Brass Quintet. This is an intermediate level arrangement of the popular Christmas standard originally written for the 1965 TV special, A Charlie Brown Christmas. Playing time approximately 3:45.

Composed by Vince Guaraldi. Arranged by Steve Ash. Christmas, Film/TV, Holiday, Jazz, Standards. Score and parts. 15 pages. Aaron Hettinga Music #6857261. Published by Aaron Hettinga Music

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1433657 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Kayleigh Huelin. Jazz,Standards. 9 pages. Kayleigh Huelin #1013889. Published by Kayleigh Huelin (A0.1433657). Gershwin's aria Summertime was written for the 1935 opera Porgy and Bess and has been a favourite of audiences since. Known as a jazz standard across the world, this version is less jazz-influenced and more akin to the original orchestration. Arranged for brass quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.

Composed by Lew Pollack (1895-1946). Arranged by Keith Gemmell. Jazz, Dixieland, Ragtime, General Instructional, Recital. Score, Set of Parts. 30 pages. Published by Keith Gemmell (S0.90929). - Score,Set of Parts - Jazz,Dixieland,Ragtime,General Instructional,Recital - Keith Gemmell

Brass Quintet - Advanced - Digital Download Composed by Traditional. Arranged by Marcus Shanks. Folk, European, Old-time. Score, Set of Parts. 16 pages. Published by Marcus Shanks

Brass Quintet - Advanced - Digital Download Composed by John Philip Sousa (1854-1932). Arranged by Denroche, Stephen. 20th Century, Romantic Period, Patriotic, Old-time, Americana. Score, Set of Parts. 16 pages. Published by Cherry Classics Music

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.�The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session� the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam� Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues� was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues� was one of his nightly features with Satch’s ensemble along with “Tea for Two.� Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,� etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,� featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Level 3 - Digital Download SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #517391. Published by Keith Terrett (A0.911345). Four Early Jazz Classics from the USA for Brass Quintet includes: 1)Little Brown Jug:It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era. 2)Frankie & Johnny:Frankie and Johnny (sometimes spelled Frankie and Johnnie; also known as Frankie and Albert or just Frankie) is a traditional American popular song. It tells the story of a woman, Frankie, who finds that her man Johnny was making love to another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. 3)Tin Roof Blues:Tin Roof Blues is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one of the most recorded and often played New Orleans jazz compositions. 4)Battle Hymn of the Republic:The Battle Hymn of the Republic, also known as Mine Eyes Have Seen the Glory outside of the United States, is a song by American writer Julia Ward Howe using the music from the song John Brown’s Body. Howe’s more famous lyrics were written in November 1861, and first published in The Atlantic Monthly in February 1862. The song links the judgment of the wicked at the end of time (Old Testament, Isaiah 63; New Testament, Rev. 19) with the American Civil War. Since that time, it has become an extremely popular and well-known American patriotic song. Arranged here for Brass Quintet, this arrangement is available for most ensembles of your choice, e-mail for other arrangements. An excellent selection for your next concert!

Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition. Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule für Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!�   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.�  Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series� in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

Brass Ensemble - Level 5 - Digital Download SKU: A0.1113888 Composed by Nick LaRocca. Arranged by Bob Burnham. Jazz,Ragtime,Standards. Score and parts. 17 pages. Gordon Cherry #715789. Published by Gordon Cherry (A0.1113888). Fidgety Feet attributed to Nick LaRocca is a Dixieland jazz standard first recorded by the Original Dixieland Jazz Band in 1918 and then later as a hit in 1924 featuring Bix Beiderbecke. This great arrangement for Brass Quintet by Bob Burnham includes written out jazz solos along with optional chords and will have everyone dancin' in the aisles. Instrumentation is for Piccolo Trumpet (regular B-flat part and another part down the octave for easy picc. reading), Horn, Trombone in bass clef and Tuba. The piece is appropriate for advanced performers.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1459173 Composed by Consuelo Velazquez. Arranged by Will Corbin. Latin,Pop. 20 pages. Will Corbin #1038143. Published by Will Corbin (A0.1459173). Mexican songwriter Consuelo Velazquez wrote Besame Mucho, words and music, in 1941. When she died in 2005, The New York Times said this of the song in her obituary: 'Bésame Mucho' is not so much an enduring standard as a global phenomenon. Translated into dozens of languages and performed by hundreds of artists, the song has been an emblem of Latin identity, an anthem of lovers separated by World War II and perennial grist for lounge singers everywhere. Virtually every professional recording musician has covered it, from the Beatles to Placido Domingo. This arrangement borrows its 6/4 time signature (and not much more) from the 2001 recording by Maynard Ferguson and Diane Schuur. It's a little more accessible than Ferguson's screaming big band chart.This one is for two trumpets, horn, trombone and tuba. If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1240389 Composed by Antonio Vivaldi. Arranged by Mark J. LaFratta. Baroque. 36 pages. Gordon Cherry #835766. Published by Gordon Cherry (A0.1240389). Spring from the Four Seasons by Antonio Vivaldi is a masterpiece of Baroque music that captures the essence of the changing season. The composition features three movements, each invoking the sights and sounds of springtime. The first movement is a joyful celebration of the arrival of spring, with its lively melodies and energetic rhythms. The second movement is a pastoral scene, featuring delicate solos, representing the peacefulness of the countryside in spring and even a barking dog. Finally, the third movement depicts a violent thunderstorm, before giving way to an optimistic finale that reflects the renewal and rebirth of nature in spring.This marvelous work of about 9-minutes in length by Mark LaFratta has been arranged and transposed from the original. It is scored for standard Brass Quintet with Trumpets in B-flat and is appropriate for advanced performers.

Brass Quintet Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251727 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Justin Miller. Pop,Standards. 13 pages. Late to the Game Music #845948. Published by Late to the Game Music (A0.1251727). This arrangement is inspired by the Pentatonix cover of the great Can't Help Falling In Love, a standard that has been recorded by a multitude of artists. Parts for B-flat and C trumpets have been included. Note that the second trumpet part carries the melody throughout and can get rather low at times. Don't be afraid to play those low notes out because the texture is thick. Also, the tuba part is quite high to facilitate the tight harmonies.