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Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.”  It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973.  After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences.  It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam.  What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities.  My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior.  During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.”  Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history.  They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs.  What an educational bridge of paradigms.  Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches.  That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination.  As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs.  For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells.  It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted.  Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013.  This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights.  This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam.  May this music contribute to a continuing growth of positive relations bridging the two nations.
Bridges, Op. 136 (for Brass Quintet and Chimes)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$24.95 21.43 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1375583 Composed by Peter Ilyich Tchaikovsky. Arranged by Dennis Wright (Arranger) & Peet du Toit (Orchestrator). Romantic Period. 58 pages. Peet du Toit #960114. Published by Peet du Toit (A0.1375583). The Capriccio Italien, Op. 45, is a fantasy for orchestra composed between January and May 1880 by Pyotr Ilyich Tchaikovsky. It premiered 18 December, 1880 (New System) in Moscow, conducted by Nikolay Rubinstein.The Capriccio was inspired by a trip Tchaikovsky took to Rome with his brother Modest as respite from the composer's disastrous marriage with Antonina Miliukova. It was in Rome, however, that the observant Tchaikovsky called Raphael a Mozart of painting.While in Rome, he wrote to his friend Nadezhda von Meck:I have already completed the sketches for an Italian fantasia on folk tunes for which I believe a good fortune may be predicted. It will be effective, thanks to the delightful tunes which I have succeeded in assembling partly from anthologies, partly from my own ears in the streets.The composer was able to soak up Italian street music and folk songs which he then incorporated into his Capriccio.This enables some bright primary colors and uncomplicated tunefulness..
Capriccio Italien, Op. 45
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$25.00 21.47 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472617 Composed by Bill Conti. Arranged by Mary Clark. Classical,Film/TV. 11 pages. Second Wind Music #1050268. Published by Second Wind Music (A0.1472617). “Philadelphia Morning” is a powerfully expressive composition that sets the tone for a scene early in the movie Rocky when the main character has just found out the he will get to fight the world champion boxer and sets out for a training run in the gritty city streets of Philadelphia at 4 a.m. on a dark, cold, dreary winter day. (click here to see a clip of this scene from the movie) This beautifully written piece is penetrating and pensive in describing the battle within, the solitude of it, the impossibility at hand, and generally, the struggle involved in pushing oneself. There is a powerful but subtle orchestration here; the sound of a kind of musical undertow — an undertow that is pulling our hero down, as if giving him leaden legs, or of running in quicksand. But there is also a twinkle of possibility.  At the end, the [music] trails off and there is uncertainty in the air.” [From:  Jack Doyle, “Philadelphia Morning: 1976-1977,” PopHistoryDig.com, March 25, 2015.]This brass quintet arrangement of Philadelphia Morning would work well as a short concert piece that showcases the expressive qualities of the French horn as well as that of the whole ensemble. This piece has a quiet, pensive, somewhat moody tempermanent. While this arrangement is not technically challenging (other than the range for the horn part noted below), the lean scoring and soft dynamics requires the ensemble to pay close attention to balance and play as one in style, tone quality, and expressiveness.  Phrases passing from one player to another need to flow as if being played on a piano.  The expressive opening eight-bar horn solo, which is a direct transcription from the movie score, is mostly unaccompanied and ranges up to a high b-flat so a strong, confident horn player is needed – but they will surely enjoy playing this elegantly written passage.  (The film soundtrack recording features Vincent DeRosa on horn.)    The bass trombone part can be played on a tuba.
Philadelphia Morning
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$12.99 11.16 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
El Condor Pasa (If I Could)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 12.88 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.811069 Composed by Giuseppe Verdi. Arranged by Damiano Drei. Opera,Romantic Period. Score and parts. 16 pages. Gordon Cherry #4853479. Published by Gordon Cherry (A0.811069). Va Pensiero, the great chorus from Verdi's opera Nabucco is also known as The Chorus of the Hebrew Slaves, retelling the biblical story of the Babylonian captivity of the Jewish people after the destruction of the First Temple in Jerusalem in 586 BCE. Italian patriots who were seeking to unify their country and free it from foreign control found the hymn very moving. The music was performed  as a cortege in the streets of Milan after the composer's death. Mr. Drei's beautiful arrangement is appropriate for moderately advanced performers and is about 4 minutes in length. Parts are supplied for C and B-flat Trumpets.
Va Pensiero from the opera Nabucco for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$20.00 17.18 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1142936 By The Carpenters. By Joe Raposo. Arranged by Paul Nagle. Film/TV,Pop. 18 pages. Paul Nagle #743295. Published by Paul Nagle (A0.1142936). Sing is a cute brass quintet arrangement of the popular Carpenters' song from Sesame Street. It begins with a moderate tempo version of the song with the arranger's usual techniques of pyramids, contrary motion and plenty of short solos. At the mid-point it breaks into a double - time treatment that brings the tune to a rousing climax and a surprise quiet ending. The Mp3 included starts a little before letter D and captures the change to the faster tempo.
Sing
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
The Carpenters
$15.00 12.88 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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